Author: Peter Van Huisstede
Publisher: BRILL
ISBN: 900453539X
Category : History
Languages : en
Pages : 539
Book Description
An indispensable source of information for bibliographers and historians of mentality and visual culture. Contains inter alia a massive index of iconography, systematically arranged according to ICONCLASS classification schedules, offering some 20,000 references. In 3 volumes. The print edition is available as a set of three volumes (9789060044407).
Dutch Printer's Devices 15th-17th Century, Volume II
Author: Peter Van Huisstede
Publisher: BRILL
ISBN: 900453539X
Category : History
Languages : en
Pages : 539
Book Description
An indispensable source of information for bibliographers and historians of mentality and visual culture. Contains inter alia a massive index of iconography, systematically arranged according to ICONCLASS classification schedules, offering some 20,000 references. In 3 volumes. The print edition is available as a set of three volumes (9789060044407).
Publisher: BRILL
ISBN: 900453539X
Category : History
Languages : en
Pages : 539
Book Description
An indispensable source of information for bibliographers and historians of mentality and visual culture. Contains inter alia a massive index of iconography, systematically arranged according to ICONCLASS classification schedules, offering some 20,000 references. In 3 volumes. The print edition is available as a set of three volumes (9789060044407).
Gateways to the Book
Author: Gitta Bertram
Publisher: BRILL
ISBN: 9004464522
Category : Art
Languages : en
Pages : 635
Book Description
An investigation of the complex image-text relationships between frontispieces and illustrated title pages with the following texts in European books published between 1500 and 1800.
Publisher: BRILL
ISBN: 9004464522
Category : Art
Languages : en
Pages : 635
Book Description
An investigation of the complex image-text relationships between frontispieces and illustrated title pages with the following texts in European books published between 1500 and 1800.
Warfare and the Age of Printing (4 vols.)
Author: Louis Sloos
Publisher: BRILL
ISBN: 904742588X
Category : History
Languages : en
Pages : 2008
Book Description
An important part of the Dutch national treasure of early printed books from before 1801 on military and related subjects is kept in military libraries and collections. This catalogue contains 10,000 books in twelve different languages dated 1500–1800 from nine different Defence institutions/collections, representing both Army and Navy. By far the largest collections are the property of the Royal Netherlands Army Museum in Delft and the Royal Netherlands Military Academy in Breda. A great if not substantial part of these books is especially of international significance because of the contents, the intrinsic value or as historical objects. It took eight years to trace and describe these books, all of which have been given extensive analytical bibliographic descriptions. The book includes over 2000 illustrations. The book is a project of the Royal Netherlands Army Museum, Delft
Publisher: BRILL
ISBN: 904742588X
Category : History
Languages : en
Pages : 2008
Book Description
An important part of the Dutch national treasure of early printed books from before 1801 on military and related subjects is kept in military libraries and collections. This catalogue contains 10,000 books in twelve different languages dated 1500–1800 from nine different Defence institutions/collections, representing both Army and Navy. By far the largest collections are the property of the Royal Netherlands Army Museum in Delft and the Royal Netherlands Military Academy in Breda. A great if not substantial part of these books is especially of international significance because of the contents, the intrinsic value or as historical objects. It took eight years to trace and describe these books, all of which have been given extensive analytical bibliographic descriptions. The book includes over 2000 illustrations. The book is a project of the Royal Netherlands Army Museum, Delft
Printers’ Devices in the Polish-Lithuanian Commonwealth
Author: Justyna Kiliańczyk-Zięba
Publisher: BRILL
ISBN: 900467960X
Category : History
Languages : en
Pages : 302
Book Description
This book discusses the printers’ devices used in Poland-Lithuania in the fifteenth and sixteenth centuries. The compositions that served to identify the products of individual printers are explored here as previously unacknowledged research material for cultural studies: they allow for the reconstruction of the mentality of contemporary printers as well as their co-workers and reading public. The book investigates relationships within early modern intellectual communities and shows that the textual and visual discourses of the printers’ devices were pan-European, reflecting the networked communities of European centres of learning and commerce. It documents the broad range of the output of Polish-Lithuanian presses as well and is therefore also a study of book culture in a multinational and multilingual state, whose inheritance is poorly recognised internationally.
Publisher: BRILL
ISBN: 900467960X
Category : History
Languages : en
Pages : 302
Book Description
This book discusses the printers’ devices used in Poland-Lithuania in the fifteenth and sixteenth centuries. The compositions that served to identify the products of individual printers are explored here as previously unacknowledged research material for cultural studies: they allow for the reconstruction of the mentality of contemporary printers as well as their co-workers and reading public. The book investigates relationships within early modern intellectual communities and shows that the textual and visual discourses of the printers’ devices were pan-European, reflecting the networked communities of European centres of learning and commerce. It documents the broad range of the output of Polish-Lithuanian presses as well and is therefore also a study of book culture in a multinational and multilingual state, whose inheritance is poorly recognised internationally.
