Early Renaissance Architecture in England

Early Renaissance Architecture in England PDF Author: John Alfred Gotch
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 522

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Early Renaissance Architecture in England

Early Renaissance Architecture in England PDF Author: John Alfred Gotch
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 522

Get Book Here

Book Description


Architecture of the Renaissance in England

Architecture of the Renaissance in England PDF Author: John Alfred Gotch
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages :

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Character of Renaissance Architecture

Character of Renaissance Architecture PDF Author: Charles Herbert Moore
Publisher:
ISBN:
Category : Architecture, Renaissance
Languages : en
Pages : 328

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Literature and Architecture in Early Modern England

Literature and Architecture in Early Modern England PDF Author: Anne M. Myers
Publisher: JHU Press
ISBN: 1421408007
Category : Literary Criticism
Languages : en
Pages : 267

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Book Description
Our built environment inspires writers to reflect on the human experience, discover its history, or make it up. Buildings tell stories. Castles, country homes, churches, and monasteries are “documents” of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth- and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England’s failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.

Renaissance Gothic

Renaissance Gothic PDF Author: Ethan Matt Kavaler
Publisher:
ISBN: 9780300167924
Category : Architecture
Languages : en
Pages : 332

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Book Description
This compelling book offers a new paradigm for the periodization of the arts, one that counters a prevailing Italianate bias among historians of northern Europe of this era. The years after 1500 brought the construction of several iconic Late Gothic monuments, including the transept facades of Beauvais cathedral in northern France, much of King's College in Cambridge, England, and the parish church at Annaberg in Saxony. Most designers and patrons preferred this elite Gothic style, which was considered fashionable and highly refined, to alternative Italianate styles. Ethan Matt Kavaler connects Gothic architecture to related developments in painting and other media, and considers the consequences of the breakdown of the Gothic system in the early 16th century. Late Gothic architecture is recognized for its sensuous and abundant ornament. Its visually rich surfaces signify wealth and magnificence, and its flamboyant geometric designs portray a system of perfect and essential forms that convey spiritual authority, while often serving as signs of personal or corporate identity. Renaissance Gothic presents a groundbreaking and detailed study of the Gothic architecture of the late 15th and 16th centuries across Europe.

Architecture and the Senses in the Italian Renaissance

Architecture and the Senses in the Italian Renaissance PDF Author: David Karmon
Publisher: Cambridge University Press
ISBN: 1108808476
Category : Art
Languages : en
Pages : 490

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Book Description
This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.

Victorian Perceptions of Renaissance Architecture

Victorian Perceptions of Renaissance Architecture PDF Author: Katherine Wheeler
Publisher: Routledge
ISBN: 1351537768
Category : Art
Languages : en
Pages : 207

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Book Description
In the mid-1880s The Builder, an influential British architectural journal, published an article characterizing Renaissance architecture as a corrupt bastardization of the classical architecture of Greece and Rome. By the turn of the century, however, the same journal praised the Renaissance architect Filippo Brunelleschi as the ?Christopher Columbus of modern architecture.? Victorian Perceptions of Renaissance Architecture, 1850-1914 examines these conflicting characterizations and reveals how the writing of architectural history was intimately tied to the rise of the professional architect and the formalization of architectural education in late nineteenth-century Britain. Drawing on a broad range of evidence, including literary texts, professional journals, university curricula, and census records, Victorian Perceptions reframes works by seminal authors such as John Ruskin, Walter Pater, John Addington Symonds, and Geoffrey Scott alongside those by architect-authors such as William J. Anderson and Reginald Blomfield within contemporary architectural debates. Relevant for architectural historians, as well as literary scholars and those in Victorian studies, Victorian Perceptions reassesses the history of Renaissance architecture within the formation of a modern, British architectural profession.

Architecture in Britain, 1530 to 1830

Architecture in Britain, 1530 to 1830 PDF Author: John Summerson
Publisher: Yale University Press
ISBN: 9780300058864
Category : Architecture
Languages : en
Pages : 592

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Book Description
The author charts the development of architectural theory and practice from Elizabeth I to George IV. Questions of style, technology, and the social framework are resolved as separable but always essential components of the building worlds.

Homosexuality in Renaissance England

Homosexuality in Renaissance England PDF Author: Alan Bray
Publisher: Columbia University Press
ISBN: 9780231102896
Category : Education
Languages : en
Pages : 184

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Book Description
First published in 1982 by Gay Men's Press. Reissued in 1995 with a new afterword and updated bibliography.

The Routledge Handbook on the Reception of Classical Architecture

The Routledge Handbook on the Reception of Classical Architecture PDF Author: Nicholas Temple
Publisher: Routledge
ISBN: 1351693859
Category : Architecture
Languages : en
Pages : 583

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Book Description
This is the first comprehensive study of the reception of classical architecture in different regions of the world. Exploring the impact of colonialism, trade, slavery, religious missions, political ideology and intellectual/artistic exchange, the authors demonstrate how classical principles and ideas were disseminated and received across the globe. By addressing a number of contentious or unresolved issues highlighted in some historical surveys of architecture, the chapters presented in this volume question long-held assumptions about the notion of a universally accepted ‘classical tradition’ and its broadly Euro-centric perspective. Featuring thirty-two chapters written by international scholars from China, Europe, Turkey, North America, Mexico, Australia and New Zealand, the book is divided into four sections: 1) Transmission and re-conceptualisation of classical architecture; 2) Classical influence through colonialism, political ideology and religious conversion; 3) Historiographical surveys of geographical regions; and 4) Visual and textual discourses. This fourfold arrangement of chapters provides a coherent structure to accommodate different perspectives of classical reception across the world, and their geographical, ethnographic, ideological, symbolic, social and cultural contexts. Essays cover a wide geography and include studies in Italy, France, England, Scotland, the Nordic countries, Greece, Austria, Portugal, Romania, Germany, Poland, India, Singapore, China, the USA, Mexico, Brazil, New Zealand and Australia. Other essays in the volume focus on thematic issues or topics pertaining to classical architecture, such as ornament, spolia, humanism, nature, moderation, decorum, heresy and taste. An essential reference guide, The Routledge Handbook on the Reception of Classical Architecture makes a major contribution to the study of architectural history in a new global context.