Edward Burr Van Vleck Collection, Ukiyo-e Masterpiece Exhibition PDF Download
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Author: Elvehjem Museum of Art
Publisher:
ISBN:
Category : Color prints
Languages : en
Pages : 160
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Book Description
Author: Elvehjem Museum of Art
Publisher:
ISBN:
Category : Color prints
Languages : en
Pages : 160
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Book Description
Author: Amy Reigle Newland
Publisher:
ISBN:
Category : Block printing
Languages : en
Pages : 422
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Book Description
V.1. Historical perspectives. The Edo period, 1603-1868 / Harold Bolitho ; The Meiji to Taisho ; eras, 1868-1926 / Ann Waswo -- The history of Japanese prints -- The Edo period, 1603-1868. The roots of ukiyo-e: its beginnings to the mid-eighteenth century / Donald Jenkins ; Ukiyo-e book illustration / Yu-Ying Brown ; Shunga in the Edo period / Timon Screech ; The Kanbun Bijin: setting the stage for ukiyo-e bijinga / Kobayashi Tadashi ; Chinese woodblock prints and their influence on Japanese ukiyo-e / Hans Bjarne Thomsen ; The birth of the full-color print: Suzuki Harunobu and his age, early 1740s to early 1780s / David Waterhouse ; The Yoshiwara and ukiyo-e / Cecilia Segawa Seigle ; Mitate in ukiyo-e prints / Ellis Tinios ; Kabuki: its history as seen in ukiyo-e / Samuel L. Leiter ; Kitagawa Utamaro and his contemporaries, 1780-1804 / Julie Nelson Davis ; Sumo prints / Lawrence Bickford ; Kyōka and ukiyo-e print designers / John T. Carpenter ; The publisher Tsutaya Jūzaburō and ukiyo-e publishing / Suzuki Toshiyuki ; Ukiyo-e meisho-e / Gary Hickey ; Diversification and further popularization of the full-colour woodblock print, c. 1804-68 / Ellis Tinios ; Surimono / Roger S. Keyes ; Nagasaki-e / Martha Chaiklin ; Kamigata-e: the prints of Osaka and Kyoto / Kitagawa Hiroko ; Shini-e / Melinda Takeuchi ; Warrior prints of the first half of the nineteenth century and the Suikoden / B.W. Robinson -- The Meiji era, 1868-1912. Woodblock prints of the Meiji era / Helen Merritt ; The maintenance of tradition in the face of contemporary demands: a reassessment of Meiji prints / Oikawa Shigeru ; Yokahama-e / Helen Merritt, Oikawa Shigeru ; Photography and ukiyo-e prints / Margarita Winkel ; Woodblock prints as a medium of reportage: the Sino-Japanese and Russo-Japanese Wars / Louise Virgin -- The late Meiji to Taishō eras, 1900s to 1926. Prints and modernity: developments in the early twentieth century / Kendall Brown ; The publisher Watanabe Shozoburo and the Shin-hanga movement: its beginnings until the 1930s / Abe Setsuko ; Creative print (Sosaku-hanga) magazines / Chiaki Ajioka -- Commerce and constraint in the world of publishing. The publishing trade / P.F. Kornicki ; Censorship and ukiyo-e prints / Sarah E. Thompson -- Materials and techniques: issues of conservation and collecting. Materials and techniques / Shiho Sasaki ; The care of Japanese prints / Pauline Webber ; Collecting ukiyo-e prints: issues of quality, condition and rarity / Chris Uhlenbeck ; The original versus the genuine / Chris Uhlenbeck -- The history of collecting Japanese prints. Ukiyo-e collecting in Japan / Oikawa Shigeru ; Japanese prints in Europe, 1860-1930 / Max Put ; Postwar ukiyo-e collecting in Europe / Robert Schaap ; Ukiyo-e print collecting in America / Julia Meech.V.2. Reference section -- Artist index -- Lineage charts -- Chronological/historical tables -- Map of former Japanese provinces and the Gokaido -- Signature facsimiles -- Censor seals -- Publisher seals -- Appendices. List of works released by Shin-hanga publisher Watanabe Shozaburo ; Pre-nishiki-e and Nishiki-e formats ; Elements of a print -- Concordance of artists' names (with Japanese characters).505.
