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Author: Clayton G. MacKenzie
Publisher: University Press of America
ISBN: 9780761816607
Category : Art
Languages : en
Pages : 216
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Book Description
In our own age, the engagement with death has been discretely narrowed into a brief process of formal commemoration and burial, but in Shakespeare's time it was ritualized into the very fabric of everyday life, where the reminders of death, the journey to the grave, and the moment of expiry were all central to the cultural engagement with mortality in post-Reformation England. Inevitably, this way of seeing the world impacted the writing of Shakespeare and his contemporaries, not only in relation to the intellectual content of the drama but with regard to its visual impressions as well. Emblems of Mortality explores the relationship between Shakespeare's theatre and popular memento mori and funereal iconography of the Renaissance, combining cultural studies and historicism with semiotic analysis of period iconography. Through close reading of Elizabethan signs and sign systems with attention to historical context, the work seeks to demonstrate the quality and intention of some of Shakespeare's theatrical designs in a way that will appeal to scholars of drama and students of Shakespeare's work.
Author: Clayton G. MacKenzie
Publisher: University Press of America
ISBN: 9780761816607
Category : Art
Languages : en
Pages : 216
Get Book Here
Book Description
In our own age, the engagement with death has been discretely narrowed into a brief process of formal commemoration and burial, but in Shakespeare's time it was ritualized into the very fabric of everyday life, where the reminders of death, the journey to the grave, and the moment of expiry were all central to the cultural engagement with mortality in post-Reformation England. Inevitably, this way of seeing the world impacted the writing of Shakespeare and his contemporaries, not only in relation to the intellectual content of the drama but with regard to its visual impressions as well. Emblems of Mortality explores the relationship between Shakespeare's theatre and popular memento mori and funereal iconography of the Renaissance, combining cultural studies and historicism with semiotic analysis of period iconography. Through close reading of Elizabethan signs and sign systems with attention to historical context, the work seeks to demonstrate the quality and intention of some of Shakespeare's theatrical designs in a way that will appeal to scholars of drama and students of Shakespeare's work.
Author: James Churchward
Publisher: Cosimo, Inc.
ISBN: 1602068089
Category : Body, Mind & Spirit
Languages : en
Pages : 225
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Book Description
Occultist James Churchward was obsessed with the lost continent of Mu, home to the original human civilization, after learning of this mysterious and forgotten paradise from an Indian priest, who shared several ancient tablets written by the Naacals, the inhabitants of Mu. Or so Churchward claimed.Here, in this work first published in 1933, Churchward discusses his contention that all religions from across Earth share a common origin in Mu. In particular, he explores how symbols of Mu-gleaned, supposedly, from the ancient tablets-bear startling resemblances to everything from the Egyptian ankh and Chinese pictograms to Native American calendar glyphs.The reality of Mu aside, students of comparative mythology and fans of esoterica will find this a fascinating book.British inventor, engineer, and author COLONEL JAMES CHURCHWARD (1851-1936), the elder brother of mystic author Albert Churchward, also wrote The Lost Continent of Mu Motherland of Man (1926), The Children of Mu (1931), The Lost Continent of Mu (1931), Cosmic Forces of Mu (1934), and Second Book of Cosmic Forces of Mu (1935).
Author: Robert Lomas
Publisher: Quarto Publishing Group USA
ISBN: 161058130X
Category : Social Science
Languages : en
Pages : 271
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Book Description
An illustrated guide to ancient Masonic symbols and how they have shaped our world throughout history. For more than five hundred years, the symbology of Freemasonry has fostered a secret stream of radical ideas running just beneath the surface of popular culture today. These ideas, illuminated by public symbols hidden in full view, have influenced and shaped the society we have today. Despite this ongoing record of inspiration, no illustrated guidebook to the basic ideas of Masonic Symbology has even been published and the story remains mysterious—until now. This authoritative guide reveals how this symbology has been the backdrop to key historical events in the history of humanity from ancient times and how, in more recent times, inspired leaders have harnessed the symbols’ power to bring about change in society. Renowned Freemasonry historian Dr. Robert Lomas takes you inside the Secret Order and shows you how Entered Apprentices first learn their craft, and how continual exposure to these mystical symbols can change the way you think. You’ll explore the six mysterious Tracing Boards that are at the heart of every Masonic Grand Lodge, ending with the final, most mystical symbol, known as “the Centre.” Let The Secret Power of Masonic Symbols be your personal guide and show you how these symbols have made their indelible mark on the past, and how they will continue to influence society in the future.
