Author: Edward L. Kottick
Publisher: Indiana University Press
ISBN: 9780253332394
Category : Music
Languages : en
Pages : 340
Book Description
Guides the reader through the unusual and fascinating keyboard holdings of sixteen nations, thirty-five cities, and forty-seven museums.
Early Keyboard Instruments in European Museums
Author: Edward L. Kottick
Publisher: Indiana University Press
ISBN: 9780253332394
Category : Music
Languages : en
Pages : 340
Book Description
Guides the reader through the unusual and fascinating keyboard holdings of sixteen nations, thirty-five cities, and forty-seven museums.
Publisher: Indiana University Press
ISBN: 9780253332394
Category : Music
Languages : en
Pages : 340
Book Description
Guides the reader through the unusual and fascinating keyboard holdings of sixteen nations, thirty-five cities, and forty-seven museums.
The Historical Harpsichord
Author: Sheridan Germann
Publisher: Pendragon Press
ISBN: 9780945193753
Category : Juvenile Nonfiction
Languages : en
Pages : 254
Book Description
Volume IV of The Historical Harpsichord contains two monographs of major importance, Harpsichord Decoration: A Conspectus by Sheridan Germann, and A Fable Deconstructed: The 1770 Taskin at Yale by Richard Rephann. Sheridan Germann, an acclaimed scholar and practitioner in the field of harpsichord decoration, offers the first comprehensive illustrated conspectus of thesubject. In Part I Ms. Germann tells us that the styles of the decoration of harpsichords (and spinets, virginals and clavichords) tended to follow contemporary furniture fashions, but usually lagged conservatively behind the prevailing fashions. Because, unlike most furniture, the instruments are often dated, they provide rare documentation of how long these styles remained in common use. This survey follows chronologically the five major regional traditions of keyboard instrument decoration-Italian, Flemish, French, German and English-but with emphasis on the international changes in taste on which each region produced its own variations.In Part II, Richard Rephann of the Yale Musical Instrument Collection describes his research into the uniquely experimental construction of the 1770 Pascal Taskin harpsichord. This essay forms a pendant to William Dowd's in Vol. I that treats the surviving instruments of the Blanchet-Taskin workshop up to 1770. The romantic provenance of the 1770 Taskin, concocted by the antique trade to enhance the instrument's market value, is revealed as a fable.
Publisher: Pendragon Press
ISBN: 9780945193753
Category : Juvenile Nonfiction
Languages : en
Pages : 254
Book Description
Volume IV of The Historical Harpsichord contains two monographs of major importance, Harpsichord Decoration: A Conspectus by Sheridan Germann, and A Fable Deconstructed: The 1770 Taskin at Yale by Richard Rephann. Sheridan Germann, an acclaimed scholar and practitioner in the field of harpsichord decoration, offers the first comprehensive illustrated conspectus of thesubject. In Part I Ms. Germann tells us that the styles of the decoration of harpsichords (and spinets, virginals and clavichords) tended to follow contemporary furniture fashions, but usually lagged conservatively behind the prevailing fashions. Because, unlike most furniture, the instruments are often dated, they provide rare documentation of how long these styles remained in common use. This survey follows chronologically the five major regional traditions of keyboard instrument decoration-Italian, Flemish, French, German and English-but with emphasis on the international changes in taste on which each region produced its own variations.In Part II, Richard Rephann of the Yale Musical Instrument Collection describes his research into the uniquely experimental construction of the 1770 Pascal Taskin harpsichord. This essay forms a pendant to William Dowd's in Vol. I that treats the surviving instruments of the Blanchet-Taskin workshop up to 1770. The romantic provenance of the 1770 Taskin, concocted by the antique trade to enhance the instrument's market value, is revealed as a fable.
The Pianist's Bookshelf, Second Edition
Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 0253067286
Category : Music
Languages : en
Pages : 254
Book Description
Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has indexes of authors, composers, and performers. A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.
Publisher: Indiana University Press
ISBN: 0253067286
Category : Music
Languages : en
Pages : 254
Book Description
Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has indexes of authors, composers, and performers. A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.
The First Fleet Piano: Volume One
Author: Geoffrey Lancaster
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Company of Pianos
Author: Richard Burnett
Publisher: Third Millennium Information Ltd
ISBN: 9781903942352
Category : Music
Languages : en
Pages : 248
Book Description
Richard Burnett traces the development of the piano from its origins to the present day, using instruments from his internationally known collection, at the Finchcocks Museum in Kent, England, as the inspiration and navigational means for his story.
Publisher: Third Millennium Information Ltd
ISBN: 9781903942352
Category : Music
Languages : en
Pages : 248
Book Description
Richard Burnett traces the development of the piano from its origins to the present day, using instruments from his internationally known collection, at the Finchcocks Museum in Kent, England, as the inspiration and navigational means for his story.
Clavichord for Beginners
Author: Joan Benson
Publisher: Indiana University Press
ISBN: 0253011647
Category : Music
Languages : en
Pages : 142
Book Description
Written by Joan Benson, one of the champions of clavichord performance in the 20th century, Clavichord for Beginners is an exceptional method book for both practitioners and enthusiasts. In addition to detailing the historical origins of the instrument and the evolution of keyboard technique, the book describes the proper method for practicing fingering and articulation and emphasizes the importance of touch and sensitivity at the keyboard.
