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Author: Usama ibn Munqidh
Publisher: Penguin UK
ISBN: 0141919175
Category : History
Languages : en
Pages : 428
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Book Description
The volume comprises lightly annotated translation of a key medieval Arabic text that bears directly on the Crusades and Crusader society and the Muslim experience of them.
Author: Usama ibn Munqidh
Publisher: Penguin UK
ISBN: 0141919175
Category : History
Languages : en
Pages : 428
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Book Description
The volume comprises lightly annotated translation of a key medieval Arabic text that bears directly on the Crusades and Crusader society and the Muslim experience of them.
Author: Estelle J. Whelan
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 2414
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Book Description
Author: David J. Roxburgh
Publisher: BRILL
ISBN: 9789004113763
Category : Art
Languages : en
Pages : 304
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Book Description
"Readership: All those interested in the history and theory of art, and histories of Persian literature and culture in the premodern Islamic world."--BOOK JACKET.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991116
Category : Art
Languages : en
Pages : 344
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Book Description
Author: Thomas (bp. of Marga)
Publisher:
ISBN:
Category : Nestorian Church
Languages : en
Pages : 744
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Book Description
History of the monastery of Bêth Âbhê and of Nestorianism for three centuries.
Author: Lisa Golombek
Publisher: BRILL
ISBN: 9004662553
Category : Art
Languages : en
Pages : 216
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Book Description
The nineteen papers collected in this volume were delivered at a symposium held in Toronto, November 1989 in order to discuss the art and culture of Timurid times. The papers cover the last decades of the fourteenth century and the whole of the fifteenth, in an area of western Asia extending roughly from the Euphrates to the Hindu Kush and to the Altai. Among the subjects covered were: 'Discourses of an Imaginary Arts Council in Fifteenth-Century Iran'; 'The Persian Court between Palace and Tent: From Timur to ‘Abbas I'; 'Turkmen Princes and Religious Dignitaries: A Sketch in Group Profiles'; 'Craftsmen and Guild Life in Samarkand'; 'The Baburnama and the Tarikh-i Rashidi: Their Mutual Relationship'; 'Geometric Design in Timurid/Turkmen Architectural Practice: Thoughts on a Recently Discovered Scroll and Its Late Gothic Parallels' and 'Repetition of Compositions in Manuscripts: The Khamsa of Nizami in Leningrad.
Author: Yuka Kadoi
Publisher: BRILL
ISBN: 900430990X
Category : History
Languages : en
Pages : 441
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Book Description
Arthur Upham Pope and A New Survey of Persian Art re-addresses the role of the American pioneer in the study of Persian cultural heritage - Arthur Upham Pope (1881–1969) - in the development of Persian art scholarship and connoisseurship during the twentieth century.
Author: Rachel DeLue
Publisher: Routledge
ISBN: 1135902259
Category : Art
Languages : en
Pages : 377
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Book Description
Artistic representations of landscape are studied widely in areas ranging from art history to geography to sociology. This book brings together more than fifty scholars from many disciplines to establish new ways of thinking about landscape in art.
Author: Martin Joseph Powers
Publisher:
ISBN: 9780300047677
Category : Art
Languages : en
Pages : 438
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Book Description
In This path breaking book Martin J. Powers examines the art and politics of Han dynasty (206 B. C. - A.D. 220) and show that both were shaped by the rise of an educated, non aristocratic public-the Confucian literati - that questioned the authority of the rich and royal at all levels. By considering the design and construction of local tombs and shrines, their mural schemes, subject matter, and style, the author distinguishes three major traditions of taste and places each tradition within a narrative of political rivalries in northeast China.
Author: Oleg Grabar
Publisher:
ISBN: 9780691049991
Category : Art
Languages : en
Pages : 168
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Book Description
The mention of Persian painting conjures up images of beautifully illuminated manuscripts filled with tiny, intricate pictures, each a miniature festival of color. Anyone who has seen Persian miniatures up close will attest to their captivating power. In this book, the renowned historian of Islamic art Oleg Grabar introduces Western audiences to Persian painting, which consists primarily of miniatures illustrating works of literature, but also includes murals and small ceramics decorated with pictures. The masterpieces of this painting have a visual richness that requires the use of the intellect as well as the eye for their appreciation, and Grabar seeks to situate the reader within their world, that of Islamic culture in Iran from the Middle Ages to Modern times. Through a series of chapters on various aspects of Persian painting, he helps us understand its history, the characteristics that define it, and the delights to be discovered in it. Grabar argues that this genre of painting offers a remarkable example of how books are illustrated in general and of how an Iranian secular taste emerged during centuries dominated by religious art. He shows that the peculiarities of its historical background gave rise to specific characteristics: striking colors, dematerialization of space, subtle evocations of emotions, simultaneous lyricism and epic. The qualities of Persian painting created a unique aesthetic mood that is related to Persian poetry and Islamic mysticism. It was only at the beginning of the twentieth century that the Western art world began to discover Persian painting. Inspired by its use of pure geometry and vivid palette, Matisse and Kandinsky were among the first modernists to incorporate attributes of Persian art into their work. And now, a century later, interest among museum-goers continues to increase. The allure of Persian painting lies in its absorbing complexities and in the surprising way it speaks to large questions about the nature of art and the perception of its masterpieces. Grabar has written an incomparable book that both explains and re-creates the pleasures of this art.