Author: Laura J. Mueller
Publisher: Brill Hotei
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
In cooperation with the Chazen Museum of Art, Madison, Wisconsin, Hotei Publishing is preparing the publication of Competition and Collaboration. Japanese Prints of the Utagawa School. This publication will be published along with the traveling exhibition organized by the Chazen Museum of Art on prints of the Utagawa school, well known through famous artists as Toyokuni, Hiroshige, Kunisada and Kuniyoshi. The exhibition will consist of approximately 150 works from the Chazen Museum of Art's Van Vleck collection of Japanese woodblock prints and the catalogue will illustrate 216 prints from the collection along with extensive descriptions. The exhibition will be on view at the Chazen from November 3, 2007 to January 6, 2008 before traveling to other venues.
Author: William Green
Publisher: Brill Hotei
ISBN:
Category : Art
Languages : en
Pages : 304
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Book Description
The ultimate research tool for the study of Japanese prints, this publication represents eight years of research by the author William Green. It lists over 6000 publications dating from 1822 to 1993, concentrating on those in English. In addition, the inclusion of newspaper and periodical reviews of the most important books and catalogs enables the academic debate concerning Japanese prints to be followed. This book is divided along thematic lines into 15 chapters and also contains three indexes, making it an easy-to-use reference work for students, scholars and collectors alike.
Author:
Publisher:
ISBN:
Category : East Asia
Languages : en
Pages : 848
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Book Description
Author: Elvehjem Museum of Art
Publisher: Chazen Museum of Art
ISBN: 9780932900241
Category : Art
Languages : en
Pages : 376
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Book Description
The Van Vleck collection of Japanese woodblock prints is one of the Elvehjem Museum of Art's (now the Chazen Museum of Art) most important collections of more than 3700 prints collected by Van Vleck between 1910 and 1943, including the prints that Frank Lloyd Wright collected in Japan in the 1920s. This copiously illustrated catalog is the culmination of several years of intensive study and documentation, and is the first step in making this impressive collection accessible to museum visitors and scholars. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
Author: Rose Arny
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1752
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Author: Ed Bowker Staff
Publisher: R. R. Bowker
ISBN: 9780835246422
Category : Reference
Languages : en
Pages : 3274
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Book Description
Author: Gina Collia-Suzuki
Publisher:
ISBN: 9780955979637
Category : Art
Languages : en
Pages : 611
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Book Description
In Reading Duncan Reading, thirteen scholars and poets examine, first, what and how the American poet Robert Duncan read and, perforce, what and how he wrote. Harold Bloom wrote of the searing anxiety of influence writers experience as they grapple with the burden of being original, but for Duncan this was another matter altogether. Indeed, according to Stephen Collis, "No other poet has so openly expressed his admiration for and gratitude toward his predecessors." Part one emphasizes Duncan's acts of reading, tracing a variety of his derivations--including Sarah Ehlers's demonstration of how Milton shaped Duncan's early poetic aspirations, Siobhán Scarry's unveiling of the many sources (including translation and correspondence) drawn into a single Duncan poem, and Clément Oudart's exploration of Duncan's use of "foreign words" to fashion "a language to which no one is native." In part two, the volume turns to examinations of poets who can be seen to in some way derive from Duncan--and so in turn reveals another angle of Duncan's derivative poetics. J. P. Craig traces Nathaniel MacKey's use of Duncan's "would-be shaman," Catherine Martin sees Duncan's influence in Susan Howe's "development of a poetics where the twin concepts of trespass and 'permission' hold comparable sway," and Ross Hair explores poet Ronald Johnson's "reading to steal." These and other essays collected here trace paths of poetic affiliation and affinity and hold them up as provocative possibilities in Duncan's own inexhaustible work.
Author: Indianapolis Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : ja
Pages : 240
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Book Description
Japanese Masterworks offers a survey of Japanese painting spanning 600 years (the 1300s to early 1900s) and including almost all of the major genres and styles. Especially important are paintings - hanging scrolls and folding screens - by many of the best-known artists of the Edo period (1615-1868). The paintings are illustrated in colour, and a detailed entry accompanies each painting. The book also includes artist biographies and four essays on the history of Japanese painting. A short essay on Japanese painting collections in the American Midwest and an essay on the history of the Asian art collection at the Indianapolis Museum of Art complete the volume. Heisaku Harada is director of the Museum of Art, Ehime, Japan. John Tadao Teramoto is associate curator of Asian art, Indianapolis Museum of Art. The other contributors include Christine M. E. Guth, Tae Nishida, Takeshi Nagai, Jyunji Takanashi, Yumiko Kuniga, and Shinji Hashimoto.
