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Author: Elise Cowen
Publisher:
ISBN: 9781934103494
Category : American poetry
Languages : en
Pages : 0
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Book Description
Poetry. Women's Studies. LGBT Studies. Edited and with an introduction and supplementary material by Tony Trigilio. Designed for both general readers and scholars, this book brings together for the first time all of the poems and fragments in Elise Cowen's surviving notebook, recovering the work of a postwar female poet whose reputation had been submerged for more than a half-century. Remembered dismissively as the woman who dated Allen Ginsberg for a brief time in the early 1950s, she wrote hundreds of poems, many in a lyric mode that recalls Sappho and many in a visionary mode that resembles Emily Dickinson. After her suicide in 1962, nearly all of her work was destroyed. One notebook survived, rescued by a close friend, and this notebook is the basis for ELISE COWEN: POEMS AND FRAGMENTS. "Elise Cowen, an artist long obscured by legend, myth, archival uncertainty and copyright dispute, relegated to rumor and sensation, has been recuperated by Tony Trigilio's groundbreaking collection of her poetry. Trigilio collects the primary material from the poet's recovered notebook and provides, in his indispensable Notes to the Poems, an impressive critical literary historical analysis. A modern Eumenide and proto-second-wave feminist of uncompromising voice, Cowen's searing verse poignantly claims female subjectivity. Thanks to Trigilio's inspired, erudite and meticulous recovery work, this collection will make a profound difference in the way Beat movement writing is reckoned and experienced." Ronna C. Johnson"
Author: Elise Cowen
Publisher:
ISBN: 9781934103494
Category : American poetry
Languages : en
Pages : 0
Get Book
Book Description
Poetry. Women's Studies. LGBT Studies. Edited and with an introduction and supplementary material by Tony Trigilio. Designed for both general readers and scholars, this book brings together for the first time all of the poems and fragments in Elise Cowen's surviving notebook, recovering the work of a postwar female poet whose reputation had been submerged for more than a half-century. Remembered dismissively as the woman who dated Allen Ginsberg for a brief time in the early 1950s, she wrote hundreds of poems, many in a lyric mode that recalls Sappho and many in a visionary mode that resembles Emily Dickinson. After her suicide in 1962, nearly all of her work was destroyed. One notebook survived, rescued by a close friend, and this notebook is the basis for ELISE COWEN: POEMS AND FRAGMENTS. "Elise Cowen, an artist long obscured by legend, myth, archival uncertainty and copyright dispute, relegated to rumor and sensation, has been recuperated by Tony Trigilio's groundbreaking collection of her poetry. Trigilio collects the primary material from the poet's recovered notebook and provides, in his indispensable Notes to the Poems, an impressive critical literary historical analysis. A modern Eumenide and proto-second-wave feminist of uncompromising voice, Cowen's searing verse poignantly claims female subjectivity. Thanks to Trigilio's inspired, erudite and meticulous recovery work, this collection will make a profound difference in the way Beat movement writing is reckoned and experienced." Ronna C. Johnson"
Author: Ronna Johnson
Publisher: Rutgers University Press
ISBN: 9780813530659
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
"Girls Who Wore Black recovers neglected women writers who deserve more attention for their writing and for their historical role in the mid-century arts scene. This collection of essays reopens and revises the Beat canon, Beat history, and Beat poetics; it is an important contribution to literary criticism and history."-Jennie Skerl, author of A Tawdry Place of Salvation: The Art of Jane Bowles "Ronna Johnson and Nancy Grace have done an invaluable service for students of American literature: their collection begins with an essential essay about the three generations of Beat women and then provides fine contributions by critics Anthony Libby, Linda Russo, Maria Damon, Tim Hunt, and others. The value of this book is so clear one must wonder why it wasn't available much earlier."-Linda Wagner-Martin, University of North Carolina, Chapel Hill What do we know about the women who played an important role in creating the literature of the Beat Generation? Until recently, very little. Studies of the movement have effaced or excluded women writers, such as Elise Cowen, Joyce Johnson, Joanne Kyger, Hettie Jones, and Diane Di Prima, each one a significant figure of the postwar Beat communities. Equally free-thinking and innovative as the founding generation of men, women writers, fluent in Beat, hippie, and women's movement idioms, partook of and bridged two important countercultures of the American mid-century. Persistently foregrounding female experiences in the cold war 1950s and in the counterculture 1960s and in every decade up to the millennium, women writing Beat have brought nonconformity, skepticism, and gender dissent to postmodern culture and literary production in the United States and beyond. Ronna C. Johnson is a lecturer in the departments of English and American Studies at Tufts University. Nancy M. Grace is an associate professor in the department of English and director of the Program in Writing at The College of Wooster in Ohio. She is the author of The Feminized Male Character in Twentieth-Century Literature.
Author: Joyce Johnson
Publisher: Methuen Publishing
ISBN: 9780413775597
Category : Authors, American
Languages : en
Pages : 0
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Book Description
Johnson's book is a personal memoir and a summation of the times, a story of adolescent rebellion and a desire to choose a different life. She shows how the Beat women, in deciding to break the rules and leave home as unmarried young women in the 1950s, discovered the risks and the heady excitement of trying to live as freely as the rebels they loved.
