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Author: Sarah Kofman
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Languages : fr
Pages : 0
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Author: Sarah Kofman
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Category :
Languages : fr
Pages : 0
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Category : Art
Languages : en
Pages : 284
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Author:
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ISBN:
Category : Art
Languages : en
Pages : 568
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The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
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Category : Art
Languages : en
Pages : 722
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Author: Claire Bishop
Publisher: Verso Books
ISBN: 1781683972
Category : Art
Languages : en
Pages : 483
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Author: Edna Nahshon
Publisher: Cambridge University Press
ISBN: 1107010276
Category : Drama
Languages : en
Pages : 457
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This book explores responses to The Merchant of Venice by Jewish writers, critics, theater artists, thinkers, religious leaders and institutions.
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Category : Art
Languages : en
Pages : 672
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The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
Author: Manfred Brauneck
Publisher: transcript Verlag
ISBN: 383943243X
Category : Performing Arts
Languages : en
Pages : 603
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Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structure and in its position in society. The impetus for these changes was provided by a new generation in the independent theatre scene. This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre. Additionally, it includes essays on experimental musical theatre and different cultural policies for independent theatre scenes in a range of European countries.
Author: Linda C. Ehrlich
Publisher: Springer Nature
ISBN: 3030330516
Category : Performing Arts
Languages : en
Pages : 298
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The Films of Kore-eda Hirokazu: An Elemental Cinema draws readers into the first 13 feature films and 5 of the documentaries of award-winning Japanese film director Kore-eda Hirokazu. With his recent top prize at the Cannes Film Festival for Shoplifters, Kore-eda is arguably Japan’s greatest living director with an international viewership. He approaches difficult subjects (child abandonment, suicide, marginality) with a realistic and compassionate eye.The lyrical tone of the writing of Japanese film scholar Linda C. Ehrlich perfectly complements the understated, yet powerful, tone of the films. From An Elemental Cinema, readers will gain a special understanding of Kore-eda’s films through a novel connection to the natural elements as reflected in Japanese traditional aesthetics.An Elemental Cinema presents Kore-eda’s oeuvre as a connected whole with overarching thematic concerns, despite frequent generic experimentation. It also offers an example of how the poetics of cinema can be practiced in writing, as well as on the screen, and helps readers understand the films of this contemporary director as works of art that relate to their own lives.
Author: E.M.G. Hand-made Gramophones, ltd., London
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 312
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