Edison Blue Amberol Recordings: 1915-1929 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Edison Blue Amberol Recordings: 1915-1929 PDF full book. Access full book title Edison Blue Amberol Recordings: 1915-1929 by Ronald Dethlefson. Download full books in PDF and EPUB format.
Author: Ronald Dethlefson
Publisher:
ISBN:
Category : Cylinder recordings
Languages : en
Pages : 520
Get Book Here
Book Description
Author: Ronald Dethlefson
Publisher:
ISBN:
Category : Cylinder recordings
Languages : en
Pages : 520
Get Book Here
Book Description
Author: Ronald Dethlefson
Publisher:
ISBN:
Category : Cylinder recordings
Languages : en
Pages : 524
Get Book Here
Book Description
Author: Ronald Dethlefson
Publisher:
ISBN:
Category : Cylinder recordings
Languages : en
Pages : 520
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 400
Get Book Here
Book Description
A detailed history and discography of Edison Blue Amberol cylinders records, based on Edison's file data, catalogs, and supplements. Includes recording and release dates; master sources; alternate versions and unissued numbers; directors, accompanists, and band vocalists; artist pseudonyms, and other detail. With song-title index, artist index, and five appendices.
Author: Raymond R. Wile
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 300
Get Book Here
Book Description
Sample pages from second edition.
Author: Frank Hoffmann
Publisher: Routledge
ISBN: 1136592296
Category : Music
Languages : en
Pages : 454
Get Book Here
Book Description
Encounter the trailblazers whose recordings expanded the boundaries of technology and brought “popular” music into America's living rooms! Popular American Recording Pioneers: 1895--1925 (winner of the 2001 Association for Recorded Sound Collections Award of Excellence in Historical Recorded Sound Research) covers the lives and careers of over one hundred musical artists who were especially important to the recording industry in its early years. Here are the men and women who brought into American homes the hits of the day--Tin Pan Alley numbers, Broadway show tunes, ragtime, parlor ballads, early jazz, and dance music of all kinds. Popular American Recording Pioneers: 1895--1925 compiles rare information that was scattered in hundreds of record catalogs, hobbyist magazines, newspaper clippings, phonograph trade journals, and other sources. Look no further! This volume is the ultimate resource on the subject! You will increase your knowledge in these areas: the recording industry's formative years artists’personalities and musical styles popular music history history of recording technology Popular American Recording Pioneers: 1895--1925 provides a unique “who's who” approach to popular music history. It is the definitive work on the music that was popular during America's coming of age. No music historian should be without this volume.
Author: Tim Brooks
Publisher: University of Illinois Press
ISBN: 0252090632
Category : Music
Languages : en
Pages : 656
Get Book Here
Book Description
A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
Author:
Publisher:
ISBN:
Category : Sound recordings
Languages : en
Pages : 240
Get Book Here
Book Description
Author: Steve J. Wurtzler
Publisher: Columbia University Press
ISBN: 9780231136778
Category : Computers
Languages : en
Pages : 424
Get Book Here
Book Description
The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework, and the birth of a new acoustic commodity in which consumers accessed stories, songs, and other products through multiple media formats. The innovations of this period not only restructured and consolidated corporate mass media interests while shifting the conventions of media consumption. They renegotiated the social functions assigned to mass media forms. In this impeccably researched history, Steve J. Wurtzler grasps the full story of sounds media, proving that the ultimate form technology takes is never predetermined but shaped by conflicting visions of technological possibility in economic, cultural, and political realms.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443864331
Category : Music
Languages : en
Pages : 430
Get Book Here
Book Description
ARSC Awards for Excellence, 2014: Best Historical Research in Classical Music (Certificate of Merit). This book presents a discography of recordings made from the works of Giacomo Meyerbeer (1791–1864) – from the inception of recording techniques in 1889 until the dominance of the long-playing record in 1955. It is a testimony to the once-universal fame of the composer and the esteem in which in his works were held. During that period some nearly 2000 artists (at least 1065 of them singers) recorded arias and ensembles from all six of the French operas of Meyerbeer's maturity (Robert le Diable, Les Huguenots, Le Prophète, L'Étoile du Nord, Dinorah, L'Africaine), as well as selections from other works, orchestral pieces, and a variety of arrangements for band and other instruments. Covering more than 150 different pieces, the whole of this recorded legacy makes Meyerbeer one of the most popular classical composers of any age. Many of the legendary names of this Golden Age of Song were devoted to Meyerbeer's compositions (like Aumonier, Amato, Gilion, Rethberg, Lazzari, Barrientos, Delmas, Slezak, Belhomme, Branzell, Lehmann, Hempel, Escalais, Ancona, De Lucia, De Angelis, De Cisneros, Tamagno, Rothier, Pertile, Ruffo, Siems, Kurz, Caruso, Chaliapin). This discography is integral to the history of opera, the nature of lyric recording, and the story of song and vocal technique. It is divided into chapters listing the works recorded, the singers, orchestras, bands and other musicians who recorded pieces from the operas (with details of the labels, places, dates, matrix and record numbers), as well as providing anthologies of modern transfers of the some of the old 78 records to modern media (LP, CD, MP3), and also listing a bibliography devoted to vintage records and singers from the early days of recording.
