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Author: Rob Mackillop
Publisher: Mel Bay Publications
ISBN: 1610659961
Category : Music
Languages : en
Pages : 57
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Book Description
Here is the Forgotten Heritage: Great Banjo Music! Discover the birth of the American fingerstyle banjo in this collection of 28 of the finest tunes culled from banjo publications between 1860 and 1887. Learn amazing banjo music by some of the early leading players, James Buckley, Albert Baur, and the great Frank B. Converse, the greatest virtuoso of his day. from folk-style dances to parlor dances such as the Polka, Mazurka and Schottische, to advanced Romantic-period classical-style solos. Can be played on modern banjos or period-style instruments. the CD recording by Rob MacKillop features a gut-strung banjo, and is played with the flesh of the fingertips, in the old American tuning. for modern instrument players, Rob has provided TAB and a Standard Notation stave at modern banjo pitch. Clawhammer players will find many of the pieces in the book suitable for their technique, and bluegrass/fingerstyle players will be able to play all the pieces. Rob MacKillop provides a fascinating introductory essay, placing the music in its historical context, while his CD of performances can be viewed as a stand-alone recording by a leading player in the revival of this great American banjo heritage.
Author: Rob Mackillop
Publisher: Mel Bay Publications
ISBN: 1610659961
Category : Music
Languages : en
Pages : 57
Get Book Here
Book Description
Here is the Forgotten Heritage: Great Banjo Music! Discover the birth of the American fingerstyle banjo in this collection of 28 of the finest tunes culled from banjo publications between 1860 and 1887. Learn amazing banjo music by some of the early leading players, James Buckley, Albert Baur, and the great Frank B. Converse, the greatest virtuoso of his day. from folk-style dances to parlor dances such as the Polka, Mazurka and Schottische, to advanced Romantic-period classical-style solos. Can be played on modern banjos or period-style instruments. the CD recording by Rob MacKillop features a gut-strung banjo, and is played with the flesh of the fingertips, in the old American tuning. for modern instrument players, Rob has provided TAB and a Standard Notation stave at modern banjo pitch. Clawhammer players will find many of the pieces in the book suitable for their technique, and bluegrass/fingerstyle players will be able to play all the pieces. Rob MacKillop provides a fascinating introductory essay, placing the music in its historical context, while his CD of performances can be viewed as a stand-alone recording by a leading player in the revival of this great American banjo heritage.
Author: Tim Twiss
Publisher: Mel Bay Publications
ISBN: 1619118475
Category : Music
Languages : en
Pages : 121
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Book Description
Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley’s Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 – 1872), sometimes referred to as the “Father of the Classical Banjo,” was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today–all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio.
Author: Laurent Dubois
Publisher: Harvard University Press
ISBN: 0674968832
Category : History
Languages : en
Pages : 224
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Book Description
The banjo has been called by many names over its history, but they all refer to the same sound—strings humming over skin—that has eased souls and electrified crowds for centuries. The Banjo invites us to hear that sound afresh in a biography of one of America’s iconic folk instruments. Attuned to a rich heritage spanning continents and cultures, Laurent Dubois traces the banjo from humble origins, revealing how it became one of the great stars of American musical life. In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a much-needed sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life. White musicians took up the banjo in the nineteenth century, when it became the foundation of the minstrel show and began to be produced industrially on a large scale. Even as this instrument found its way into rural white communities, however, the banjo remained central to African American musical performance. Twentieth-century musicians incorporated the instrument into styles ranging from ragtime and jazz to Dixieland, bluegrass, reggae, and pop. Versatile and enduring, the banjo combines rhythm and melody into a single unmistakable sound that resonates with strength and purpose. From the earliest days of American history, the banjo’s sound has allowed folk musicians to create community and joy even while protesting oppression and injustice.
