The Journal of English and Germanic Philology PDF Download
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Author:
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ISBN:
Category : English philology
Languages : en
Pages : 644
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Book Description
Author:
Publisher:
ISBN:
Category : English philology
Languages : en
Pages : 644
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Book Description
Author: Harvard University. Library
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 196
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Book Description
Author: Charles Kirkpatrick Sharpe
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 62
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Book Description
Author: John Bartlett
Publisher:
ISBN:
Category : Fish-culture
Languages : en
Pages : 946
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Book Description
Author: Mary Neal
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 90
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Book Description
English Folk-Song and Dance is a fantastic and sweet collection of "songs and fables that are come down from father to son" throughout England. Contents: The Quality of Folk-Song and its Diffusion, The Different Classes of Folk-Song, The Morris Dance To-Day, The Sword Dance, The Furry Dance, cont."
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385420776
Category :
Languages : en
Pages : 958
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Book Description
Author: Edna Longley
Publisher: Oxford University Press
ISBN: 0192885707
Category : Literary Collections
Languages : en
Pages : 806
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Book Description
Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.
Author: Victoria Parliament Library
Publisher: BoD – Books on Demand
ISBN: 3752582057
Category : Fiction
Languages : en
Pages : 633
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Book Description
Reprint of the original, first published in 1864/1865.
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3382196956
Category : Fiction
Languages : en
Pages : 221
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Book Description
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Edward Thomas
Publisher: Oxford University Press
ISBN: 0198784341
Category : Poets, English
Languages : en
Pages : 806
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Book Description
Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.