Annual Bibliography of the History of the Printed Book and Libraries
Author: Dept. of Special Collections of the Koninklijke Bibliotheek
Publisher: Springer Science & Business Media
ISBN: 9781402016868
Category : Language Arts & Disciplines
Languages : en
Pages : 658
Book Description
The Annual Bibliography of the History of the Printed Book and Libraries aims at recording articles of scholarly value which relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic social and cultural environment, involved in its production, distribution, conservation and description.
Publisher: Springer Science & Business Media
ISBN: 9781402016868
Category : Language Arts & Disciplines
Languages : en
Pages : 658
Book Description
The Annual Bibliography of the History of the Printed Book and Libraries aims at recording articles of scholarly value which relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic social and cultural environment, involved in its production, distribution, conservation and description.
Bibliographia Sociniana
Author: Philip Knijff
Publisher: Uitgeverij Verloren
ISBN: 9789065508362
Category : Antitrinitarianism
Languages : en
Pages : 326
Book Description
Publisher: Uitgeverij Verloren
ISBN: 9789065508362
Category : Antitrinitarianism
Languages : en
Pages : 326
Book Description
Typographorum Emblemata
Author: Anja Wolkenhauer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110430274
Category : Literary Criticism
Languages : en
Pages : 442
Book Description
This collection of specially commissioned articles aims to shed light on the Early Modern printer's mark, a very productive Early Modern word-image so far only occasionally noted outside the domain of book history. This collection of 17 specially commissioned articles aims to shed light on the European printer’s mark, a very productive Early Modern word-image genre so far only occasionally noted outside the domain of book history. It does so from the perspectives of book history, literary history, especially emblem scholarship, and art history. The various contributions to the volume address issues such as those of the adoption of printer's devices in the place of the older heraldic printer's marks as a symptom of the changing self-image of the representatives of the Early Modern printing profession, of the mutual influence of emblems and printer's marks, of the place of Classical learning in the design of Humanist printer's marks, of the economic factors involved in the evolution of Early Modern printer's marks, the pictorial topics of the Early Modern printer's mark, and the printer's mark as a result of the 'Verbürgerlichung' of the device of Early Modern nobility. Special care was taken to account for the similarities and differences of the printer's marks produced and used in different regional and cultural contexts. The printer’s mark thus becomes visible as a European phenomenon that invites studying some of the most significant shared aspects of Early Modern culture. Preface/ Beginnings and Provenances: A. Wolkenhauer: Sisters, or Mother and Daughter? The Relationship between Printer’s Marks and Emblems during the First Hundred Years/ A. Bässler: Ekphrasis and Printer’s Signets/ L. Houwen: Beastly Devices: Early Printers’ Marks and Their Medieval Origins/ H. Meeus: From Nameplate to Emblem. The Evolution of the Printer’s Device in the Southern Low Countries up to 1600/ Regions and Places: K. Sp. Staikos: Heraldic and Symbolic Printer’s Devices of Greek Printers in Italy (15th-16th century)/ A. Jakimyszyn-Gadocha: Jewish Printers’ Marks from Poland (16th-17th centuries)/ J. A. Tomicka: Fama typographica. In Search of the Emblem Form of Printer’s Devices. The Iconography and Emblem Form of Printer’s Devices in 16th- and 17th-Century Poland/ P. Hoftijzer: Pallas Nostra Salus. Early-Modern Printer’s Marks in Leiden as Expressions of Professional and Personal Identity/ D. Peil: Early Modern Munich Printer’s Marks (and Related Issues)/ K. Lundblad: The Printer’s Mark in Early Modern Sweden/ S. Hufnagel: Iceland’s Lack of Printer’s Devices: Filling a Functional and Spatial Void in Printed Books during the Sixteenth Century/ Concepts, Historical and Systematic: B.F. Scholz: The Truth of Printer’s Marks: Andrea Alciato On ‘Aldo’s Anchor’, ‘Froben’s Dove’ and ‘Calvo’s Elephant’. A Closer Look at Alciato’s Concept of the Printer’s Mark./ V. Hayaert: The Legal Significance and Humanist Ethos of Printers’ Insignia/ J. Kiliańczyk-Zięba: The Transition of the Printer’s Device from a Sign of Identification to a Symbol of Aspirations and Beliefs/ Judit Vizkelety-Ecsedy: Mottos in Printers’ Devices – Thoughts about the Hungarian Usage/ M. Simon: European Printers’ and Publishers’ Marks in the 18th Century. The Three C’s: Conformity, Continuity and Change/ B.F. Scholz: In Place of an Afterword: Notes on Ordering the Corpus of the Early Modern Printer’s Mark/ Research Bibliography: The Early Modern Printer’s Mark in its Cultural Contexts/ Index (Names, Places, Motti).
