Author: Sander H. Lee
Publisher: McFarland
ISBN: 0786481102
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
This new textbook is an abridgment of the author's earlier Woody Allen's Angst: Philosophical Commentaries on His Serious Films (McFarland, 1997; "invaluable"--Choice.) Five main topics are explored: the desire of many of his characters to ground their lives in traditional ethical values despite their realization that such values may no longer be certain; the opposition between pessimism and optimism throughout his films; gender issues relating to romantic love, sexual desire and the ongoing changes in our cultural expectations of both men and women; the idea that contemporary American society is rapidly descending into barbarism precisely because of societal failure to maintain a sense of individual moral responsibility; and a critique of psychoanalysis as a method for understanding human behavior. Instructors considering this book for use in a course may request an examination copy here.
Author: Sam B. Girgus
Publisher: Cambridge University Press
ISBN: 9780521009294
Category : Biography & Autobiography
Languages : en
Pages : 214
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Book Description
Publisher Description
Author: D. E. Wynter
Publisher: Springer
ISBN: 1137515473
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
Referentiality and the Films of Woody Allen is a scholarly collection that provides expansive exploration of the auteur's use of intertexuality, referentiality, and fusion of media forms. Its scope is framed by Allen's intermedial phase beginning in 1983 with Zelig and his most recent film.
Author: Richard Schickel
Publisher: Ivan R. Dee Publisher
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232
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Book Description
Brief but sharply honed, this book is an essential reference for anyone seeking to understand the life and times of one of the most important--and least understood--American filmmakers of the era.
Author: Kimball King
Publisher: Psychology Press
ISBN: 9780815331247
Category : Biography & Autobiography
Languages : en
Pages : 180
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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Neil Sinyard
Publisher:
ISBN: 9780948509803
Category : Motion pictures, American
Languages : en
Pages : 95
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Book Description
Author: Peter Bailey
Publisher: University Press of Kentucky
ISBN: 0813128390
Category : Biography & Autobiography
Languages : en
Pages : 334
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Book Description
For three decades, no American filmmaker has been as prolific—or as paradoxical—as Woody Allen. From Play It Again, Sam (1972) through Celebrity (1998) and Sweet and Lowdown (1999), Allen has produced an average of one film a year, yet in many of these films Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists. In examining Allen’s filmmaking career, The Reluctant Film Art of Woody Allen demonstrates that his movies often question whether the projected illusions of magicians/artists benefit audience or artists. Other Allen films dramatize the opposed conviction that the consoling, life-redeeming illusions of art are the best solution humanity has devised to the existential dilemma of being a death-foreseeing animal. Peter Bailey demonstrates how Allen’s films repeatedly revisit and reconfigure this tension between image and reality, art and life, fabrication and factuality, with each film reaching provisional resolutions that a subsequent movie will revise. Merging criticism and biography, Bailey identifies Allen's ambivalent views of the artistic enterprise as a key to understanding his entire filmmaking career. Because of its focus upon filmmaker Sandy Bates’s conflict between entertaining audiences and confronting them with bleak human actualities, Stardust Memories is a central focus of the book. Bailey’s examination of Allen’s art/life dialectic also draws from the off screen drama of Allen’s very public separation from Mia Farrow, and the book accordingly construes such post-scandal films as Bullets Over Broadway and Mighty Aphrodite as Allen’s oblique cinematic responses to that tabloid tempest. By illuminating the thematic conflict at the heart of Allen's work, Bailey seeks not only to clarify the aesthetic designs of individual Allen films but to demonstrate how his oeuvre enacts an ongoing debate the screenwriter/director has been conducting with himself between creating cinematic narratives affirming the saving powers of the human imagination and making films acknowledging the irresolvably dark truths of the human condition.
Author: Robert Benayoun
Publisher: Random House Value Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
Author: Sander H. Lee
Publisher: McFarland
ISBN: 9780786402076
Category : Performing Arts
Languages : en
Pages : 428
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Book Description
While Woody Allen is generally considered to be a master of the comic genre he created, his serious films are very important in understanding his role as one of this generation's more influential filmmakers. In this work such Allen films as Annie Hall (1977), Broadway Danny Rose (1984), Crimes and Misdemeanors (1989) and Mighty Aphrodite (1995) are analyzed for the common philosophical themes they share. Gender issues, Allen's love-hate relationship with God, narcissism and moral relativism, and the use of the so-called existential dilemma are among the topics discussed. The extensive research is augmented with a rare interview with Allen.
Author: Michael V. Tueth
Publisher: Scarecrow Press
ISBN: 0810883686
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Film comedy has been around as long as cinema itself. Over the years, particular forms of the genre have emerged, evolved, and spawned other branches of comedy. While these subgenres may vary in their approach to humor, all of them have the same goal: amusing audiences. In Reeling with Laughter: American Film Comedies—From Anarchy to Mockumentary, Michael V. Tueth examines some of the most enjoyable comic movies of all time. Beginning with the anarchic romp Duck Soup (1933), each chapter explores a specific subgenre through a representative film. Along with the Marx Brothers’ classic, other subgenres discussed in this volume include romantic comedy (It Happened One Night), screwball comedy (Bringing Up Baby and What’s Up, Doc?), musical comedy (Singin’ in the Rain), sex farce (Some Like It Hot), satire (Dr. Strangelove), parody (Young Frankenstein), neurotic comedy (Annie Hall), Dionysian comedy (Animal House), mockumentary (Waiting for Guffman), and animated comedy (South Park: Bigger, Longer & Uncut). In this volume, Tueth provides the background of each film’s production and discusses their audience reception, critical appraisal, and the qualities that have characterized these enduring works. Reeling with Laughter will appeal to film students, as well as the general public eager to revisit these great American films.