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Author: Anne Gregersen
Publisher: Hatje Cantz
ISBN: 9783775751681
Category :
Languages : en
Pages : 0
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Book Description
How painters such as Edvard Munch and Helene Schjerfbeck revived and adapted El Greco's expressionism in the Nordic countries During the late 19th century, artists across Europe rediscovered the almost three-centuries-old art of the Greek painter El Greco (1541-1614). His characteristic rapturous style resonated with the new generation of Nordic artists, who were adopting their own forms of expressionism. El Greco's ascension as a cult figure, however, can be attributed as much to his life story as to his work: the young artists heralded El Greco as an outsider idol for the relentless rejection he encountered during his lifetime. This catalog traces the influence of El Greco on the work of Nordic artists such as Edvard Munch, Helene Schjerfbeck, Nils Dardel, Harald Giersing and Jens Ferdinand Willumsen. The Nordic reception of El Greco in the decades between 1885 and 1945 has never previously been explored; by doing so, the book adds a key piece to the mosaic that is the artist's multinational legacy.
Author: Anne Gregersen
Publisher: Hatje Cantz
ISBN: 9783775751681
Category :
Languages : en
Pages : 0
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Book Description
How painters such as Edvard Munch and Helene Schjerfbeck revived and adapted El Greco's expressionism in the Nordic countries During the late 19th century, artists across Europe rediscovered the almost three-centuries-old art of the Greek painter El Greco (1541-1614). His characteristic rapturous style resonated with the new generation of Nordic artists, who were adopting their own forms of expressionism. El Greco's ascension as a cult figure, however, can be attributed as much to his life story as to his work: the young artists heralded El Greco as an outsider idol for the relentless rejection he encountered during his lifetime. This catalog traces the influence of El Greco on the work of Nordic artists such as Edvard Munch, Helene Schjerfbeck, Nils Dardel, Harald Giersing and Jens Ferdinand Willumsen. The Nordic reception of El Greco in the decades between 1885 and 1945 has never previously been explored; by doing so, the book adds a key piece to the mosaic that is the artist's multinational legacy.
Author: Judith F. Dolkart
Publisher: Hatje Cantz
ISBN: 9783775733274
Category : Art
Languages : en
Pages : 0
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Book Description
The sensational oeuvre of El Greco (1541-1614) was first introduced to a broader German audience in 1910 through Julius Meier-Graefe's journal, "The Spanish Journey". Numerous artists subsequently caught "Greco fever" when they first saw larger groups of his works in exhibitions in Munich in 1911 and Düsseldorf in 1912. Max Beckmann, Oskar Kokoschka, Max Oppenheimer, Ludwig Meidner, and especially members of the Blaue Reiter-August Macke, Franz Marc, Albert Bloch, and others-recognized in El Greco a father figure for the Modernist movement, mentioning him in the same breath as Paul Cézanne. This volume presents a general selection of over forty paintings by El Greco from the most famous museums around the world. At the same time, the young artists' exploration of the paintings and visual spheres of the exceptional Spanish painter are discussed, opening up a fascinating view of the battle for Modernism. 0Exhibition: Museum Kunstpalast, Düsseldorf, Germany (28.4.-12.8.2012).
Author: Michael Scholz-Hänsel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 106
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Book Description
A prophet of modernism: Strong colors and sinuous figures El Greco (1541-1614) was born Doménikos Theotokópoulos in Crete in 1541. He arrived in Venice in 1566, where his work was greatly influenced by Titian and Tintoretto. However when he made an offer to the Pope to paint over Michelangelo's Last Judgement in the spirit of the Counter Reformation, he incurred the wrath of Roman artists to such an extent that a career in Italy was no longer conceivable. El Greco settled in Spain, in Toledo, where he received numerous commissions from the Church and the nobility. Between 1586 and 1588 he created one of the great works of European painting, the monumental Burial of the Count of Orgaz for a chapel altar in the parish church of Santo Tomé in Toledo. El Greco confined his palette to a small number of very expressively used shades, with an evident preference for pale purple, pink, and yellow and greyish tones. He located the iconographical events in a space that he dramatized by means of light and atmospheric phenomena. His oeuvre had a wide-ranging impact on art up to and including modern 20th-century painting. Paul Cézanne and later Picasso and the Expressionists regarded El Greco as a prophet of modernism. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
Author: Michael Scholz-Hänsel
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
El Greco (1541-1614) was born Domenikos Theotokopoulos in Crete in 1541. He arrived in Venice in 1566, where his work was greatly influenced by Titian and Tintoretto. Later he made an offer to the Pope to paint over Michelangelo's "Last Judgement" in the spirit of the Counter Reformation, which so incurred the wrath of Roman artists that a career in Italy was no longer conceivable. El Greco then settled in Spain, in Toledo, where he received numerous commissions from the Church and the nobility. Between 1586 and 1588 he created a major work of European painting, the monumental "Burial of the Count of Orgaz" for a chapel altar in the parish church of Santo Tome in Toledo. El Greco confined his range of colours to a small number of very expressively used shades, with an evident preference for pale purple, pink, and yellow and greyish tones. He located the iconographical events in a space that he dramatized by means of light and atmospheric phenomena. His oeuvre had a wide-ranging impact on art up to and including modern 20th century painting. Paul Cezanne and later Picasso and the Expressionists regarded El Greco as a prophet of modernism.