Author: George Oliver
Publisher:
ISBN:
Category :
Languages : en
Pages : 318
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Book Description
Author: J. Wyllie Guild
Publisher:
ISBN:
Category : Rare books
Languages : en
Pages : 216
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Book Description
Author: John Manning
Publisher: Reaktion Books
ISBN: 1861895925
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
The emblem, an image accompanied by a motto and a verse or short prose passage, is both art and literature: in the emblem tradition, the image presents a story – often with pictorial symbols – and the verse below it drives home the picture-story's moral instruction. It is one of the most fascinating, and enduring, art forms in Western culture. John Manning's book charts the rise and evolution of the emblem from its earliest manifestations to its emergence as a genre in its own right in the sixteenth century, and then through its various reinventions to the present day. The seventeenth century saw the development of new emblematic forms and sub-genres, and the sharpening of the form for the purpose of social satire. When the Jesuits appropriated the emblem, producing enormous quantities of material, a further dimension of moral seriousness was introduced, alongside a concentration of emblematic "wit". The emblem later came to be directed increasingly at young people and children; in particular, William Blake adopted a fresh attitude towards ideas of the child and childishness. Since then, reprints of 17th-century emblem books have been produced with new plates, and writers and artists from Robert Louis Stevenson to Ian Hamilton Finlay have used emblems in new and subversive ways.
Author: Jules Verne
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 8726
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Book Description
DigiCat presents to you this unique and meticulously edited adventure collection:a functional and detailed table of contents: The Lost World (Arthur Conan Doyle) A Journey to the Centre of the Earth (Jules Verne) The Mysterious Island The Man Who Would Be King (Rudyard Kipling) At the Mountains of Madness (H. P. Lovecraft) King Solomon's Mines (Henry Rider Haggard) She: A History of Adventure The People of the Mist When the World Shook The Yellow God The Narrative of Arthur Gordon Pym of Nantucket (Edgar Allan Poe) Lost Horizon (James Hilton) The Moon Pool (Abraham Merritt) The Lost Lemuria (W. Scott-Elliot) The Lost Continent of Mu - Motherland of Man (James Churchward) Gulliver's Travels (Jonathan Swift) The Caspak Trilogy (E. Rice Burroughs) The Moon Trilogy The Pellucidar Series The Man-Eater The Cave Girl The Eternal Lover Jungle Girl The Return of Tarzan Tarzan and the Jewels of Opar The Atlantis Books: The Original Myth of Atlantis (Plato) New Atlantis (F. Bacon) Atlantis: The Antedeluvian World (I. Donnelly) The Lost Continent (C. J. Cutcliffe Hyne) The Story of Atlantis (W. Scott-Elliot) The lost world is a subgenre of the fantasy or science fiction genre that involves the discovery of a new world out of time or place. King Solomon's Mines by H. Rider Haggard is sometimes considered the first lost-world narrative. Haggard's novel shaped the form and influenced later lost-world books, including Kipling's The Man Who Would Be King, Arthur Conan Doyle's The Lost World, Burroughs' The Land That Time Forgot, A. Merritt's The Moon Pool, and H. P. Lovecraft's At the Mountains of Madness. James Hilton's Lost Horizon used the genre as a takeoff for popular philosophy and social comment and it introduced the name Shangri-La, a meme for the idealization of the lost world as a paradise.
Author: George Oliver
Publisher:
ISBN:
Category :
Languages : en
Pages : 382
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Book Description
Author: George Oliver
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
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Book Description
Author: Jeremiah How
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
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Book Description
