Eighteenth-Century Keyboard Music PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Eighteenth-Century Keyboard Music PDF full book. Access full book title Eighteenth-Century Keyboard Music by Robert Marshall. Download full books in PDF and EPUB format.
Author: Robert Marshall
Publisher: Routledge
ISBN: 1135887764
Category : Music
Languages : en
Pages : 460
Get Book Here
Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Robert Marshall
Publisher: Routledge
ISBN: 1135887764
Category : Music
Languages : en
Pages : 460
Get Book Here
Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Robert Marshall
Publisher: Routledge
ISBN: 1135887756
Category : Music
Languages : en
Pages : 431
Get Book Here
Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: C. R. F. Maunder
Publisher: Oxford University Press
ISBN: 9780198166375
Category : Music
Languages : en
Pages : 298
Get Book Here
Book Description
Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers.
Author: W. Dean Sutcliffe
Publisher: Cambridge University Press
ISBN: 1139441094
Category : Music
Languages : en
Pages : 414
Get Book Here
Book Description
W. Dean Sutcliffe investigates one of the greatest yet least understood repertories of Western keyboard music: the 555 keyboard sonatas of Domenico Scarlatti. Scarlatti occupies a position of solitary splendour in musical history. The sources of his style are often obscure and his immediate influence is difficult to discern. Further, the lack of hard documentary evidence has hindered musicological activity. Dr Sutcliffe offers not just a thorough reconsideration of the historical factors that have contributed to Scarlatti's position, but also sustained engagement with the music, offering both individual readings and broader commentary of an unprecedented kind. A principal task of this book is to remove the composer from his critical ghetto (however honourable) and redefine his image. In so doing it will reflect on the historiographical difficulties involved in understanding eighteenth-century musical style.
Author: Christopher Hogwood
Publisher: Cambridge University Press
ISBN: 9780521810555
Category : Music
Languages : en
Pages : 274
Get Book Here
Book Description
Table of contents
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521663199
Category : Music
Languages : en
Pages : 816
Get Book Here
Book Description
The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.
Author: Alexander Silbiger (musicologue).)
Publisher: Psychology Press
ISBN: 0415966426
Category : Harpsichord music
Languages : en
Pages : 431
Get Book Here
Book Description
18th-Century Piano Music focuses on the core composers of the 18th century repertoire. Each chapter is written by a well-known scholar in the field, and includes history, musical examples, and analysis.
Author: Andrew Talle
Publisher: University of Illinois Press
ISBN: 0252099346
Category : Music
Languages : en
Pages : 339
Get Book Here
Book Description
Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public. Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.
Author: David Rowland
Publisher: Cambridge University Press
ISBN: 9780521643856
Category : Music
Languages : en
Pages : 172
Get Book Here
Book Description
A select bibliography and extensive endnotes enable the reader to take all of the issues further."--Jacket.
Author: Cliff Eisen
Publisher: Brepols Publishers
ISBN: 9782503546292
Category : Art and music
Languages : en
Pages : 0
Get Book Here
Book Description
The late eighteenth century witnessed a flourishing exchange between music and visual art which was expressed in the creative as well as commercial cultures of the time. Nevertheless, there has been relatively little research to actively consider and thoroughly examine the symbiotic relationship between looking and listening during the period. In this volume, nine prominent scholars employ a set of interdisciplinary methodological tools in order to come to a comprehensive understanding of the rich tapestry of eighteenth-century musical taste, performance, consumption and aesthetics. While the link between visual material and musicological study lies at the heart of the research presented in this collection of essays, the importance of the textual element, as it denoted the process of thinking about music and the various ways in which that was symbolically and often literally visualized in writing and print culture, is also closely examined. Through a critical analysis of a number of important contemporary sources as well as current scholarship and research, the authors draw conclusions that extend well beyond the scope of their immediate material and closely-formulated questions. The conversation opened up in the chapters of this volume will hopefully break new ground on which the interrelationship between art and music, and more broadly between visual art and other forms of creative practice, may be studied and debated.
