Author: James R. Ryan
Publisher: Reaktion Books
ISBN: 1780231636
Category : Science
Languages : en
Pages : 274
Book Description
Coinciding with the extraordinary expansion of Britain's overseas empire under Queen Victoria, the invention of photography allowed millions to see what they thought were realistic and unbiased pictures of distant peoples and places. This supposed accuracy also helped to legitimate Victorian geography's illuminations of the "darkest" recesses of the globe with the "light" of scientific mapping techniques. But as James R. Ryan argues in Picturing Empire, Victorian photographs reveal as much about the imaginative landscapes of imperial culture as they do about the "real" subjects captured within their frames. Ryan considers the role of photography in the exploration and domestication of foreign landscapes, in imperial warfare, in the survey and classification of "racial types," in "hunting with the camera," and in teaching imperial geography to British schoolchildren. Ryan's careful exposure of the reciprocal relation between photographic image and imperial imagination will interest all those concerned with the cultural history of the British Empire.
Picturing Empire
Author: James R. Ryan
Publisher: Reaktion Books
ISBN: 1780231636
Category : Science
Languages : en
Pages : 274
Book Description
Coinciding with the extraordinary expansion of Britain's overseas empire under Queen Victoria, the invention of photography allowed millions to see what they thought were realistic and unbiased pictures of distant peoples and places. This supposed accuracy also helped to legitimate Victorian geography's illuminations of the "darkest" recesses of the globe with the "light" of scientific mapping techniques. But as James R. Ryan argues in Picturing Empire, Victorian photographs reveal as much about the imaginative landscapes of imperial culture as they do about the "real" subjects captured within their frames. Ryan considers the role of photography in the exploration and domestication of foreign landscapes, in imperial warfare, in the survey and classification of "racial types," in "hunting with the camera," and in teaching imperial geography to British schoolchildren. Ryan's careful exposure of the reciprocal relation between photographic image and imperial imagination will interest all those concerned with the cultural history of the British Empire.
Publisher: Reaktion Books
ISBN: 1780231636
Category : Science
Languages : en
Pages : 274
Book Description
Coinciding with the extraordinary expansion of Britain's overseas empire under Queen Victoria, the invention of photography allowed millions to see what they thought were realistic and unbiased pictures of distant peoples and places. This supposed accuracy also helped to legitimate Victorian geography's illuminations of the "darkest" recesses of the globe with the "light" of scientific mapping techniques. But as James R. Ryan argues in Picturing Empire, Victorian photographs reveal as much about the imaginative landscapes of imperial culture as they do about the "real" subjects captured within their frames. Ryan considers the role of photography in the exploration and domestication of foreign landscapes, in imperial warfare, in the survey and classification of "racial types," in "hunting with the camera," and in teaching imperial geography to British schoolchildren. Ryan's careful exposure of the reciprocal relation between photographic image and imperial imagination will interest all those concerned with the cultural history of the British Empire.
Empire of the 'B's
Author: Dave Jay
Publisher:
ISBN: 9780957535268
Category : B films
Languages : en
Pages : 380
Book Description
Film producer Charles Robert Band is one of the last great B-movie survivors - a genuine pioneer who, over four decades, forged such a unique path through the no man's land of independent genre cinema that many thought him more than capable of seizing legendary indie producer Roger Corman's long-held crown as 'King of the B Movies.' The 1970s through to the late 1980s was the last great 'golden age' for the B-movie community, and with a non-stop series of grind house classics like 'Laserblast', 'Parasite', 'Re-Animator' and 'Dolls' for his company Empire Pictures, it was also the era that saw Charles Band take his rightful place in the indie hall of fame as the true Emperor of the 'B's. This is Band's officially-authorised helter-skelter story, and that of the mad company he kept
Publisher:
ISBN: 9780957535268
Category : B films
Languages : en
Pages : 380
Book Description
Film producer Charles Robert Band is one of the last great B-movie survivors - a genuine pioneer who, over four decades, forged such a unique path through the no man's land of independent genre cinema that many thought him more than capable of seizing legendary indie producer Roger Corman's long-held crown as 'King of the B Movies.' The 1970s through to the late 1980s was the last great 'golden age' for the B-movie community, and with a non-stop series of grind house classics like 'Laserblast', 'Parasite', 'Re-Animator' and 'Dolls' for his company Empire Pictures, it was also the era that saw Charles Band take his rightful place in the indie hall of fame as the true Emperor of the 'B's. This is Band's officially-authorised helter-skelter story, and that of the mad company he kept
Empire of Pictures
Author: Sönke Kunkel
Publisher: Berghahn Books
ISBN: 9781782388425
Category : Social Science
Languages : en
Pages : 260
Book Description
"In Cold War historiography, the 1960s are often described as a decade of mounting diplomatic tensions and international social unrest. At the same time, they were a period of global media revolution: communication satellites compressed time and space, television spread around the world, and images circulated through print media in expanding ways. Examining how U.S. policymakers exploited these changes, this book offers groundbreaking international research which shows that U.S. power came to depend more and more not on military superiority or economic strength alone, but also on America's ability to create appealing pictures that assured recognition of its global leadership"--Provided by publisher.