Author: Rob MacKillop
Publisher: Mel Bay Publications
ISBN: 1619110016
Category : Music
Languages : en
Pages : 65
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Book Description
Here is the Lost Heritage of the Irish-American Banjo!The Irish-style Tenor banjo has become immensely popular of late, yet the roots of Irish influence on American banjo music extends right back to the 1840s, when the legendary Joel Sweeney picked up a gourd banjo from Black American banjo players, and proceeded to perform 'jigs, reels and breakdowns'. Other Irish-Americans played a leading role in the development and popularity of the banjo in America, and Rob MacKillop has collected 27 of their finest pieces in this collection, the first of its kind.TAB for 5-string banjo as well as Tenor Banjo. the Tenor Banjo arrangements are in two tunings: GDAE and CGDA.Can be played with either a flat pick or fingerstyle.The CD recording contains brilliant performances of all 27 pieces by Rob MacKillop, a leading performer of historical banjo music. Rob performs fingerstyle, with the flesh of his fingertips on gut strings, on a period-appropriate banjo, in the old American tuning. This CD is a treasure in itself.Tunes included: St Patrick's Day; Rocky Road to Dublin; Savourneen Deelish; McCormick Party Reel, Sheridan's Hornpipe, Connaught Man's Rambles, and many others.
Author: Karen Linn
Publisher: University of Illinois Press
ISBN: 9780252064333
Category : Music
Languages : en
Pages : 212
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Book Description
Long a symbol of American culture, the banjo actually originated in Africa before European-Americans adopted it. Karen Linn shows how the banjo--despite design innovations and several modernizing agendas--has failed to escape its image as a "half-barbaric" instrument symbolic of antimodernism and sentimentalism. Caught in the morass of American racial attitudes and often used to express ambivalence toward modern industrial society, the banjo stood in opposition to the "official" values of rationalism, modernism, and belief in the beneficence of material progress. Linn uses popular literature, visual arts, advertisements, film, performance practices, instrument construction and decoration, and song lyrics to illustrate how notions about the banjo have changed. Linn also traces the instrument from its African origins through the 1980s, alternating between themes of urban modernization and rural nostalgia. She examines the banjo fad of bourgeois Northerners during the late nineteenth century; the African-American banjo tradition and the commercially popular cultural image of the southern black banjo player; the banjo's use in ragtime and early jazz; and the image of the white Southerner and mountaineer as banjo player.
Author: Jeffrey Noonan
Publisher: A-R Editions, Inc.
ISBN: 9780895796448
Category : Music
Languages : en
Pages : 344
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Book Description
In the early years of the twentieth century, O.G. Sonneck, the father of American musicology, decried the state of musical bibliography in this country, encouraging musical scholars to dedicate themselves to preserving, cataloging, and promoting the use of America’s musical ephemera, especially newspapers and magazines. Despite his century-old calls, much work in this area remains undone. This volume responds to Sonneck’s call for action by creating a bibliography of periodicals that document the use and place of the guitar in a little-known segment of America’s musical culture in the final decades of the nineteenth century through the first third of the twentieth century. Between 1880 and the mid-1930s, a unique musical movement grew and flourished in this country. Focused on the promotion of so-called “plectral instruments,” this movement promoted the banjo, the mandolin, and the guitar as cultivated instruments on a par with the classical violin or piano. The Banjo, Mandolin and Guitar (BMG) community consisted of instrument manufacturers, music publishers, professional teachers and composers, and amateur students. While some professional soloists achieved national recognition, the performing focus of the movement was ensemble work, with bands of banjos, mandolins and guitars ranging from quartets and quintets (modeled on the violin-family string ensembles) to festival orchestras of up to 400 players (mimicking the late romantic symphony orchestra). The repertoire of most ensembles included popular dances of the day as well as light classics, but more ambitious ensembles tackled Mozart, Haydn, Beethoven, and even Wagner. Although this movement straddled both popular and cultivated (classical) music-making, its elitist pretensions contributed to its demise in the wake of the explosive growth of modern American popular music linked to Tin Pan Alley or the blues. While the movement’s heyday spanned the early years of audio recording, only a handful of active BMG performers made recordings. As a result few musical scholars are aware of the BMG movement and its contribution to American musical culture, especially its influence on the physical and technical development of America’s instrument, the guitar The movement did, however, leave extensive traces of itself in periodicals produced by manufacturing and publishing concerns. Beginning in 1882, the leadership of the BMG movement fell to the publishers, editors, and contributors from these promotional journals, which were dedicated to the “interests of Banjoists, Mandolinists and Guitarists” While advertising dominated the pages of most of these periodicals, nearly all offered product and publication reviews, historical surveys, biographical sketches, and technical advice. In addition, the BMG magazines not only documented performances with reviews and program lists but also contained musical scores for solo instruments and plucked-string ensembles. These magazines are the primary sources which document this vibrant expression of America’s musical life. While one or two of the BMG magazines have been known by guitar scholars, most have not seen the light of day in decades. Similarly, a few of the leading guitar figures of the BMG movement—principally William Foden, Vahdah Olcott-Bickford, and George C. Krick—have been acknowledged and documented but many more remain completely anonymous. This bibliography offers access to the periodicals which help document the story of the guitar in America’s progressive era—a story of tradition and transformation—as lived and told by the guitar’s players, teachers, manufacturers, composers, and fans in the BMG movement. The bibliography consists of two large sections. The first contains a chronological list of articles, news items, advertisements, illustrations, and photographs as well as a list of musical works for guitar published in the BMG magazines. The second section of the bibliography is a series of indices which link names and subjects to the lists. With nearly 5500 entries and over 100 pages of indices, this bibliography offers researchers access to a musical world that has been locked away on library shelves for the past century.
