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Author: Kenneth Borris
Publisher: Manchester University Press
ISBN: 1526133474
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
Spenser’s extraordinary Shepheardes Calender as first printed in 1579 is arguably the seminal book of the Elizabethan literary renaissance. This volume reassesses it as a material text in relation to book history, and provides the first clearly detailed facsimile of the 1579 Calender available as a book. The editor reconsiders the original book’s development, production, design, and particular characteristics, and demonstrates both its correlations with diverse precursors in print and its significant departures. Numerous illustrations of archival sources facilitate comparison. By reinvestigating the 1579 Calender’s twelve pictures, he shows that Spenser himself probably designed them, that they involve complex symbolism, and that this book’s meaning is thus profoundly verbal-visual. An analyzed facsimile is an essential new resource for study of Spenser’s Calender, Spenser, Elizabethan print and poetics, and early modern English literary history.
Author: Kenneth Borris
Publisher: Manchester University Press
ISBN: 1526133474
Category : Literary Criticism
Languages : en
Pages : 368
Get Book
Book Description
Spenser’s extraordinary Shepheardes Calender as first printed in 1579 is arguably the seminal book of the Elizabethan literary renaissance. This volume reassesses it as a material text in relation to book history, and provides the first clearly detailed facsimile of the 1579 Calender available as a book. The editor reconsiders the original book’s development, production, design, and particular characteristics, and demonstrates both its correlations with diverse precursors in print and its significant departures. Numerous illustrations of archival sources facilitate comparison. By reinvestigating the 1579 Calender’s twelve pictures, he shows that Spenser himself probably designed them, that they involve complex symbolism, and that this book’s meaning is thus profoundly verbal-visual. An analyzed facsimile is an essential new resource for study of Spenser’s Calender, Spenser, Elizabethan print and poetics, and early modern English literary history.
Author: Edmund Spenser
Publisher:
ISBN:
Category :
Languages : en
Pages : 154
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Book Description
Author: Edmund Spenser
Publisher:
ISBN:
Category :
Languages : en
Pages : 156
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Book Description
Author: Edmund Spenser
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Author: Edmund Spenser
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
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Book Description
Author: Edmund Spenser
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 156
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Book Description
Edmund Spenser's "The Shepheardes Calender" stands as a prominent work of pastoral poetry, composed in 1579. Through its twelve eclogues, or pastoral dialogues, the collection explores themes of love, nature, politics, and the human condition. Each eclogue is assigned to a month of the year, addressing the changing seasons and their impact on rural life and society. Spenser employs a variety of poetic forms and styles, showcasing his mastery of language and meter. The work is imbued with allegorical elements, as the shepherds in the dialogues often represent different social and political classes, reflecting the complex dynamics of Elizabethan England. This intricate layering of meaning invites readers to delve into both the surface-level narratives and the symbolic subtext. "The Shepheardes Calender" reflects the Renaissance fascination with classical literature and pastoral themes. It blends rustic imagery with intellectual discussions, engaging with contemporary issues while embracing the idyllic landscapes of traditional pastoral settings. The poems offer a glimpse into the struggles and aspirations of both the common folk and the educated elite, revealing the tensions of a society in transition. In this annotation, we will explore the nuances of each eclogue, uncovering Spenser's use of language, his commentary on social and political matters, and his contributions to the pastoral genre. By delving into the layers of meaning within "The Shepheardes Calender," readers gain insight into Spenser's skillful craftsmanship and the cultural milieu of his time.
Author: Edmund Spenser
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 520
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Book Description
Author: Edmund Spenser
Publisher: Portable Poetry
ISBN: 9781783945429
Category :
Languages : en
Pages :
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Book Description
Edmund Spenser was born in 1552 in East Smithfield, London. Here we publish The Shepheardes Clendar a much admired work that was first published in 1579. In July of 1580, he departed for Ireland in the service of the newly appointed Lord Deputy, Arthur Grey, 14th Baron Grey de Wilton. Grey was recalled but Spenser stayed, having now acquired official posts and lands in the Munster Plantation. In 1590, Spenser brought out the first three books of his most famous work, The Faerie Queene. Its success enabled him to obtain a life pension of 50 a year from the Queen. In 1596, Spenser wrote a prose pamphlet titled, A View of the Present State of Ireland. This piece, in the form of a dialogue, circulated in manuscript, argued that Ireland would never be totally 'pacified' by the English until its indigenous language and customs had been destroyed, if necessary by violence. In 1599, Spenser traveled to London, where he died at the age of forty-six. His coffin was carried to his grave in Westminster Abbey by other poets, who threw many pens and pieces of poetry into his grave with many tears.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 82
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Book Description
Author: Jean R. Brink
Publisher: Manchester University Press
ISBN: 1526142600
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Brink’s provocative biography shows that Spenser was not the would-be court poet whom Karl Marx’s described as ‘Elizabeth’s arse-kissing poet’. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell’s Catechism and Dean of St. Paul’s. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple. Contextualising Spenser’s life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.
