Emancipation and Suppression in "Jane Eyre". An Emancipated Heroine or the Slave within a Relationship? PDF Download
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Author: Elisa-Maria Schneider
Publisher: GRIN Verlag
ISBN: 3346340589
Category : Foreign Language Study
Languages : de
Pages : 22
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Book Description
Studienarbeit aus dem Jahr 2016 im Fachbereich Didaktik für das Fach Englisch - Literatur, Werke, Note: 1,7, Universität Konstanz, Sprache: Deutsch, Abstract: The aim of this paper is to critically examine how Jane Eyre adapts to the conventions of the Victorian Age in order to oblige Rochester. This essay will examine how far Jane Eyre is an emancipated woman regarding her relationship with Rochester. In order to achieve this aim topics as equality and gender within the relationship will be discussed, but also the subtle suppression Rochester exercises over Jane will be a central theme. Additionally, it will be discussed how far Jane can be considered the 'Angel in the House' at the end of the novel. The relationship to be discussed in this essay tells a story, which is set in the Victorian Age and therefore, the circumstances for female emancipation to develop were probably more challenging than nowadays. Still, a bildungsroman with a female protagonist was probably as unusual as the protagonist (Jane Eyre herself) during that era. Throughout "Jane Eyre" it is quite outstanding that Jane is different from the other female characters in the novel and the female stereotype of the Victorian Age does not quite fit her. She cannot be defined as the 'Angel in the House', which does of course not mean that there are not characteristics of that stereotype to be found in Jane's character. Despite the fact that Jane Eyre is such a unique and specific character, her relationship to Rochester evokes some ambivalence in her. Also, the relationship between those two characters leads to the discussion of equality of the sexes and gender and relationship constructions. Nevertheless, even though Jane Eyre's character tends to be more emancipated than the other female characters in the novel, Jane behaves reluctant regarding her relationship to Rochester. Therefore, I assume that even though Jane Eyre is not exactly the stereotype of a conventional Victorian woman, or the 'Angel in the House', her strong and emancipated character is suppressed by her relationship with Rochester.
Author: Elisa-Maria Schneider
Publisher: GRIN Verlag
ISBN: 3346340589
Category : Foreign Language Study
Languages : de
Pages : 22
Get Book Here
Book Description
Studienarbeit aus dem Jahr 2016 im Fachbereich Didaktik für das Fach Englisch - Literatur, Werke, Note: 1,7, Universität Konstanz, Sprache: Deutsch, Abstract: The aim of this paper is to critically examine how Jane Eyre adapts to the conventions of the Victorian Age in order to oblige Rochester. This essay will examine how far Jane Eyre is an emancipated woman regarding her relationship with Rochester. In order to achieve this aim topics as equality and gender within the relationship will be discussed, but also the subtle suppression Rochester exercises over Jane will be a central theme. Additionally, it will be discussed how far Jane can be considered the 'Angel in the House' at the end of the novel. The relationship to be discussed in this essay tells a story, which is set in the Victorian Age and therefore, the circumstances for female emancipation to develop were probably more challenging than nowadays. Still, a bildungsroman with a female protagonist was probably as unusual as the protagonist (Jane Eyre herself) during that era. Throughout "Jane Eyre" it is quite outstanding that Jane is different from the other female characters in the novel and the female stereotype of the Victorian Age does not quite fit her. She cannot be defined as the 'Angel in the House', which does of course not mean that there are not characteristics of that stereotype to be found in Jane's character. Despite the fact that Jane Eyre is such a unique and specific character, her relationship to Rochester evokes some ambivalence in her. Also, the relationship between those two characters leads to the discussion of equality of the sexes and gender and relationship constructions. Nevertheless, even though Jane Eyre's character tends to be more emancipated than the other female characters in the novel, Jane behaves reluctant regarding her relationship to Rochester. Therefore, I assume that even though Jane Eyre is not exactly the stereotype of a conventional Victorian woman, or the 'Angel in the House', her strong and emancipated character is suppressed by her relationship with Rochester.
Author: Paola Bertolino
Publisher: GRIN Verlag
ISBN: 3638160033
Category : Literary Criticism
Languages : en
Pages : 23
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Book Description
Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 1,7 (A-), University of Leipzig (FB Anglistics), course: Romance and Realism, language: English, abstract: At a first reading Jane Eyre may appear a conventional love story, where the two lovers have to overcome many obstacles in order to live together in perfect union. Yet the reader may find himself confused by Jane′s rational attitude or by the not very usual happy ending. The book should consequently be read a second time to understand its importance in the context of female emancipation. Through Charlotte Bronte′s fiction the heroines carry out their struggle for self-definition and identity, nevertheless at the same time their language and thought mirror the contradictions of Victorian opinion on femininity. The aim of this writing is to underline this aspect of the novel, pointig out precise references to emancipation contained in the book. Therefore the text will be used as a resource for the following reasoning, since it contains hidden explicit declarations of independence.
