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Author: Jessica Edmondes
Publisher:
ISBN: 9781649590206
Category :
Languages : en
Pages : 492
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Book Description
This volume presents the first printed edition of a late sixteenth-century poetic miscellany and provides invaluable insight into understanding the literature of the period. Its owner and principal scribe, Humfrey Coningsby, drew on texts circulating in manuscript , predominantly by contemporary writers of the time--including Philip Sidney, Edward Dyer, Arthur Gorges, Walter Ralegh, Elizabeth I, the Earl of Oxford, Nicholas Breton, George Peele, and Thomas Watson. Coningsby also added at least two of his own compositions, along with anonymous poems not found in any other manuscripts or printed books. This edition preserves the appearance, spelling, and punctuation of the original manuscript while expanding antiquated contractions to provide an easily readable text. Textual notes appear on the page, and in-depth contextual notes and word glosses are provided in the commentary section. The analyses add to our knowledge of early modern manuscript culture and literary manuscript transmission, and a substantial introduction provides context for the compilation of the anthology.
Author: Jessica Edmondes
Publisher:
ISBN: 9781649590206
Category :
Languages : en
Pages : 492
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Book Description
This volume presents the first printed edition of a late sixteenth-century poetic miscellany and provides invaluable insight into understanding the literature of the period. Its owner and principal scribe, Humfrey Coningsby, drew on texts circulating in manuscript , predominantly by contemporary writers of the time--including Philip Sidney, Edward Dyer, Arthur Gorges, Walter Ralegh, Elizabeth I, the Earl of Oxford, Nicholas Breton, George Peele, and Thomas Watson. Coningsby also added at least two of his own compositions, along with anonymous poems not found in any other manuscripts or printed books. This edition preserves the appearance, spelling, and punctuation of the original manuscript while expanding antiquated contractions to provide an easily readable text. Textual notes appear on the page, and in-depth contextual notes and word glosses are provided in the commentary section. The analyses add to our knowledge of early modern manuscript culture and literary manuscript transmission, and a substantial introduction provides context for the compilation of the anthology.
Author: Arthur F. Marotti
Publisher: Routledge
ISBN: 1000390683
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
This study examines the transmission and compilation of poetic texts through manuscripts from the late-Elizabethan era through the mid-seventeenth century, paying attention to the distinctive material, social, and literary features of these documents. The study has two main focuses: the first, the particular social environments in which texts were compiled and, second, the presence within this system of a large body of (usually anonymous) rare or unique poems. Manuscripts from aristocratic, academic, and urban professional environments are examined in separate chapters that highlight particular collections. Two chapters consider the social networking within the university and London that facilitated the transmission within these environments and between them. Although the topic is addressed throughout the study, the place of rare or unique poems in manuscript collections is at the center of the final three chapters. The book as a whole argues that scholars need to pay more attention to the social life of texts in the period and to little-known or unknown rare or unique poems that represent a field of writing broader than that defined in a literary history based mainly on the products of print culture.
Author: Arthur F. Marotti
Publisher: Routledge
ISBN: 9781032006222
Category : Authors and readers
Languages : en
Pages : 0
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Book Description
Introduction: The Manuscript Circulation of Poetry in Early Modern England -- Courtly and Satellite Courtly Culture: Folger MS V.a.89 -- The Inns of Court and London: Chaloner Chute's Poetical Anthology (British Library, Additional MS 33998) -- Neighborhood, Social Networks, and the Making of a Gentry Family's Manuscript Poetry Collection: British Library MS Additional 25707 -- Oxford University and Beyond: Folger MS V.a.345 and its Manuscript and Print Sources -- 'Rolling Archetypes' : Christ Church, Oxford Poetry Collections, and the Proliferation of Manuscript Verse Anthologies in Caroline England -- The Manuscript Circulation of Poetic Texts at the Inns of Court and in London -- Rare or Unique Poems in Early Modern English Manuscripts -- Rare or Unique Poems in British Library MS Sloane 1446 -- Fugitive Sonnets in Seventeenth-Century Manuscript Collections.
Author: Ilona Bell
Publisher: Cambridge University Press
ISBN: 9780521630078
Category : History
Languages : en
Pages : 298
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Book Description
This 1999 book offers an original study of lyric form and social custom in the Elizabethan age. Ilona Bell explores the tendency of Elizabethan love poems not only to represent an amorous thought, but to conduct the courtship itself. Where studies have focused on courtiership, patronage and preferment at court, her focus is on love poetry, amorous courtship, and relations between Elizabethan men and women. The book examines the ways in which the tropes and rhetoric of love poetry were used to court Elizabethan women (not only at court and in the great houses, but in society at large) and how the women responded to being wooed, in prose, poetry and speech. Bringing together canonical male poets and women writers, Ilona Bell investigates a range of texts addressed to, written by, read, heard or transformed by Elizabethan women, and charts the beginnings of a female lyric tradition.
Author: Steven W. May
Publisher:
ISBN:
Category : History
Languages : en
Pages : 432
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Book Description
Although the term courtier poet is widely used in discussions of Elizabethan literature, it has never been carefully defined. In this study, Steven W.May isolates the elite social environment of the court by defining the words court and courtier as they were understood by Tudor aristocrats. He examines the types of poems that these poets wrote, the occasions for which they wrote, and the nature of the poems themselves.
