Author:
Publisher:
ISBN:
Category : Akeroyde's padd (Dance)
Languages : en
Pages : 356
Book Description
English 18th Century Dances
Author:
Publisher:
ISBN:
Category : Akeroyde's padd (Dance)
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Akeroyde's padd (Dance)
Languages : en
Pages : 356
Book Description
The Oxford Handbook of Topic Theory
Author: Danuta Mirka PhD
Publisher: Oxford University Press
ISBN: 0199841586
Category : Music
Languages : en
Pages : 713
Book Description
Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.
Publisher: Oxford University Press
ISBN: 0199841586
Category : Music
Languages : en
Pages : 713
Book Description
Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.
English Dancing Master, 1651
Author: John Playford
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 128
Book Description
The Styles of Eighteenth Century Ballet
Author: Edmund Fairfax
Publisher: Rlpg/Galleys
ISBN:
Category : Music
Languages : en
Pages : 400
Book Description
The current notion of ballet history holds that the theatrical dance of the eighteenth century was simple, earthbound, and limited in range of motion scarcely different from the ballroom dance of the same period. Contemporary opinion also maintains that this early form of ballet was largely a stranger to the tours de force of grand jumps, multiple turns, and lifts so typical of classical ballet, owing to a supposed prevailing sense of Victorian-like decorum. The Styles of Eighteenth-Century Ballet explodes this utterly false view of ballet history, showing that there were in fact a variety of different styles of dance cultivated in this era, from the simple to the remarkably difficult, from the dignified earthbound to the spirited airborne, from the gravely serious to the grotesquely ridiculous. This is a fascinating exploration of the various styles of eighteenth-century dance covering ballroom and ballet, the four traditional styles of theatrical dance, regional preferences for given styles, and the importance of caprice, dance according to gender, the overall voluptuous nature of stage dancing, and finally dance notation and costume. Fairfax takes the reader on an in-depth journey through the world of ballet in the age of Mozart, Boucher, and Casanova.
Publisher: Rlpg/Galleys
ISBN:
Category : Music
Languages : en
Pages : 400
Book Description
The current notion of ballet history holds that the theatrical dance of the eighteenth century was simple, earthbound, and limited in range of motion scarcely different from the ballroom dance of the same period. Contemporary opinion also maintains that this early form of ballet was largely a stranger to the tours de force of grand jumps, multiple turns, and lifts so typical of classical ballet, owing to a supposed prevailing sense of Victorian-like decorum. The Styles of Eighteenth-Century Ballet explodes this utterly false view of ballet history, showing that there were in fact a variety of different styles of dance cultivated in this era, from the simple to the remarkably difficult, from the dignified earthbound to the spirited airborne, from the gravely serious to the grotesquely ridiculous. This is a fascinating exploration of the various styles of eighteenth-century dance covering ballroom and ballet, the four traditional styles of theatrical dance, regional preferences for given styles, and the importance of caprice, dance according to gender, the overall voluptuous nature of stage dancing, and finally dance notation and costume. Fairfax takes the reader on an in-depth journey through the world of ballet in the age of Mozart, Boucher, and Casanova.
From the Ballroom to Hell
Author: Elizabeth Aldrich
Publisher: Northwestern University Press
ISBN: 9780810109131
Category : History
Languages : en
Pages : 254
Book Description
During the 1800s, dance and etiquette manuals provided ordinary men and women with the keys to becoming gentlemen and ladies--and thus advancing in society. Why dance? To the insecure and status-oriented upper middle class, the ballroom embodied the perfect setting in which to demonstrate one's fitness for membership in genteel society. From the Ballroom to Hell collects over 100 little-known excerpts from dance, etiquette, beauty, and fashion manuals from the nineteenth century. Included are instructions for performing various dances, as well as musical scores, costume patterns, and the proper way to hold one's posture, fork, gloves, and fan. While of particular interest to dancers, dance historians, and choreographers, anyone fascinated by the ways and mores of the period will find From the Ballroom to Hell an endearing and informative glimpse of America's past.
Publisher: Northwestern University Press
ISBN: 9780810109131
Category : History
Languages : en
Pages : 254
Book Description
During the 1800s, dance and etiquette manuals provided ordinary men and women with the keys to becoming gentlemen and ladies--and thus advancing in society. Why dance? To the insecure and status-oriented upper middle class, the ballroom embodied the perfect setting in which to demonstrate one's fitness for membership in genteel society. From the Ballroom to Hell collects over 100 little-known excerpts from dance, etiquette, beauty, and fashion manuals from the nineteenth century. Included are instructions for performing various dances, as well as musical scores, costume patterns, and the proper way to hold one's posture, fork, gloves, and fan. While of particular interest to dancers, dance historians, and choreographers, anyone fascinated by the ways and mores of the period will find From the Ballroom to Hell an endearing and informative glimpse of America's past.
