Author: Thomas Day
Publisher:
ISBN:
Category : Enslaved persons
Languages : en
Pages : 48
Book Description
DYING NEGRO
Author: THOMAS. DAY
Publisher:
ISBN: 9781033813065
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781033813065
Category :
Languages : en
Pages : 0
Book Description
The Bibliographer
Author: Henry Benjamin Wheatley
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 206
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 206
Book Description
Black World/Negro Digest
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
Book Description
Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
Book Description
Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.
The Negro's Memorial, Or Abolitionist's Catechism. By an Abolitionist
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 134
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 134
Book Description
The Shapes of Epidemics and Global Disease
Author: Andrea Patterson
Publisher: Cambridge Scholars Publishing
ISBN: 1527558967
Category : Medical
Languages : en
Pages : 426
Book Description
This volume investigates the multifaceted SHAPES (socio-historic, artistic, political, and ecological significance) of global disease. It challenges conventional views of infection and transmission by associating epidemics with ideologies and their accompanying institutions. It argues that the physical threat of epidemics is irrevocably linked to culture, economic resources, social class, and power. Epidemics involve both the infected and non-infected, affect the local and global, and they expose control and neglect. This book provides a radical collaborative approach, drawing contributors from closely related and vastly distant fields in the search for innovative ways to address human suffering, and to find real solutions that may determine whether people live or die. Such an approach is needed within an increasingly interconnected world where both pathological diseases and health behaviors are infectious. Experts from fifteen diverse disciplines in the natural sciences, social sciences, and arts and humanities present case studies from across the world and time, demonstrating the uniqueness of each disease and epidemic in its place, but also the shared experiences that span human life and death. In order to identify, measure and control epidemics, we must understand epidemics more as long biosocial processes than abrupt events in nature or culture. Such methodology examines the meaning we attach to epidemics, as well as their material reality, and provides a more complete understanding of how epidemics shape and are shaped.
Publisher: Cambridge Scholars Publishing
ISBN: 1527558967
Category : Medical
Languages : en
Pages : 426
Book Description
This volume investigates the multifaceted SHAPES (socio-historic, artistic, political, and ecological significance) of global disease. It challenges conventional views of infection and transmission by associating epidemics with ideologies and their accompanying institutions. It argues that the physical threat of epidemics is irrevocably linked to culture, economic resources, social class, and power. Epidemics involve both the infected and non-infected, affect the local and global, and they expose control and neglect. This book provides a radical collaborative approach, drawing contributors from closely related and vastly distant fields in the search for innovative ways to address human suffering, and to find real solutions that may determine whether people live or die. Such an approach is needed within an increasingly interconnected world where both pathological diseases and health behaviors are infectious. Experts from fifteen diverse disciplines in the natural sciences, social sciences, and arts and humanities present case studies from across the world and time, demonstrating the uniqueness of each disease and epidemic in its place, but also the shared experiences that span human life and death. In order to identify, measure and control epidemics, we must understand epidemics more as long biosocial processes than abrupt events in nature or culture. Such methodology examines the meaning we attach to epidemics, as well as their material reality, and provides a more complete understanding of how epidemics shape and are shaped.
The Unnatural Trade
Author: Brycchan Carey
Publisher: Yale University Press
ISBN: 0300224419
Category : History
Languages : en
Pages : 279
Book Description
A look at the origins of British abolitionism as a problem of eighteenth-century science, as well as one of economics and humanitarian sensibilities How did late eighteenth-century British abolitionists come to view the slave trade and British colonial slavery as unnatural, a "dread perversion" of nature? Focusing on slavery in the Americas, and the Caribbean in particular, alongside travelers' accounts of West Africa, Brycchan Carey shows that before the mid-eighteenth century, natural histories were a primary source of information about slavery for British and colonial readers. These natural histories were often ambivalent toward slavery, but they increasingly adopted a proslavery stance to accommodate the needs of planters by representing slavery as a "natural" phenomenon. From the mid-eighteenth century, abolitionists adapted the natural history form to their own writings, and many naturalists became associated with the antislavery movement. Carey draws on descriptions of slavery and the slave trade created by naturalists and other travelers with an interest in natural history, including Richard Ligon, Hans Sloane, Griffith Hughes, Samuel Martin, and James Grainger. These environmental writings were used by abolitionists such as Anthony Benezet, James Ramsay, Thomas Clarkson, and Olaudah Equiano to build a compelling case that slavery was unnatural, a case that was popularized by abolitionist poets such as Thomas Day, Edward Rushton, Hannah More, and William Cowper.
Publisher: Yale University Press
ISBN: 0300224419
Category : History
Languages : en
Pages : 279
Book Description
A look at the origins of British abolitionism as a problem of eighteenth-century science, as well as one of economics and humanitarian sensibilities How did late eighteenth-century British abolitionists come to view the slave trade and British colonial slavery as unnatural, a "dread perversion" of nature? Focusing on slavery in the Americas, and the Caribbean in particular, alongside travelers' accounts of West Africa, Brycchan Carey shows that before the mid-eighteenth century, natural histories were a primary source of information about slavery for British and colonial readers. These natural histories were often ambivalent toward slavery, but they increasingly adopted a proslavery stance to accommodate the needs of planters by representing slavery as a "natural" phenomenon. From the mid-eighteenth century, abolitionists adapted the natural history form to their own writings, and many naturalists became associated with the antislavery movement. Carey draws on descriptions of slavery and the slave trade created by naturalists and other travelers with an interest in natural history, including Richard Ligon, Hans Sloane, Griffith Hughes, Samuel Martin, and James Grainger. These environmental writings were used by abolitionists such as Anthony Benezet, James Ramsay, Thomas Clarkson, and Olaudah Equiano to build a compelling case that slavery was unnatural, a case that was popularized by abolitionist poets such as Thomas Day, Edward Rushton, Hannah More, and William Cowper.
The Bibliographer
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 444
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 444
Book Description
Works
Author: Maria Edgeworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
Poetry for Children
Author: Lucy Aikin
Publisher:
ISBN:
Category : Children's poetry
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : Children's poetry
Languages : en
Pages : 184
Book Description
The Black Avenger in Atlantic Culture
Author: Grégory Pierrot
Publisher: University of Georgia Press
ISBN: 0820372536
Category : History
Languages : en
Pages : 275
Book Description
With the Ta-Nehisi Coates–authored Black Panther comic book series (2016); recent films Django Unchained (2012) and The Birth of a Nation (2016); Nate Parker’s cinematic imagining of the Nat Turner rebellion; and screen adaptations of Marvel’s Luke Cage (2016) and Black Panther (2018); violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values—honor, loyalty, love—reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity. Pierrot’s The Black Avenger in Atlantic Culture studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.
Publisher: University of Georgia Press
ISBN: 0820372536
Category : History
Languages : en
Pages : 275
Book Description
With the Ta-Nehisi Coates–authored Black Panther comic book series (2016); recent films Django Unchained (2012) and The Birth of a Nation (2016); Nate Parker’s cinematic imagining of the Nat Turner rebellion; and screen adaptations of Marvel’s Luke Cage (2016) and Black Panther (2018); violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values—honor, loyalty, love—reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity. Pierrot’s The Black Avenger in Atlantic Culture studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.