Author: Inge Jackson Reist
Publisher:
ISBN: 9788415245735
Category : Juvenile Nonfiction
Languages : en
Pages : 264
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Book Description
In 2014, to mark the four-hundredth anniversary of El Greoc's death and the appeal of his art in America, major museums mounted exhibitions of paintings which came to their collections as a result of "Grecomaia", a collecting trend seemingly inspired by Knoedler Gallery's exhibition of the artist's work, in 1904. The Frick Collection's symposium focused on the development of American collectors' taste for El Greco's works.
Author: Livia Stoenescu
Publisher: Visual and Material Culture
ISBN: 9789462989009
Category : Art criticism
Languages : en
Pages : 0
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Book Description
The Pictorial Art of El Greco: Transmaterialities, Temporalities, and Media investigates El Greco's pictorial art as foundational to the globalising trends manifested in the visual culture of early modernity. It also exposes the figurative, semantic, and allegorical senses that El Greco created to challenge an Italian Renaissance-centered discourse. Even though he was guided by the unprecedented burgeoning of devotional art in the post-Tridentine decades and by the expressive possibilities of earlier religious artifacts, especially those inherited from the apostolic past, the author demonstrates that El Greco forged his own independent trajectory. While his paintings have been studied in relation to the Italian and Spanish school traditions, his pictorial art in a global Mediterranean context continues to receive scant attention. Taking a global perspective as its focus, the book sheds new light on El Greco's highly original contribution to early Mediterranean and multi-institutional configurations of the Christian faith in Byzantium, Venice, Rome, Toledo, and Madrid.
Author: Eric Storm
Publisher: Liverpool University Press
ISBN: 1782843434
Category : Art
Languages : en
Pages : 316
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Book Description
Originally published in Dutch and translated to Spanish for the fourth centenary celebration of the death of El Greco in 2014, this book is a comprehensive study of the rediscovery of El Greco -- seen as one of the most important events of its kind in art history. The Nationalization of Culture versus the Rise of Modern Art analyses how changes in artistic taste in the second half of the nineteenth century caused a profound revision of the place of El Greco in the artistic canon. As a result, El Greco was transformed from an extravagant outsider and a secondary painter into the founder of the Spanish School and one of the principle predecessors of modern art, increasingly related to that of the Impressionists -- due primarily to the German critic Julius Meier-Graefe's influential History of Modern Art (1914). This shift in artistic preference has been attributed to the rise of modern art but Eric Storm, a cultural historian, shows that in the case of El Greco nationalist motives were even more important. This study examines the work of painters, art critics, writers, scholars and philosophers from France, Germany and Spain, and the role of exhibitions, auctions, monuments and commemorations. Paintings and associated anecdotes are discussed, and historical debates such as El Greco's supposed astigmatism are addressed in a highly readable and engaging style. This book will be of interest to both specialists and the interested art public.
Author: Carl Tomas Edam
Publisher: Steve Parish
ISBN:
Category : Artists
Languages : en
Pages : 268
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Book Description
Author: José Gudiol
Publisher: Random House Value Publishing
ISBN:
Category : Art
Languages : en
Pages : 392
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Book Description
Includes 85 full-color illustrations and 268 black-and-white illustrations. Demonstrates the nature of El Greco's wayward and compelling art and reveals him as one of Europe's greatest painters.
Author: Nikolaos M. Panagiotakes
Publisher: Routledge
ISBN: 1351941356
Category : History
Languages : en
Pages : 168
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Book Description
Exploring all the available sources, this study, which until now was only available in Greek, presents us with an account of El Greco's life up to the time he left Crete for Italy in 1567 at the age of twenty-six, already an accomplished professional painter. Nikolaos Panagiotakes provides a thorough assessment of earlier research on Crete of the 16th century then goes on to present new conclusions on the life of El Greco deriving from the author's firsthand reading of Venetian archive material, including questions relating to his birthplace, family, name, religious affiliation, and apprenticeship as a painter. The evidence indicates that El Greco was an established professional 'master painter' earlier than had previously been thought and also that he had a family before leaving Crete, thus perhaps explaining why he did not later marry Jerónima de las Cuevas, with whom he had a son in Toledo. This work marks a valuable contribution to El Greco scholarship, particularly in its thoroughly substantiated assessment of the evidence regarding the formative years in the life of El Greco, one of the greatest of all European artists.
