Author: Helene Mund
Publisher:
ISBN: 9782870033005
Category :
Languages : en
Pages : 0
Book Description
Early Netherlandish Painting (1400-1500). A Bibliography 1984-1998) : Contributions To Fifteenth Century Painting in the Southern Nether
Author: Helene Mund
Publisher:
ISBN: 9782870033005
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9782870033005
Category :
Languages : en
Pages : 0
Book Description
Early Netherlandish Painting (1400-1500)
Author: Hélène Mund
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 408
Book Description
Early Netherlandish Paintings
Author: Bernhard Ridderbos
Publisher: Amsterdam University Press
ISBN: 9789053566145
Category : Art
Languages : en
Pages : 506
Book Description
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
Publisher: Amsterdam University Press
ISBN: 9789053566145
Category : Art
Languages : en
Pages : 506
Book Description
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
Sight and Spirituality in Early Netherlandish Painting
Author: Bret L. Rothstein
Publisher: Cambridge University Press
ISBN: 9780521832786
Category : Art
Languages : en
Pages : 280
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521832786
Category : Art
Languages : en
Pages : 280
Book Description
Publisher Description
Early Netherlandish Painting
Author: Rosalind Mutter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
EARLY NETHERLANDISH PAINTING A fully illustrated survey of Early Netherlandish painting, featuring all of the major artists, and many lesser-known painters. Early Netherlandish painting, also known as Flemish painting, is characterized by figurative realism, its incredible sense of domestic interiors and details, luminous light, its 'realist' faces, and its fusions of a micro- and macro- cosmic vision. We concentrate here on painters such as Rogier van der Weyden (1400-1464), Jan van Eyck (c. 1390-1441, commonly described as the founder of modern oil painting), Gerard David (c. 1460-1523), Hugo van der Goes (1440-1482), Hans Memling (1433-1494), Joos van Cleve (c. 1485-1540), Jan Gossaert, also called Mabuse (c. 1475/8-1532), Geertgen tot Sint Jans (fl. late 15th 1485/ 95), Quentin Massys (c. 1465-1530), Joachim Patinir (c. 1485-1524), Dieric Bouts (c. 1415-1475), Petrus Christus (fl. 1442-1473) and Bernard van Orley (c. 1488-1541). One of the most celebrated aspects of Early Netherlandish or Flemish painting is its heartfelt, intense religious emotion. It is this aspect that interests us in this book. The new aesthetic vision of Early Netherlandish art was later applied to still life paintings, satires, landscapes, and portraits, but it is the religious works with which we are concentrating on here. Michelangelo's famous statement about Early Netherlandish art pinpoints the depth of devout feeling found in so much of Northern European art: Flemish painting will, generally speaking, please the devout better than any painting in Italy, which will never cause him to shed a tear, whereas that of Flanders will cause him to shed many... The new vision of Northern European painting which flourished in the 15th century was a combination of a new aesthetic approach to reality, and an intensifying of religious fervour. The new vision aimed at sculptural accuracy, a naturalistic use of lighting, and three-dimensionality. Mixed with the new use of oil paint, the new vision gave the art of Philip the Good's reign a special flavour and style well suited to the circumscription of devout religious truths. The new painting inherited its jewel-like brilliancy partly because many painters were trained as goldsmiths. This skilled handling of metalwork and miniature illustration shows in Early Netherlandish art. All Early Netherlandish paintings were made on wood panels, and painted from light to dark in thin glazes. It is partly this subtle glazing which gives Early Netherlandish painting its glorious luminescence. The Early Netherlandish artists exploited the effects of different hues and thicknesses of glazes of oil paint, controlling how the glazes reflected light.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
EARLY NETHERLANDISH PAINTING A fully illustrated survey of Early Netherlandish painting, featuring all of the major artists, and many lesser-known painters. Early Netherlandish painting, also known as Flemish painting, is characterized by figurative realism, its incredible sense of domestic interiors and details, luminous light, its 'realist' faces, and its fusions of a micro- and macro- cosmic vision. We concentrate here on painters such as Rogier van der Weyden (1400-1464), Jan van Eyck (c. 1390-1441, commonly described as the founder of modern oil painting), Gerard David (c. 1460-1523), Hugo van der Goes (1440-1482), Hans Memling (1433-1494), Joos van Cleve (c. 1485-1540), Jan Gossaert, also called Mabuse (c. 1475/8-1532), Geertgen tot Sint Jans (fl. late 15th 1485/ 95), Quentin Massys (c. 1465-1530), Joachim Patinir (c. 1485-1524), Dieric Bouts (c. 1415-1475), Petrus Christus (fl. 1442-1473) and Bernard van Orley (c. 1488-1541). One of the most celebrated aspects of Early Netherlandish or Flemish painting is its heartfelt, intense religious emotion. It is this aspect that interests us in this book. The new aesthetic vision of Early Netherlandish art was later applied to still life paintings, satires, landscapes, and portraits, but it is the religious works with which we are concentrating on here. Michelangelo's famous statement about Early Netherlandish art pinpoints the depth of devout feeling found in so much of Northern European art: Flemish painting will, generally speaking, please the devout better than any painting in Italy, which will never cause him to shed a tear, whereas that of Flanders will cause him to shed many... The new vision of Northern European painting which flourished in the 15th century was a combination of a new aesthetic approach to reality, and an intensifying of religious fervour. The new vision aimed at sculptural accuracy, a naturalistic use of lighting, and three-dimensionality. Mixed with the new use of oil paint, the new vision gave the art of Philip the Good's reign a special flavour and style well suited to the circumscription of devout religious truths. The new painting inherited its jewel-like brilliancy partly because many painters were trained as goldsmiths. This skilled handling of metalwork and miniature illustration shows in Early Netherlandish art. All Early Netherlandish paintings were made on wood panels, and painted from light to dark in thin glazes. It is partly this subtle glazing which gives Early Netherlandish painting its glorious luminescence. The Early Netherlandish artists exploited the effects of different hues and thicknesses of glazes of oil paint, controlling how the glazes reflected light.
Early Netherlandish Painting
Author: Erwin Panofsky
Publisher:
ISBN:
Category : Illuminated manuscripts
Languages : en
Pages : 912
Book Description
Publisher:
ISBN:
Category : Illuminated manuscripts
Languages : en
Pages : 912
Book Description
Fifteenth Century Netherlandish Painting
Author: János Végh
Publisher: Kultura
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Publisher: Kultura
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Early Dutch Painting
Author: Albert Châtelet
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272
Book Description
Met bibliografie en register.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272
Book Description
Met bibliografie en register.
Early Netherlandish Painting
Author: Otto Pächt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 274
Book Description
This volume follows on from Pacht's work on the Van Eycks and their circle, to encompass the great artists of the fifteenth and sixteenth centuries. Figures such as Van Der Weyden, Bouts, Christus, Van Der Goes and Memling, as well as lesser known artists, are examined in turn. With detailed discussion of particular paintings, style and symbolism.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 274
Book Description
This volume follows on from Pacht's work on the Van Eycks and their circle, to encompass the great artists of the fifteenth and sixteenth centuries. Figures such as Van Der Weyden, Bouts, Christus, Van Der Goes and Memling, as well as lesser known artists, are examined in turn. With detailed discussion of particular paintings, style and symbolism.
Early Netherlandish Painting
Author: Erwin Panofsky
Publisher:
ISBN: 9780429032493
Category : Painting
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780429032493
Category : Painting
Languages : en
Pages :
Book Description