Publisher: Indiana University Press
ISBN: 0253011647
Category : Music
Languages : en
Pages : 142
Book Description
Written by Joan Benson, one of the champions of clavichord performance in the 20th century, Clavichord for Beginners is an exceptional method book for both practitioners and enthusiasts. In addition to detailing the historical origins of the instrument and the evolution of keyboard technique, the book describes the proper method for practicing fingering and articulation and emphasizes the importance of touch and sensitivity at the keyboard.
Sourcebook for Research in Music, Third Edition
Author: Allen Scott
Publisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Publisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Liber Amicorum Isabelle Cazeaux
Author: Paul-André Bempéchat
Publisher: Pendragon Press
ISBN: 9781576470916
Category : Juvenile Nonfiction
Languages : en
Pages : 562
Book Description
Matters of authenticity. Chopin's Polish rhapsody / Ferdinand Gajewski -- Matters folkloric. L'emprunt, facteur de renouvellement musical dans les pays celtiques / Yves Defrance ; Gibbons in the Budapest Zoo : reflections on Hungarian folksong / Virginia James Kidd ; Folklore and reminiscence in Claude Debussy / Virginia Raad -- Matters instrumental. Frédéric Triebert (1813-1878), designer of the modern oboe : newly found archival documents featuring the inventory and auction of his musical instrument enterprise / Tula Giannini ; Marking the accord of instrument and style, 1709-1768 / Sally C. Park -- Matters naval. Jean Cras, the scientist : an explication of his navigational ruler ; Compass, la règle-rapporteur cras / Allan P. Archer -- Matters novel. Album-leaf : for piano 109 / John Davison -- Matters operatic. Naturaliste et dreyfusard : Alfred Bruneau, compositeur engagé / Jean-Max Guieu -- Deconstructive melodrama in the Hamlet of Ambroise Thomas / John Harrison ; Judith Gautier et les traductions de Parsifal / Danièle Pistone ; Gawain in opera 159 / Jerome V. Reel -- Matters operettic. The border territory between classical and broadway : a voyage ; Around and about Four saints in three acts and West Side story / Ralph P. Locke ; Manuel de Falla's early works for the theater / Elizabeth Seitz -- Matters of perception. Point-counter-point : Schoenberg meets Bach / John Daverio ; The problems of musical hermeneutics / Edward Lippman -- Matters of reception. From Haus to Konzerthaus : orchestrations of Schubert's : Erlkönig and other liede.
Publisher: Pendragon Press
ISBN: 9781576470916
Category : Juvenile Nonfiction
Languages : en
Pages : 562
Book Description
Matters of authenticity. Chopin's Polish rhapsody / Ferdinand Gajewski -- Matters folkloric. L'emprunt, facteur de renouvellement musical dans les pays celtiques / Yves Defrance ; Gibbons in the Budapest Zoo : reflections on Hungarian folksong / Virginia James Kidd ; Folklore and reminiscence in Claude Debussy / Virginia Raad -- Matters instrumental. Frédéric Triebert (1813-1878), designer of the modern oboe : newly found archival documents featuring the inventory and auction of his musical instrument enterprise / Tula Giannini ; Marking the accord of instrument and style, 1709-1768 / Sally C. Park -- Matters naval. Jean Cras, the scientist : an explication of his navigational ruler ; Compass, la règle-rapporteur cras / Allan P. Archer -- Matters novel. Album-leaf : for piano 109 / John Davison -- Matters operatic. Naturaliste et dreyfusard : Alfred Bruneau, compositeur engagé / Jean-Max Guieu -- Deconstructive melodrama in the Hamlet of Ambroise Thomas / John Harrison ; Judith Gautier et les traductions de Parsifal / Danièle Pistone ; Gawain in opera 159 / Jerome V. Reel -- Matters operettic. The border territory between classical and broadway : a voyage ; Around and about Four saints in three acts and West Side story / Ralph P. Locke ; Manuel de Falla's early works for the theater / Elizabeth Seitz -- Matters of perception. Point-counter-point : Schoenberg meets Bach / John Daverio ; The problems of musical hermeneutics / Edward Lippman -- Matters of reception. From Haus to Konzerthaus : orchestrations of Schubert's : Erlkönig and other liede.
Catalogue of Musical Instruments
Author: Victoria and Albert Museum
Publisher:
ISBN:
Category : Keyboard instruments
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category : Keyboard instruments
Languages : en
Pages : 156
Book Description
Talking Harpsichords
Author: Alastair McAllister
Publisher: Lulu.com
ISBN: 0992287286
Category : Art
Languages : en
Pages : 182
Book Description
Talking Harpsichords is an attempt to bring more into focus the world of the harpsichord. Importantly, it is also an expression of appreciation to all those who have helped this traveller achieve the making of some good instruments. In addition, the writer believes that we are, each one of us, and from time to time, entitled to be amused: so may it be.
Publisher: Lulu.com
ISBN: 0992287286
Category : Art
Languages : en
Pages : 182
Book Description
Talking Harpsichords is an attempt to bring more into focus the world of the harpsichord. Importantly, it is also an expression of appreciation to all those who have helped this traveller achieve the making of some good instruments. In addition, the writer believes that we are, each one of us, and from time to time, entitled to be amused: so may it be.