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Author: Samuel Hynes
Publisher: Random House
ISBN: 1446467961
Category : History
Languages : en
Pages : 422
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Book Description
The Edwardian Turn of Mind brilliantly evokes the cultural temper of an age. The years between the death of Queen Victoria and the outbreak of the First World War witnessed a turbulent and dramatic struggle between the old and the new. Samuel Hynes considers the principal areas of conflict - politics, science, the arts and the relations between men and women - and fills them with a wide-ranging cast of characters: Tories, Liberals and Socialists, artists and reformers, psychoanalysts and psychic researchers, sexologists, suffragettes and censors. His book is a portrait of a tumultuous time - out of which contemporary England was made.
Author: Samuel Hynes
Publisher: Random House
ISBN: 1446467961
Category : History
Languages : en
Pages : 422
Get Book Here
Book Description
The Edwardian Turn of Mind brilliantly evokes the cultural temper of an age. The years between the death of Queen Victoria and the outbreak of the First World War witnessed a turbulent and dramatic struggle between the old and the new. Samuel Hynes considers the principal areas of conflict - politics, science, the arts and the relations between men and women - and fills them with a wide-ranging cast of characters: Tories, Liberals and Socialists, artists and reformers, psychoanalysts and psychic researchers, sexologists, suffragettes and censors. His book is a portrait of a tumultuous time - out of which contemporary England was made.
Author: Samuel Hynes
Publisher: Princeton, N.J : Princeton University Press
ISBN:
Category : Great Britain
Languages : en
Pages : 472
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Book Description
The Description for this book, The Edwardian Turn of Mind, will be forthcoming.
Author: Samuel Hynes
Publisher: Random House (UK)
ISBN:
Category : History
Languages : en
Pages : 468
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Book Description
The years between the death of Queen Victoria and the outbreak of the First World War witnessed a turbulent and dramatic struggle between the old and the new. This book offers a portrait of a tumultuous time - out of which contemporary England was made.
Author: Dennis Brown
Publisher: Rodopi
ISBN: 9789042020535
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. International Ford Madox Ford Studies has been founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; each will relate aspects of Ford's work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War'; and Samuel Hynes has called 'the greatest war novel ever written by an Englishman'. These works, together with his trilogy The Fifth Queen, about Henry VIII and Katharine Howard, are centrally concerned with the idea of Englishness. All these, and other works across Ford's prolific oeuvre, are studied here. Critics of Edwardian and Modernist literature have been increasingly turning to Ford's brilliant 1905 experiment in Impressionism, The Soul of London, as an exemplary text. His trilogy England and the English (of which this forms the first part) provides a central reference-point for this volume, which presents Ford as a key contributor to Edwardian debates about the 'Condition of England'. His complex, ironic attitude to Englishness makes his approach stand out from contemporary anxieties about race and degeneration, and anticipate the recent reconsideration of Englishness in response to post-colonialism, multiculturalism, globalization, devolution, and the expansion and development of the European Community. Ford's apprehension of the major social transformations of his age lets us read him as a precursor to cultural studies. He considered mass culture and its relation to literary traditions decades before writers like George Orwell, the Leavises, or Raymond Williams. The present book initiates a substantial reassessment, to be continued in future volumes in the series, of Ford's responses to these cultural transformations, his contacts with other writers, and his phases of activity as an editor working to transform modern literature. From another point of view, the essays here also develop the project established in earlier volumes, of reappraising Ford's engagement with the city, history, and modernity.
Author: Maria DiBattista
Publisher: Oxford University Press
ISBN: 0195359542
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
This collection of essays on modernist culture reassesses the convergence of low and high cultures, of socialist and aesthete, late Victorian and young Georgian, the popular and the coterie. Academic literary studies have until recently preferred to treat the "opaque," "difficult" writings of high moderns Conrad, Yeats, Woolf, and Eliot, and the more accessible work of the low moderns Kipling, Shaw, and Wells in separate categories. In contributions by scholars David Bromwich, Roy Foster, Edna Longley, Louis Menand, Edward Mendelson, and others, High and Low Moderns brings these writers into critical proximity. Essays on such topics as the public mourning of Queen Victoria, Florence Farr and the "New Woman," the Edwardian Shaw, Lady Gregory's attraction to Irish felons, and the high artistic uses of low entertainments--cinema, detective fiction, and journalism-- introduce a subtler model of modernism, in which "demotic" and "elite" cultural forms criticize, imitate, and address one another.
Author: Roy Hattersley
Publisher: Macmillan + ORM
ISBN: 1250096227
Category : History
Languages : en
Pages : 548
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Book Description
"A convincing account of a watershed epoch, Hattersley's concise yet comprehensive history casts new light on a much-misunderstood era." - Publishers Weekly Edwardian Britain has often been described as a golden sunlit afternoon---personified by its genial and self-indulgent King. In fact, modern Britain was born during the reign of Edward VII, when politics, science, literature, and the arts were turned upside down. In Parliament, the peers were crushed for the first time since Magna Carta. Irish nationalists and suffragettes took politics out on to the streets. Home Rule and Votes for Women were delayed, not precipitated, by the First World War. Great parliamentary stars such as Lloyd George and Winston Churchill typified an era in which personalities dominated the headlines of the new tabloid newspapers. It was the age of Rolls and Royce, Scott and Shackleton, Edward Elgar, Shaw, the Pankhursts, and Mrs. Alice Keppel, whose social life was reported without mention of her relationship with the King. The theater of ideas superseded drawing room dramas. Novelists of genius---from Henry James to D. H. Lawrence---produced a masterpiece each year. A London gallery caused a sensation with an exhibition of "Postimpressionists." Edward Elgar was the first English composer for two hundred years to stand comparison with the continental European masters. In sport, Victorian chivalry was replaced with unashamed professionalism. Man flew for the first time and the motorcar became a common sight on city streets. Physicists examined the structure of the atom and philosophers disputed the traditional definition of virtue. The churches tried, without success, to confront and confound a new skepticism. Explorers sought to prove that men could live, and die, like gods. Drawing on previously unpublished diaries and letters, Roy Hattersley's The Edwardians is a beguiling account of a turbulent and frequently misunderstood period. It is a full and often humorous portrait of an era that he elevates to its rightful place in British history.