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110430274
Category : Literary Criticism
Languages : en
Pages : 442
Book Description
This collection of specially commissioned articles aims to shed light on the Early Modern printer's mark, a very productive Early Modern word-image so far only occasionally noted outside the domain of book history. This collection of 17 specially commissioned articles aims to shed light on the European printer’s mark, a very productive Early Modern word-image genre so far only occasionally noted outside the domain of book history. It does so from the perspectives of book history, literary history, especially emblem scholarship, and art history. The various contributions to the volume address issues such as those of the adoption of printer's devices in the place of the older heraldic printer's marks as a symptom of the changing self-image of the representatives of the Early Modern printing profession, of the mutual influence of emblems and printer's marks, of the place of Classical learning in the design of Humanist printer's marks, of the economic factors involved in the evolution of Early Modern printer's marks, the pictorial topics of the Early Modern printer's mark, and the printer's mark as a result of the 'Verbürgerlichung' of the device of Early Modern nobility. Special care was taken to account for the similarities and differences of the printer's marks produced and used in different regional and cultural contexts. The printer’s mark thus becomes visible as a European phenomenon that invites studying some of the most significant shared aspects of Early Modern culture. Preface/ Beginnings and Provenances: A. Wolkenhauer: Sisters, or Mother and Daughter? The Relationship between Printer’s Marks and Emblems during the First Hundred Years/ A. Bässler: Ekphrasis and Printer’s Signets/ L. Houwen: Beastly Devices: Early Printers’ Marks and Their Medieval Origins/ H. Meeus: From Nameplate to Emblem. The Evolution of the Printer’s Device in the Southern Low Countries up to 1600/ Regions and Places: K. Sp. Staikos: Heraldic and Symbolic Printer’s Devices of Greek Printers in Italy (15th-16th century)/ A. Jakimyszyn-Gadocha: Jewish Printers’ Marks from Poland (16th-17th centuries)/ J. A. Tomicka: Fama typographica. In Search of the Emblem Form of Printer’s Devices. The Iconography and Emblem Form of Printer’s Devices in 16th- and 17th-Century Poland/ P. Hoftijzer: Pallas Nostra Salus. Early-Modern Printer’s Marks in Leiden as Expressions of Professional and Personal Identity/ D. Peil: Early Modern Munich Printer’s Marks (and Related Issues)/ K. Lundblad: The Printer’s Mark in Early Modern Sweden/ S. Hufnagel: Iceland’s Lack of Printer’s Devices: Filling a Functional and Spatial Void in Printed Books during the Sixteenth Century/ Concepts, Historical and Systematic: B.F. Scholz: The Truth of Printer’s Marks: Andrea Alciato On ‘Aldo’s Anchor’, ‘Froben’s Dove’ and ‘Calvo’s Elephant’. A Closer Look at Alciato’s Concept of the Printer’s Mark./ V. Hayaert: The Legal Significance and Humanist Ethos of Printers’ Insignia/ J. Kiliańczyk-Zięba: The Transition of the Printer’s Device from a Sign of Identification to a Symbol of Aspirations and Beliefs/ Judit Vizkelety-Ecsedy: Mottos in Printers’ Devices – Thoughts about the Hungarian Usage/ M. Simon: European Printers’ and Publishers’ Marks in the 18th Century. The Three C’s: Conformity, Continuity and Change/ B.F. Scholz: In Place of an Afterword: Notes on Ordering the Corpus of the Early Modern Printer’s Mark/ Research Bibliography: The Early Modern Printer’s Mark in its Cultural Contexts/ Index (Names, Places, Motti).
Technique and Design in the History of Printing
Author: Frans A. Janssen
Publisher: BRILL
ISBN: 9004475303
Category : History
Languages : en
Pages : 383
Book Description
Containing 26 selected and thoroughly rewritten essays and articles (all written by Janssen and published previously between 1976 and 2002 in yearbooks and periodicals) all dedicated to the history of printing and book production, this work draws systematically attention to the typogtaphical design of the book. The articles are mainly divided into two fields of attention: the analytical bibliography of the printed book (book production, studies of the technical aspects of type-setting and printing, type founding, printing presses, paper etc.) and the typographical design of books (its functions and its influence on how texts are read).