Author: Steven W. May
Publisher: Oxford University Press
ISBN: 0198878028
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
English Renaissance Manuscript Culture: The Paper Revolution traces the development of a new type of scribal culture in England that emerged early in the fourteenth century. The main medieval writing surfaces of parchment and wax tablets were augmented by a writing medium that was both lasting and cheap enough to be expendable. Writing was transformed from a near monopoly of professional scribes employed by the upper class to a practice ordinary citizens could afford. Personal correspondence, business records, notebooks on all sorts of subjects, creative writing, and much more flourished at social levels where they had previously been excluded by the high cost of parchment. Steven W. May places literary manuscripts and in particular poetic anthologies in this larger scribal context, showing how its innovative features affected both authorship and readership. As this amateur scribal culture developed, the medieval professional culture expanded as well. Classes of documents formerly restricted to parchment often shifted over to paper, while entirely new classes of documents were added to the records of church and state as these institutions took advantage of relatively inexpensive paper. Paper stimulated original composition by making it possible to draft, revise, and rewrite works in this new, affordable medium. Amateur scribes were soon producing an enormous volume of manuscript works of all kinds—works they could afford to circulate in multiple copies. England's ever-increasing literate population developed an informal network that transmitted all kinds of texts from single sheets to book-length documents efficiently throughout the kingdom. The operation of restrictive coteries had little if any role in the mass circulation of manuscripts through this network. However, paper was cheap enough that manuscripts could also be readily disposed of (unlike expensive parchment). More than 90% of the output from this scribal tradition has been lost, a fact that tends to distort our understanding and interpretation of what has survived. May illustrates these conclusions with close analysis of representative manuscripts.
Author: Arthur F. Marotti
Publisher: Ohio State University Press
ISBN: 9780814208458
Category : History
Languages : en
Pages : 338
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Book Description
The eleven essays in this volume explore the complex interactions in early modern England between a technologically advanced culture of the printed book and a still powerful traditional culture of the spoken word, spectacle, and manuscript. Scholars who work on manuscript culture, the history of printing, cultural history, historical bibliography, and the institutions of early modern drama and theater have been brought together to address such topics as the social character of texts, historical changes in notions of literary authority and intellectual property, the mutual influence and tensions between the different forms of "publication," and the epistemological and social implications of various communications technologies. Although canonical literary writers such as Shakespeare, Jonson, and Rochester are discussed, the field of writing examined is a broad one, embracing political speeches, coterie manuscript poetry, popular pamphlets, parochially targeted martyrdom accounts, and news reports. Setting writers, audiences, and texts in their specific historical context, the contributors focus on a period in early modern England, from the late sixteenth through the late seventeenth century, when the shift from orality and manuscript communication to print was part of large-scale cultural change. Arthur F. Marotti's and Michael D. Bristol's introduction analyzes some of the sociocultural issues implicit in the collection and relates the essays to contemporary work in textual studies, bibliography, and publication history.
Author: Michael Hattaway
Publisher: John Wiley & Sons
ISBN: 9781444319026
Category : Literary Criticism
Languages : en
Pages : 1264
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Book Description
In this revised and greatly expanded edition of theCompanion, 80 scholars come together to offer an originaland far-reaching assessment of English Renaissance literature andculture. A new edition of the best-selling Companion to EnglishRenaissance Literature, revised and updated, with 22 newessays and 19 new illustrations Contributions from some 80 scholars including Judith H.Anderson, Patrick Collinson, Alison Findlay, Germaine Greer,Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, RobertMiola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literaryand cultural territories the Companion offers new readingsof both ‘literary’ and ‘non-literary’texts Features essays discussing material culture, sectarian writing,the history of the body, theatre both in and outside theplayhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advancedstudents and faculty with new directions for theirresearch All of the essays from the first edition, along with therecommendations for further reading, have been reworked orupdated
Author: J. B. Leishman
Publisher: Routledge
ISBN: 1000455165
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
First Published in 1966, The Art of Marvell's Poetry presents J.B. Leishman’s appreciation of Andrew Marvell’s poems by demonstrating a sensitive understanding of attitudes peculiar to the seventeenth century and to Marvell. Leishman calls Marvell an "inveterate imitator and experimenter". His success depended on originality of combination rather than originality of invention. But while such phrases as "Musick, the Mosaique of the Air,’’ "Desarts of vast Eternity,"- and "a green Thought in a green shade" were certainly inspired by others, they are distinctively and unquestionably Marvell’s own. Marvell’s poetry is shown to be the work of a man living at a certain moment in history; it is poetry which could not have been written at any other time, and its affinities to the work of contemporary poets are clearly demonstrated. The Art of Marvell's Poetry is a must read for scholars and researchers of English poetry, English literature, and European literature.
Author: David Loewenstein
Publisher: Cambridge University Press
ISBN: 9780521631563
Category : Language Arts & Disciplines
Languages : en
Pages : 1064
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Book Description
Now available in paperback, this is the first full-scale history of early modern English literature in nearly a century. It offers new perspectives on English literature produced in Britain between the Reformation and the Restoration. While providing the general coverage and specific information expected of a major history, its twenty-six chapters address recent methodological and interpretive developments in English literary studies. The book has five sections: Modes and Means of Literary Production, Circulation, and Reception , The Tudor Era from the Reformation to Elizabeth I , The Era of Elizabeth and James VI , The Earlier Stuart Era , and The Civil War and Commonwealth Era . While England is the principal focus, literary production in Scotland, Ireland and Wales is treated, as are other subjects less frequently examined in previous histories, including women s writings and the literature of the English Reformation and Revolution. This innovatively-designed history is an essential resource for specialists and students.
