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Author: John Onions
Publisher:
ISBN: 9780333472873
Category : English literature
Languages : en
Pages : 199
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Book Description
Author: John Onions
Publisher:
ISBN: 9780333472873
Category : English literature
Languages : en
Pages : 199
Get Book
Book Description
Author: John Onions
Publisher: Springer
ISBN: 1349206202
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Author: Ian Andrew Isherwood
Publisher: Bloomsbury Publishing
ISBN: 1786721031
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
The horrors and tragedies of the First World War produced some of the finest literature of the century: including Memoirs of an Infantry Officer; Goodbye to All That; the poetry of Wilfred Owen and Edward Thomas; and the novels of Ford Madox Ford. Collectively detailing every campaign and action, together with the emotions and motives of the men on the ground, these 'war books' are the most important set of sources on the Great War that we have. Through looking at the war poems, memoirs and accounts published after the First World War, Ian Andrew Isherwood addresses the key issues of wartime historiography-patriotism, cowardice, publishers and their motives, readers and their motives, masculinity and propaganda. He also analyses the culture, society and politics of the world left behind. Remembering the Great War is a valuable, fascinating and stirring addition to our knowledge of the experiences of WWI.
Author: H. Kosok
Publisher: Springer
ISBN: 0230590640
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
The Theatre of War surveys more than two hundred plays about the First World War written, published and/or performed in Britain and Ireland between 1909 and 1998. Perspectives discussed include: subject matter, technique and evaluation. The result is an understanding of the First World War as a watershed in international history.
Author: Ann-Marie Einhaus
Publisher: Edinburgh University Press
ISBN: 1474425720
Category : History
Languages : en
Pages : 480
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Book Description
A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present
Author: Mark David Sheftall
Publisher: Bloomsbury Publishing
ISBN: 085771032X
Category : History
Languages : en
Pages : 242
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Book Description
The experiences of World War I touched the lives of a generation but memories of this momentous experience vary enormously throughout the world. In Britain, there was a strong reaction against militarism but in the Dominion powers of Canada, Australia and New Zealand the response was very different. For these former colonial powers, the experience of war was largely accepted as a national rite of passage and their pride and respect for their soldiers' sacrifices found its focus in a powerful nationalist drive. How did a single, supposedly shared experience provoke such contrasting reactions? What does it reveal about earlier, pre-existing ideas of national identity? And how did the memory of war influence later ideas of self-determination and nationhood? "Altered Memories of the Great War" is the first book to compare the distinctive collective narratives that emerged within Britain and the Dominions in response to World War I. It powerfully illuminates the differences as well as the similarities between different memories of war and offers fascinating insights into what this reveals about developing concepts of national identity in the aftermath of World War I.
Author: G. J. Meyer
Publisher: Bantam
ISBN: 0553382403
Category : History
Languages : en
Pages : 818
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Book Description
NEW YORK TIMES BESTSELLER • Drawing on exhaustive research, this intimate account details how World War I reduced Europe’s mightiest empires to rubble, killed twenty million people, and cracked the foundations of our modern world “Thundering, magnificent . . . [A World Undone] is a book of true greatness that prompts moments of sheer joy and pleasure. . . . It will earn generations of admirers.”—The Washington Times On a summer day in 1914, a nineteen-year-old Serbian nationalist gunned down Archduke Franz Ferdinand in Sarajevo. While the world slumbered, monumental forces were shaken. In less than a month, a combination of ambition, deceit, fear, jealousy, missed opportunities, and miscalculation sent Austro-Hungarian troops marching into Serbia, German troops streaming toward Paris, and a vast Russian army into war, with England as its ally. As crowds cheered their armies on, no one could guess what lay ahead in the First World War: four long years of slaughter, physical and moral exhaustion, and the near collapse of a civilization that until 1914 had dominated the globe. Praise for A World Undone “Meyer’s sketches of the British Cabinet, the Russian Empire, the aging Austro-Hungarian Empire . . . are lifelike and plausible. His account of the tragic folly of Gallipoli is masterful. . . . [A World Undone] has an instructive value that can scarcely be measured”—Los Angeles Times “An original and very readable account of one of the most significant and often misunderstood events of the last century.”—Steve Gillon, resident historian, The History Channel
