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Author: Stella Dadzie
Publisher: Aurora Metro Publications Ltd.
ISBN: 1913641406
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
Celebrating the centenary of the birth of the trailblazing African American author, Encounters with James Baldwin is a wide-ranging volume of short essays, reflections, interviews and poetry. This moving collection demonstrates the significant legacy of the writer and activist who spoke truth to power during the era of the fight for Black civil liberties in the US, and after. In this literary anthology, over 30 contributors reveal the influence of Baldwin’s thought, speech and writing to their personal journeys and their awareness of the need for social justice. Stella Dadzie was born in 1952 in London, United Kingdom. She co-founded the Organisation of Women of African and Asian Descent (OWAAD), which worked relentlessly between 1978 and 1982 to challenge the predominantly white domination of the feminist and women’s liberation movements of that era. Additionally, her work extended beyond the written word into practical action, contributing to the enrichment of curriculums and development of anti-racist strategies in educational and youth services. “... the words of this remarkable collection are breath blown back to our beloved ancestor James Baldwin, and he to them, to us: air we breathe, air we need, for these troubled times.” — Kevin Powell – GRAMMY-nominated poet and activist “From reflective pieces, interviews, essays, and poetic interventions, Encounters with James Baldwin confirms the enduring resonance of the life and work of James Baldwin across the globe. This is an important text for readers eager to consider the expansive legacy of arguably the most piercing and committed author and critic of the last century.” — Rich Blint, writer and critic
Author: Stella Dadzie
Publisher: Aurora Metro Publications Ltd.
ISBN: 1913641406
Category : Biography & Autobiography
Languages : en
Pages : 241
Get Book Here
Book Description
Celebrating the centenary of the birth of the trailblazing African American author, Encounters with James Baldwin is a wide-ranging volume of short essays, reflections, interviews and poetry. This moving collection demonstrates the significant legacy of the writer and activist who spoke truth to power during the era of the fight for Black civil liberties in the US, and after. In this literary anthology, over 30 contributors reveal the influence of Baldwin’s thought, speech and writing to their personal journeys and their awareness of the need for social justice. Stella Dadzie was born in 1952 in London, United Kingdom. She co-founded the Organisation of Women of African and Asian Descent (OWAAD), which worked relentlessly between 1978 and 1982 to challenge the predominantly white domination of the feminist and women’s liberation movements of that era. Additionally, her work extended beyond the written word into practical action, contributing to the enrichment of curriculums and development of anti-racist strategies in educational and youth services. “... the words of this remarkable collection are breath blown back to our beloved ancestor James Baldwin, and he to them, to us: air we breathe, air we need, for these troubled times.” — Kevin Powell – GRAMMY-nominated poet and activist “From reflective pieces, interviews, essays, and poetic interventions, Encounters with James Baldwin confirms the enduring resonance of the life and work of James Baldwin across the globe. This is an important text for readers eager to consider the expansive legacy of arguably the most piercing and committed author and critic of the last century.” — Rich Blint, writer and critic
Author: Sam Floyd
Publisher: Oxford University Press
ISBN: 0190651296
Category : Music
Languages : en
Pages : 281
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Book Description
Powerful and embracive, The Transformation of Black Music explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, The Transformation of Black Music is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music. The Transformation of Black Music will solidify not only the inestimable value of black musics, but also the importance and relevance of black music research to all musical endeavors.
Author: Wil Haygood
Publisher: Knopf
ISBN: 0525656871
Category : Performing Arts
Languages : en
Pages : 473
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Book Description
A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR “At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.
Author: James Baldwin
Publisher: Penguin Classics
ISBN: 9780241752388
Category : History
Languages : en
Pages : 0
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Book Description
Author: Douglas Field
Publisher:
ISBN: 0199384150
Category : Biography & Autobiography
Languages : en
Pages : 243
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Book Description
Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwin's personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwin's geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themes-the Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalism-to bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.
Author: James Baldwin
Publisher: Beacon Press
ISBN: 0807006572
Category : Literary Collections
Languages : en
Pages : 714
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Book Description
An essential compendium of James Baldwin’s most powerful nonfiction work, calling on us “to end the racial nightmare, and achieve our country.” Personal and prophetic, these essays uncover what it means to live in a racist American society with insights that feel as fresh today as they did over the 4 decades in which he composed them. Longtime Baldwin fans and especially those just discovering his genius will appreciate this essential collection of his great nonfiction writing, available for the first time in affordable paperback. Along with 46 additional pieces, it includes the full text of dozens of famous essays from such books as: • Notes of a Native Son • Nobody Knows My Name • The Fire Next Time • No Name in the Street • The Devil Finds Work This collection provides the perfect entrée into Baldwin’s prescient commentary on race, sexuality, and identity in an unjust American society.