Author: Samuel Hynes
Publisher: Random House
ISBN: 1446467988
Category : History
Languages : en
Pages : 446
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Book Description
This is a study of a literary generation writing in a period of expanding fears and ever more urgent political and social crises. The pace of the time itself, the sense of time passing and an end approaching gave a special quality to the Thirties. The public world pressed insistently on the private world. For those who came of literary age - Auden, Day Lewis, MacNeice, Spender, Graham Greene, Isherwood and Orwell among them - writing became a form of action. In the process a generation discovered itself and found its own expression.
Author: Gary Lachman
Publisher: ReadHowYouWant.com
ISBN: 1458729958
Category : Fiction
Languages : en
Pages : 574
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Book Description
How did a decade that dawned with the Age of Aquarius end in Altamont and the Manson Family bloodbath? The 1960s were a time of revolution - political, social psychedelic, sexual. But there was another revolution that many historians forget the rise of a powerful current that permeated pop culture and has been a central influence on it ever since. It was a magical revolution - a revival of the occult. Previously rejected and ridiculed beliefs took centre stage, reaching the Beatles and the Rolling Stones, saturating the the hippies and flower power, hitting the big screen with Rosemary's Baby and the bookshelves with Lord of the Rings. The Tarot. I Ching, astrology, Kabbala, yogis, witchcraft, UFOs, Aleister Crowley. Yin Yang and the Tibetan Book of the Dead now became the common currency they are today. But the vibes went bad, the auras darkened. Did that darker undercurrent win out? Gary Lachman here charts this explosion, its rise and fall, and its enduring legacy --This text refers to an out of print or unavailable edition of this title.
Author: Celia Malone Kingsbury
Publisher: Texas Tech University Press
ISBN: 9780896724822
Category : History
Languages : en
Pages : 220
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Book Description
During wartime, paranoia, gossip, and rumor become accepted forms of behavior and dominant literary tropes. The Peculiar Sanity of War examines the impact of war hysteria on definitions of sanity and on standards of behavior during World War I. Drawing upon Joseph Conrad's comprehensive understanding of war's impact on soldiers and civilians alike, and extending Michel Foucault's construction of madness and reason, Kingsbury expands the definition of war neurosis to include peculiar sanity at home as well as on the front lines. While other investigations of World War I consider shell shock to be the only definable war madness, Kingsbury is the first to build a powerful argument around the insanity of the home front's vilification of the enemy. Ultimately, Kingsbury's study establishes peculiar sanity, among civilians and soldiers, as an inevitable response to war's madness. The Peculiar Sanity of War begins by locating the roots of war mania in Edwardian hypocrisy, then moves on to examine the way propaganda operates in nontraditional texts, such as housekeeping guides, and in the novels of Joseph Conrad, Ford Madox Ford, H. G. Wells, Rebecca West, Edith Wharton, Willa Cather, Rudyard Kipling, Virginia Woolf, and H. D. Celia Kingsbury's eloquent and moving book . . . brings together war and madness in unexpected ways. Beginning with a phrase from Joseph Conrad, she diagnoses the condition of a culture gone awry, a 'peculiar sanity.' . . . --from Laurence Davies's foreword
Author: Philip C. Logan
Publisher: Routledge
ISBN: 131711938X
Category : Performing Arts
Languages : en
Pages : 400
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Book Description
Humphrey Jennings ranks amongst the greatest film makers of twentieth century Britain. Although a relatively unknown figure to the wider public, his war-time documentaries are regarded by many (including Lord Puttnam, Lindsay Anderson and Mike Leigh) as amongst the finest films of their time. Groundbreaking both in terms of their technique and their interest in, and respect for, the everyday experiences of ordinary people, these films are much more than mere government propaganda. Instead, Jennings work offers an unparalleled window into the British home-front, and the hopes, fears and expectations of a nation fighting for its survival. Yet until now, Jennings has remained a shadowy figure; with his life and work lacking the sustained scholarly investigation and reassessment they deserve. As such film and social historians will welcome this new book which provides an up-to-date and thorough exploration of the relationships between Jennings life, ideas and films. Arguing that Jennings's film output can be viewed as part of a coherent intellectual exercise rather than just one aspect of the artistic interests of a wide ranging intellectual, Philip Logan, paints a much fuller and more convincing picture of the man than has previously been possible. He shows for the first time exactly how Jennings's artistic expression was influenced by the fundamental intellectual, social and cultural changes that shook British society during the first decades of the twentieth century. Combining biography, social history and international artistic thought, the book offers a fascinating insight into Jennings, his work, the wider British documentary film movement and the interaction between art and propaganda. Bringing together assessments of his tragically short life and his films this book is essential reading for anyone with an interest in British cinema or the social history of Britain in the 1930s and 40s.