Author: Ross J. Wilson
Publisher: Routledge
ISBN: 1317156455
Category : Social Science
Languages : en
Pages : 256
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Book Description
As the hundredth anniversary approaches, it is timely to reflect not only upon the Great War itself and on the memorials which were erected to ensure it did not slip from national consciousness, but also to reflect upon its rich and substantial cultural legacy. This book examines the heritage of the Great War in contemporary Britain. It addresses how the war maintains a place and value within British society through the usage of phrases, references, metaphors and imagery within popular, media, heritage and political discourse. Whilst the representation of the war within historiography, literature, art, television and film has been examined by scholars seeking to understand the origins of the 'popular memory' of the conflict, these analyses have neglected how and why wider popular debate draws upon a war fought nearly a century ago to express ideas about identity, place and politics. By examining the history, usage and meanings of references to the Great War within local and national newspapers, historical societies, political publications and manifestos, the heritage sector, popular expressions, blogs and internet chat rooms, an analysis of the discourses which structure the remembrance of the war can be created. The book acknowledges the diversity within Britain as different regional and national identities draw upon the war as a means of expression. Whilst utilising the substantial field of heritage studies, this book puts forward a new methodology for assessing cultural heritage and creates an original perspective on the place of the Great War across contemporary British society.
Author: Maggie B. Gale
Publisher: Routledge
ISBN: 1351397192
Category : Performing Arts
Languages : en
Pages : 369
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Book Description
This book provides a new social history of British performance cultures in the early decades of the twentieth century, where performance across stage and screen was generated by dynamic and transformational industries. Exploring an era book-ended by wars and troubled by social unrest and political uncertainty, A Social History of British Performance Cultures 1900–1939 makes use of the popular material cultures produced by and for the industries – autobiographies, fan magazines and trade journals, as well as archival holdings, popular sketches, plays and performances. Maggie B. Gale looks at how the performance industries operated, circulated their products and self-regulated their professional activities, in a period where enfranchisement, democratization, technological development and legislation shaped the experience of citizenship. Through close examination of material evidence and a theoretical underpinning, this book shows how performance industries reflected and challenged this experience, and explored the ways in which we construct our ‘performance’ as participants in the public realm. Suited not only to scholars and students of British theatre and theatre history, but to general readers as well, A Social History of British Performance Cultures 1900–1939 offers an original intervention into the construction of British theatre and performance histories, offering new readings of the relationship between the material cultures of performance, the social, professional and civic contexts from which they arise, and on which they reflect.
Author: Celia Malone Kingsbury
Publisher: Texas Tech University Press
ISBN: 9780896724822
Category : History
Languages : en
Pages : 220
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Book Description
During wartime, paranoia, gossip, and rumor become accepted forms of behavior and dominant literary tropes. The Peculiar Sanity of War examines the impact of war hysteria on definitions of sanity and on standards of behavior during World War I. Drawing upon Joseph Conrad's comprehensive understanding of war's impact on soldiers and civilians alike, and extending Michel Foucault's construction of madness and reason, Kingsbury expands the definition of war neurosis to include peculiar sanity at home as well as on the front lines. While other investigations of World War I consider shell shock to be the only definable war madness, Kingsbury is the first to build a powerful argument around the insanity of the home front's vilification of the enemy. Ultimately, Kingsbury's study establishes peculiar sanity, among civilians and soldiers, as an inevitable response to war's madness. The Peculiar Sanity of War begins by locating the roots of war mania in Edwardian hypocrisy, then moves on to examine the way propaganda operates in nontraditional texts, such as housekeeping guides, and in the novels of Joseph Conrad, Ford Madox Ford, H. G. Wells, Rebecca West, Edith Wharton, Willa Cather, Rudyard Kipling, Virginia Woolf, and H. D. Celia Kingsbury's eloquent and moving book . . . brings together war and madness in unexpected ways. Beginning with a phrase from Joseph Conrad, she diagnoses the condition of a culture gone awry, a 'peculiar sanity.' . . . --from Laurence Davies's foreword