City Folk
Author: Daniel J. Walkowitz
Publisher: NYU Press
ISBN: 1479890359
Category : History
Languages : en
Pages : 352
Book Description
This is the story of English Country Dance, from its 18th century roots in the English cities and countryside, to its transatlantic leap to the U.S. in the 20th century, told by not only a renowned historian but also a folk dancer, who has both immersed himself in the rich history of the folk tradition and rehearsed its steps. In City Folk, Daniel J. Walkowitz argues that the history of country and folk dancing in America is deeply intermeshed with that of political liberalism and the ‘old left.’ He situates folk dancing within surprisingly diverse contexts, from progressive era reform, and playground and school movements, to the changes in consumer culture, and the project of a modernizing, cosmopolitan middle class society. Tracing the spread of folk dancing, with particular emphases on English Country Dance, International Folk Dance, and Contra, Walkowitz connects the history of folk dance to social and international political influences in America. Through archival research, oral histories, and ethnography of dance communities, City Folk allows dancers and dancing bodies to speak. From the norms of the first half of the century, marked strongly by Anglo-Saxon traditions, to the Cold War nationalism of the post-war era, and finally on to the counterculture movements of the 1970s, City Folk injects the riveting history of folk dance in the middle of the story of modern America.
Publisher: NYU Press
ISBN: 1479890359
Category : History
Languages : en
Pages : 352
Book Description
This is the story of English Country Dance, from its 18th century roots in the English cities and countryside, to its transatlantic leap to the U.S. in the 20th century, told by not only a renowned historian but also a folk dancer, who has both immersed himself in the rich history of the folk tradition and rehearsed its steps. In City Folk, Daniel J. Walkowitz argues that the history of country and folk dancing in America is deeply intermeshed with that of political liberalism and the ‘old left.’ He situates folk dancing within surprisingly diverse contexts, from progressive era reform, and playground and school movements, to the changes in consumer culture, and the project of a modernizing, cosmopolitan middle class society. Tracing the spread of folk dancing, with particular emphases on English Country Dance, International Folk Dance, and Contra, Walkowitz connects the history of folk dance to social and international political influences in America. Through archival research, oral histories, and ethnography of dance communities, City Folk allows dancers and dancing bodies to speak. From the norms of the first half of the century, marked strongly by Anglo-Saxon traditions, to the Cold War nationalism of the post-war era, and finally on to the counterculture movements of the 1970s, City Folk injects the riveting history of folk dance in the middle of the story of modern America.
World History of the Dance
Author: Curt Sachs
Publisher: New York : W. W. Norton, Incorporated
ISBN:
Category : Performing Arts
Languages : en
Pages : 526
Book Description
This book is the most comprehensive history to appear before the public of the art which has been so fundamental an expression in every period of human history. It contains a discussion of the general types and characteristics of the dance, and also deals specifically with its forms and symbols from the Stone Age through classical antiquity, the middle ages, the 18th century, and the not so distant era of the waltz and polka, to the 20th century.
Publisher: New York : W. W. Norton, Incorporated
ISBN:
Category : Performing Arts
Languages : en
Pages : 526
Book Description
This book is the most comprehensive history to appear before the public of the art which has been so fundamental an expression in every period of human history. It contains a discussion of the general types and characteristics of the dance, and also deals specifically with its forms and symbols from the Stone Age through classical antiquity, the middle ages, the 18th century, and the not so distant era of the waltz and polka, to the 20th century.
Society Dancing
Author: T. Buckland
Publisher: Palgrave Macmillan
ISBN: 9780230277144
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Based on new archival research, this book uniquely presents a fresh interrogation of how, among London's fashionable society, dancing in the late nineteenth and early twentieth centuries was variously a means of social modelling, change, conformity and creative individual expression.
Publisher: Palgrave Macmillan
ISBN: 9780230277144
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Based on new archival research, this book uniquely presents a fresh interrogation of how, among London's fashionable society, dancing in the late nineteenth and early twentieth centuries was variously a means of social modelling, change, conformity and creative individual expression.
The Quadrille
Author: Ellis A. Rogers
Publisher:
ISBN: 9780954634407
Category : Quadrille (Dance)
Languages : en
Pages : 276
Book Description
Publisher:
ISBN: 9780954634407
Category : Quadrille (Dance)
Languages : en
Pages : 276
Book Description
The Playford Ball
Author: Kate Van Winkle Keller
Publisher: A Cappella Books (IL)
ISBN:
Category : Performing Arts
Languages : en
Pages : 144
Book Description
Publisher: A Cappella Books (IL)
ISBN:
Category : Performing Arts
Languages : en
Pages : 144
Book Description