Publisher: Berghahn Books
ISBN: 9781782388425
Category : Social Science
Languages : en
Pages : 260
Book Description
"In Cold War historiography, the 1960s are often described as a decade of mounting diplomatic tensions and international social unrest. At the same time, they were a period of global media revolution: communication satellites compressed time and space, television spread around the world, and images circulated through print media in expanding ways. Examining how U.S. policymakers exploited these changes, this book offers groundbreaking international research which shows that U.S. power came to depend more and more not on military superiority or economic strength alone, but also on America's ability to create appealing pictures that assured recognition of its global leadership"--Provided by publisher.
Unseeing Empire
Author: Bakirathi Mani
Publisher: Duke University Press
ISBN: 1478012439
Category : Photography
Languages : en
Pages : 142
Book Description
In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in U.S. public culture and to reflect on their desires to be represented.
Publisher: Duke University Press
ISBN: 1478012439
Category : Photography
Languages : en
Pages : 142
Book Description
In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in U.S. public culture and to reflect on their desires to be represented.
Images and Empires
Author: Paul S. Landau
Publisher: Univ of California Press
ISBN: 9780520229495
Category : History
Languages : en
Pages : 408
Book Description
This volume considers the meaning and power of images in African history and culture. It assembles a wide-ranging collection of essays dealing with specific visual forms, including monuments cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits.
Publisher: Univ of California Press
ISBN: 9780520229495
Category : History
Languages : en
Pages : 408
Book Description
This volume considers the meaning and power of images in African history and culture. It assembles a wide-ranging collection of essays dealing with specific visual forms, including monuments cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits.
Culture and International History
Author: Jessica C. E. Gienow-Hecht
Publisher: Berghahn Books
ISBN: 9781571813831
Category : History
Languages : en
Pages : 324
Book Description
Combining the perspectives of 18 international scholars from Europe and the United States with a critical discussion of the role of culture in international relations, this volume introduces recent trends in the study of Culture and International History. It systematically explores the cultural dimension of international history, mapping existing approaches and conceptual lenses for the study of cultural factors and thus hopes to sharpen the awareness for the cultural approach to international history among both American and non-American scholars. The first part provides a methodological introduction, explores the cultural underpinnings of foreign policy, and the role of culture in international affairs by reviewing the historiography and examining the meaning of the word culture in the context of foreign relations. In the second part, contributors analyze culture as a tool of foreign policy. They demonstrate how culture was instrumentalized for diplomatic goals and purposes in different historical periods and world regions. The essays in the third part expand the state-centered view and retrace informal cultural relations among nations and peoples. This exploration of non-state cultural interaction focuses on the role of science, art, religion, and tourism. The fourth part collects the findings and arguments of part one, two, and three to define a roadmap for further scholarly inquiry. A group of" commentators" survey the preceding essays, place them into a larger research context, and address the question "Where do we go from here?" The last and fifth part presents a selection of primary sources along with individual comments highlighting a new genre of resources scholars interested in culture and international relations can consult.