Author: Earl Scruggs
Publisher: Hal Leonard
ISBN: 1476859337
Category : Music
Languages : en
Pages : 534
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Book Description
(Banjo). The best-selling banjo method in the world! Earl Scruggs's legendary method has helped thousands of banjo players get their start. The "Revised and Enhanced Edition" features more songs, updated lessons, and many other improvements. It includes everything you need to know to start playing banjo, including: a history of the 5-string banjo, getting acquainted with the banjo, Scruggs tuners, how to read music, chords, how to read tablature, right-hand rolls and left-hand techniques, banjo tunings, exercises in picking, over 40 songs, how to build a banjo, autobiographical notes, and much more! Includes audio of Earl Scruggs playing and explaining over 60 examples!
Author: Philip F. Gura
Publisher: UNC Press Books
ISBN: 9780807824849
Category : Music
Languages : en
Pages : 408
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Book Description
This handsome illustrated history traces the transformation of the banjo from primitive folk instrument to sophisticated musical machine and, in the process, offers a unique view of the music business in nineteenth-century America. Philip Gura and Jame
Author: Rob Mackillop
Publisher:
ISBN: 9780786696260
Category :
Languages : en
Pages :
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Book Description
Here is the Lost Heritage of the Irish-American Banjo!The Irish-style Tenor banjo has become immensely popular of late, yet the roots of Irish influence on American banjo music extends right back to the 1840s, when the legendaryJoel Sweeney picked up a gourd banjo from Black American banjo players, andproceeded to perform 'jigs, reels and breakdowns'. Other Irish-Americans played a leading role in the development and popularity of the banjo in America, and Rob MacKillop has collected 27 of their finest pieces in this collection, the first of its kind. Early Irish-American Banjo is a solo instrumental collection written instandard notation plus 3 lines of tablature for the 5-string banjo, the 4-string tenor banjo in standard tuning (CGDA), and for the Irish tenor banjo in octave-mandolin tuning (GDAE low-to-high). Lyrics are not included in this volume.Can beplayed with either a flat pick or fingerstyle.The audio recording contains brilliant performances of all 27 pieces by Rob MacKillop, a leading performer ofhistorical banjo music. Rob performs fingerstyle, with the flesh of his fingertips ongut strings, on a period-appropriate banjo, in the old American tuning. This online recording is a treasure in itself.Tunes included: St Patrick's Day; Rocky Road To Dublin; Savourneen Deelish; McCormick Party Reel, Sheridan's Hornpipe, Connaught Man's Rambles, and many others. Includes access to online audio
Author: Bob Carlin
Publisher: McFarland
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 218
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Book Description
"A professional banjo player, Joel Sweeney introduced mainstream America to a music (and musical instrument) which had its roots in the transplanted black culture of the southern slave. Beginning with the banjo's introduction to America and Great Britain, the book provides an overview of early banjo music. An appendix contains a performance chronology"--Note de l'éditeur.