Author: James Baldwin
Publisher: Vintage
ISBN: 0804149666
Category : Biography & Autobiography
Languages : en
Pages : 209
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Book Description
From one of the most important American writers of the twentieth century—an extraordinary history of the turbulent sixties and early seventies that powerfully speaks to contemporary conversations around racism. “It contains truth that cannot be denied.” —The Atlantic Monthly In this stunningly personal document, James Baldwin remembers in vivid details the Harlem childhood that shaped his early conciousness and the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his retum to the American South to confront a violent America face-to-face.
Author: James Baldwin
Publisher: Vintage
ISBN: 0804149704
Category : Fiction
Languages : en
Pages : 499
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Book Description
A major work of American literature from a major American writer that powerfully portrays the anguish of being Black in a society that at times seems poised on the brink of total racial war. "Baldwin is one of the few genuinely indispensable American writers." —Saturday Review At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. Tell Me How Long the Train's Been Gone is overpowering in its vitality and extravagant in the intensity of its feeling.
Author: Nicholas Buccola
Publisher: Princeton University Press
ISBN: 0691210772
Category : Biography & Autobiography
Languages : en
Pages : 498
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Book Description
Paperback reprint. Originally published: 2019.
Author: Michael Eric Dyson
Publisher: St. Martin's Press
ISBN: 1250199425
Category : History
Languages : en
Pages : 306
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Book Description
Named a 2018 Notable Work of Nonfiction by The Washington Post NOW A NEW YORK TIMES BESTSELLER • Winner, The 2018 Southern Book Prize NAMED A BEST/MOST ANTICIPATED BOOK OF 2018 BY: Chicago Tribune • Time • Publisher's Weekly A stunning follow up to New York Times bestseller Tears We Cannot Stop The Washington Post: "Passionately written." Chris Matthews, MSNBC: "A beautifully written book." Shaun King: “I kid you not–I think it’s the most important book I’ve read all year...” Harry Belafonte: “Dyson has finally written the book I always wanted to read...a tour de force.” Joy-Ann Reid: A work of searing prose and seminal brilliance... Dyson takes that once in a lifetime conversation between black excellence and pain and the white heroic narrative, and drives it right into the heart of our current politics and culture, leaving the reader reeling and reckoning." Robin D. G. Kelley: “Dyson masterfully refracts our present racial conflagration... he reminds us that Black artists and intellectuals bear an awesome responsibility to speak truth to power." President Barack Obama: "Everybody who speaks after Michael Eric Dyson pales in comparison.” In 2015 BLM activist Julius Jones confronted Presidential candidate Hillary Clinton with an urgent query: “What in your heart has changed that’s going to change the direction of this country?” “I don’t believe you just change hearts,” she protested. “I believe you change laws.” The fraught conflict between conscience and politics – between morality and power – in addressing race hardly began with Clinton. An electrifying and traumatic encounter in the sixties crystallized these furious disputes. In 1963 Attorney General Robert Kennedy sought out James Baldwin to explain the rage that threatened to engulf black America. Baldwin brought along some friends, including playwright Lorraine Hansberry, psychologist Kenneth Clark, and a valiant activist, Jerome Smith. It was Smith’s relentless, unfiltered fury that set Kennedy on his heels, reducing him to sullen silence. Kennedy walked away from the nearly three-hour meeting angry – that the black folk assembled didn’t understand politics, and that they weren’t as easy to talk to as Martin Luther King. But especially that they were more interested in witness than policy. But Kennedy’s anger quickly gave way to empathy, especially for Smith. “I guess if I were in his shoes...I might feel differently about this country.” Kennedy set about changing policy – the meeting having transformed his thinking in fundamental ways. There was more: every big argument about race that persists to this day got a hearing in that room. Smith declaring that he’d never fight for his country given its racist tendencies, and Kennedy being appalled at such lack of patriotism, tracks the disdain for black dissent in our own time. His belief that black folk were ungrateful for the Kennedys’ efforts to make things better shows up in our day as the charge that black folk wallow in the politics of ingratitude and victimhood. The contributions of black queer folk to racial progress still cause a stir. BLM has been accused of harboring a covert queer agenda. The immigrant experience, like that of Kennedy – versus the racial experience of Baldwin – is a cudgel to excoriate black folk for lacking hustle and ingenuity. The questioning of whether folk who are interracially partnered can authentically communicate black interests persists. And we grapple still with the responsibility of black intellectuals and artists to bring about social change. What Truth Sounds Like exists at the tense intersection of the conflict between politics and prophecy – of whether we embrace political resolution or moral redemption to fix our fractured racial landscape. The future of race and democracy hang in the balance.