Author: David Wills
Publisher: David Wills
ISBN:
Category :
Languages : en
Pages : 100
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Book Description
Beatdom is a magazine for all fans of Beat Generation literature. This is the very first issue of Beatdom, containing interviews with Barry Gifford, Paul Krassner, Ken Babbs and Zane Kesey. We also have a talented group of writers and photographers, who have put together a magazine with features relating the Beat Generation to Buddhism, Bob Dylan, Hunter S Thompson and Walt Whitman; and guides to Beat books, websites and stories.
Author: Brenda Knight
Publisher: Legare Street Press
ISBN: 9781015461376
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Tyler COWEN
Publisher: Harvard University Press
ISBN: 0674029933
Category : Business & Economics
Languages : en
Pages : 289
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Book Description
Does a market economy encourage or discourage music, literature, and the visual arts? Do economic forces of supply and demand help or harm the pursuit of creativity? This book seeks to redress the current intellectual and popular balance and to encourage a more favorable attitude toward the commercialization of culture that we associate with modernity. Economist Tyler Cowen argues that the capitalist market economy is a vital but underappreciated institutional framework for supporting a plurality of co-existing artistic visions, providing a steady stream of new and satisfying creations, supporting both high and low culture, helping consumers and artists refine their tastes, and paying homage to the past by capturing, reproducing, and disseminating it. Contemporary culture, Cowen argues, is flourishing in its various manifestations, including the visual arts, literature, music, architecture, and the cinema. Successful high culture usually comes out of a healthy and prosperous popular culture. Shakespeare and Mozart were highly popular in their own time. Beethoven's later, less accessible music was made possible in part by his early popularity. Today, consumer demand ensures that archival blues recordings, a wide array of past and current symphonies, and this week's Top 40 hit sit side by side in the music megastore. High and low culture indeed complement each other. Cowen's philosophy of cultural optimism stands in opposition to the many varieties of cultural pessimism found among conservatives, neo-conservatives, the Frankfurt School, and some versions of the political correctness and multiculturalist movements, as well as historical figures, including Rousseau and Plato. He shows that even when contemporary culture is thriving, it appears degenerate, as evidenced by the widespread acceptance of pessimism. He ends by considering the reasons why cultural pessimism has such a powerful hold on intellectuals and opinion-makers.
Author: Tyler Cowen
Publisher: Harvard University Press
ISBN: 9780674001558
Category : Business & Economics
Languages : en
Pages : 268
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Book Description
In a world where more people know who Princess Di was than who their own senators are, where Graceland draws more visitors per year than the White House, and where Michael Jordan is an industry unto himself, fame and celebrity are central currencies. In this intriguing book, Tyler Cowen explores and elucidates the economics of fame. Fame motivates the talented and draws like-minded fans together. But it also may put profitability ahead of quality, visibility above subtlety, and privacy out of reach. The separation of fame and merit is one of the central dilemmas Cowen considers in his account of the modern market economy. He shows how fame is produced, outlines the principles that govern who becomes famous and why, and discusses whether fame-seeking behavior harmonizes individual and social interests or corrupts social discourse and degrades culture. Most pertinently, Cowen considers the implications of modern fame for creativity, privacy, and morality. Where critics from Plato to Allan Bloom have decried the quest for fame, Cowen takes a more pragmatic, optimistic view. He identifies the benefits of a fame-intensive society and makes a persuasive case that however bad fame may turn out to be for the famous, it is generally good for society and culture.
Author: Matt Theado
Publisher: Liverpool University Press
ISBN: 1949979946
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
The Beats, Black Mountain, and New Modes of American Poetry explores correspondences amongst the Black Mountain and Beat Generation writers, two of most well-known and influential groups of poets in the 1950s. The division of writers as Beat or Black Mountain has hindered our understanding of the ways that these poets developed from mutual influences, benefitted from direct relations, and overlapped their boundaries. This collection of academic essays refines and adds context to Beat Studies and Black Mountain Studies by investigating the groups’ intersections and undercurrents. One goal of the book is to deconstruct the Beat and Black Mountain labels in order to reveal the shifting and fluid relationships among the individual poets who developed a revolutionary poetics in the 1950s and beyond. Taken together, these essays clarify the radical experimentation with poetics undertaken by these poets.
Author: Richard Peabody
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 260
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Book Description
An anthology of works by 27 women writers of the beat generation.
Author: Joyce Johnson
Publisher: Open Road Media
ISBN: 148048119X
Category : Fiction
Languages : en
Pages : 149
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Book Description
The daring debut of the Beat Generation’s first woman novelist It’s 1955. Seven days before her graduation from Barnard College, Susan Levitt asks herself, “What if you lived your entire life without urgency?” just before going out to make things happen to her that will shatter the mask of conformity concealing her feelings of alienation. If Susan continues to be “good,” marriage and security await her. But her hunger is rising for the self-discovery that comes from existential freedom. After breaking up with the Columbia boy she knows she could marry, Susan seeks out those she considers “outlaws”: the brave and fragile Kay, who has moved into a rundown hotel, in order to “see more than fifty percent when I walk down the street”; the vulnerable adolescent rebel Anthony; and Peter, the restless hipster graduate student who has become the object of Kay’s unrequited devotion. This fascinating novel—which the author began writing a year before her encounter with Jack Kerouac—is a young woman’s complex response to the liberating messages of the Beat Generation. In a subversive feminist move, Johnson gives her heroine all the freedom the male Beat writers reserved for men, to travel her own road.