Author: Sandra Rose Cliff
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Sandra Rose Cliff
Publisher:
ISBN:
Category :
Languages : da
Pages :
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Book Description
Author: Jean Rhys
Publisher: W. W. Norton & Company
ISBN: 9780393308808
Category : Fiction
Languages : en
Pages : 196
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Book Description
"A considerable tour de force by any standard." ?New York Times Book Review"
Author: Virginia Woolf
Publisher: Modernista
ISBN: 9180949509
Category : Literary Collections
Languages : en
Pages : 111
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Book Description
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
Author: Edward W. Said
Publisher: Vintage
ISBN: 0307829650
Category : Political Science
Languages : en
Pages : 416
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Book Description
A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.
Author: J. Passmore Edwards
Publisher: Press Publication
ISBN: 9781946640253
Category :
Languages : en
Pages :
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Book Description
IF ever a nation were taken by storm by a book, England has recently been stormed by "Uncle Tom's Cabin." It is scarcely three months since this book was first introduced to the British Reader, and it is certain that at least 1,000,000 copies of it have been printed and sold. The unexampled success of "Uncle Tom's Cabin" will ever be recorded as an extraordinary literary phenomena. Nothing of the kind, or anything approaching to it, was ever before witnessed in any age or in any country. A new fact has been contributed to the history of literature--such a fact, never before equaled, may never be surpassed. The pre-eminent success of the work in America, before it was reprinted in this country, was truly astonishing. All at once, as if by magic, everybody was either reading, or waiting to read, "the story of the age," and "a hundred thousand families were every day either moved to laughter, or bathed in tears," by its perusal. This book is not more remarkable for its poetry and its pathos, its artistic delineation of character and development of plot, than for its highly instructive power. A great moral idea runs beautifully through the whole story. One of the greatest evils of the world--slavery--is stripped of its disguises, and presented in all its naked and revolting hideousness to the reading world. And that Christianity, which consists not in professions and appearances, but in vital and vitalizing action, is exhibited in all-subduing beauty and tenderness in every page of the work.
Author: Mandy Treagus
Publisher: University of Adelaide Press
ISBN: 1922064556
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
The dominant form of the nineteenth-century novel was the Bildungsroman, a story of an individual’s development that came to speak more widely of the aspirations of nineteenth-century British society. Some of the most famous examples —David Copperfield, Great Expectations, Jane Eyre — validated the world from which they sprang, in which even orphans could successfully make their way. Empire Girls: the colonial heroine comes of age is a critical examination of three novels by writers from different regions of the British Empire: Olive Schreiner’sThe Story of An African Farm (South Africa), Sara Jeannette Duncan’s A Daughter of Today (Canada) and Henry Handel Richardson’s The Getting of Wisdom(Australia). All three novels commence as conventional Bildungsromane, yet the plots of all diverge from the usual narrative structure, as a result of both their colonial origins and the clash between their aspirational heroines and the plots available to them. In an analysis including gender, empire, nation and race, Empire Girls provides new critical perspectives on the ways in which this dominant narrative form performs very differently when taken out of its metropolitan setting.
Author: Lyndon J. Dominique
Publisher: Broadview Press
ISBN: 1460406133
Category : Fiction
Languages : en
Pages : 271
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Book Description
The Woman of Colour is a unique literary account of a black heiress’ life immediately after the abolition of the British slave trade. Olivia Fairfield, the biracial heroine and orphaned daughter of a slaveholder, must travel from Jamaica to England, and as a condition of her father’s will either marry her Caucasian first cousin or become dependent on his mercenary elder brother and sister-in-law. As Olivia decides between these two conflicting possibilities, her letters recount her impressions of Britain and its inhabitants as only a black woman could record them. She gives scathing descriptions of London, Bristol, and the British, as well as progressive critiques of race, racism, and slavery. The narrative follows her life from the heights of her arranged marriage to its swift descent into annulment and destitution, only to culminate in her resurrection as a self-proclaimed “widow” who flouts the conventional marriage plot. The appendices, which include contemporary reviews of the novel, historical documents on race and inheritance in Jamaica, and examples of other women of colour in early British prose fiction, will further inspire readers to rethink issues of race, gender, class, and empire from an African woman’s perspective.