Publisher: Berghahn Books
ISBN: 9781571813831
Category : History
Languages : en
Pages : 324
Book Description
Combining the perspectives of 18 international scholars from Europe and the United States with a critical discussion of the role of culture in international relations, this volume introduces recent trends in the study of Culture and International History. It systematically explores the cultural dimension of international history, mapping existing approaches and conceptual lenses for the study of cultural factors and thus hopes to sharpen the awareness for the cultural approach to international history among both American and non-American scholars. The first part provides a methodological introduction, explores the cultural underpinnings of foreign policy, and the role of culture in international affairs by reviewing the historiography and examining the meaning of the word culture in the context of foreign relations. In the second part, contributors analyze culture as a tool of foreign policy. They demonstrate how culture was instrumentalized for diplomatic goals and purposes in different historical periods and world regions. The essays in the third part expand the state-centered view and retrace informal cultural relations among nations and peoples. This exploration of non-state cultural interaction focuses on the role of science, art, religion, and tourism. The fourth part collects the findings and arguments of part one, two, and three to define a roadmap for further scholarly inquiry. A group of" commentators" survey the preceding essays, place them into a larger research context, and address the question "Where do we go from here?" The last and fifth part presents a selection of primary sources along with individual comments highlighting a new genre of resources scholars interested in culture and international relations can consult.
Empire of Ruins
Author: Miles Orvell
Publisher: Oxford University Press
ISBN: 0190491620
Category : History
Languages : en
Pages : 281
Book Description
Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis--images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. Empire of Ruins explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, Empire of Ruins offers a provocative and lavishly illustrated look at the American past, present, and future.
Publisher: Oxford University Press
ISBN: 0190491620
Category : History
Languages : en
Pages : 281
Book Description
Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis--images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. Empire of Ruins explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, Empire of Ruins offers a provocative and lavishly illustrated look at the American past, present, and future.
Images of the Ottoman Empire
Author: Charles Newton
Publisher: Victoria & Albert Museum
ISBN:
Category : Architecture
Languages : en
Pages : 136
Book Description
In the sixteenth and seventeenth centuries, the Ottoman Empire was one of the world's great powers. Generations of travelers, explorers, traders, tourists, scientists and artists were drawn to these magical lands. Whether depictions of contemporary life in the bustling street, the court, the harem, or elegiac evocations of the ruins of antiquity, the hundred images selected here by artists from David Roberts and Edward Lear to John Frederick Lewis bring a largely vanished world vividly to life.
Publisher: Victoria & Albert Museum
ISBN:
Category : Architecture
Languages : en
Pages : 136
Book Description
In the sixteenth and seventeenth centuries, the Ottoman Empire was one of the world's great powers. Generations of travelers, explorers, traders, tourists, scientists and artists were drawn to these magical lands. Whether depictions of contemporary life in the bustling street, the court, the harem, or elegiac evocations of the ruins of antiquity, the hundred images selected here by artists from David Roberts and Edward Lear to John Frederick Lewis bring a largely vanished world vividly to life.
Camera Ottomana
Author: Zeynep Çelik
Publisher: Koc University Press
ISBN: 9786055250461
Category : Istanbul (Turkey)
Languages : en
Pages : 255
Book Description
"This book has been published on the occasion of the exhibition 'Camera Ottomana: Photography and Modernity in the Ottoman Empire, 1840-1914', at Kooc University Research Center for Anatolian Civilizations, Istanbul, April 21-August 19th, 2015"-- Page 3.
Publisher: Koc University Press
ISBN: 9786055250461
Category : Istanbul (Turkey)
Languages : en
Pages : 255
Book Description
"This book has been published on the occasion of the exhibition 'Camera Ottomana: Photography and Modernity in the Ottoman Empire, 1840-1914', at Kooc University Research Center for Anatolian Civilizations, Istanbul, April 21-August 19th, 2015"-- Page 3.
The Image of the Black in Western Art: From the "Age of Discovery" to the Age of Abolition : artists of the Renaissance and Baroque
Author: David Bindman
Publisher: Belknap Press
ISBN: 9780674052635
Category : Art
Languages : en
Pages : 0
Book Description
Presents a collection of art that showcases visual tropes of masters with their adoring slaves and Africans as victims and individuals.
Publisher: Belknap Press
ISBN: 9780674052635
Category : Art
Languages : en
Pages : 0
Book Description
Presents a collection of art that showcases visual tropes of masters with their adoring slaves and Africans as victims and individuals.