Publisher: BRILL
ISBN: 9004475303
Category : History
Languages : en
Pages : 383
Book Description
Containing 26 selected and thoroughly rewritten essays and articles (all written by Janssen and published previously between 1976 and 2002 in yearbooks and periodicals) all dedicated to the history of printing and book production, this work draws systematically attention to the typogtaphical design of the book. The articles are mainly divided into two fields of attention: the analytical bibliography of the printed book (book production, studies of the technical aspects of type-setting and printing, type founding, printing presses, paper etc.) and the typographical design of books (its functions and its influence on how texts are read).
The Routledge Companion to Medieval Iconography
Author: Colum Hourihane
Publisher: Taylor & Francis
ISBN: 1315298368
Category : Art
Languages : en
Pages : 588
Book Description
Sometimes enjoying considerable favor, sometimes less, iconography has been an essential element in medieval art historical studies since the beginning of the discipline. Some of the greatest art historians – including Mâle, Warburg, Panofsky, Morey, and Schapiro – have devoted their lives to understanding and structuring what exactly the subject matter of a work of medieval art can tell. Over the last thirty or so years, scholarship has seen the meaning and methodologies of the term considerably broadened. This companion provides a state-of-the-art assessment of the influence of the foremost iconographers, as well as the methodologies employed and themes that underpin the discipline. The first section focuses on influential thinkers in the field, while the second covers some of the best-known methodologies; the third, and largest section, looks at some of the major themes in medieval art. Taken together, the three sections include thirty-eight chapters, each of which deals with an individual topic. An introduction, historiographical evaluation, and bibliography accompany the individual essays. The authors are recognized experts in the field, and each essay includes original analyses and/or case studies which will hopefully open the field for future research.
Publisher: Taylor & Francis
ISBN: 1315298368
Category : Art
Languages : en
Pages : 588
Book Description
Sometimes enjoying considerable favor, sometimes less, iconography has been an essential element in medieval art historical studies since the beginning of the discipline. Some of the greatest art historians – including Mâle, Warburg, Panofsky, Morey, and Schapiro – have devoted their lives to understanding and structuring what exactly the subject matter of a work of medieval art can tell. Over the last thirty or so years, scholarship has seen the meaning and methodologies of the term considerably broadened. This companion provides a state-of-the-art assessment of the influence of the foremost iconographers, as well as the methodologies employed and themes that underpin the discipline. The first section focuses on influential thinkers in the field, while the second covers some of the best-known methodologies; the third, and largest section, looks at some of the major themes in medieval art. Taken together, the three sections include thirty-eight chapters, each of which deals with an individual topic. An introduction, historiographical evaluation, and bibliography accompany the individual essays. The authors are recognized experts in the field, and each essay includes original analyses and/or case studies which will hopefully open the field for future research.
'All manner of ingenuity and industry'
Author: Alastair Compston
Publisher: Oxford University Press
ISBN: 0192514776
Category : Medical
Languages : en
Pages : 800
Book Description
This book celebrates the quatercentenary of the birth of Thomas Willis on 27 January 1621. As a physician in Oxford, Willis's work in the 1650s provides an example of rural medical practice in early modern England. As a member of the Oxford Philosophical Club that met from the 1640s, he was central to the move from classical scholasticism to accounts of anatomy and physiology based on observation and experiment. As Sedleian professor of natural philosophy in Oxford, the surviving records of his lectures from the 1660s provide an example of pedagogy in medicine at that time. And, after moving to London in 1667, Willis continued to interact with a community of scientists and physicians who transformed ideas on respiration, muscular movement and the nervous system. Despite a busy clinical practice, Willis found time to write extensively on anatomy and physiology, clinical medicine and therapeutics. These contributions are recognized as wise, original and influential. Between 1659 and 1675, Willis published fourteen treatises. These appeared in six published works, one in two parts, written in Latin. Four of the titles contain engraved plates depicting the brain, muscle, lungs and stomach. The illustrators were Christopher Wren, Richard Lower, Edmund King and possibly Willis himself. Soon after his death, the treatises were published as collected works, also in Latin. Starting in 1679, his writings were translated into English and published as Dr Willis's practice of physic, eventually completed in 1684. The eighteen chapters of this bio-bibliography are in four sections: chapter 1 is biographical; chapters 2 - 4 describe aspects of the history of the book and illustration relevant to Willis's printed works; chapters 5 - 14 provide bibliographical details of Willis's treatises contained in 102 copies printed in Latin, English, Dutch and French between 1659 and 1721; and chapters 15 - 18 summarise the content of Willis's works and their contribution to medical science.
Publisher: Oxford University Press
ISBN: 0192514776
Category : Medical
Languages : en
Pages : 800
Book Description
This book celebrates the quatercentenary of the birth of Thomas Willis on 27 January 1621. As a physician in Oxford, Willis's work in the 1650s provides an example of rural medical practice in early modern England. As a member of the Oxford Philosophical Club that met from the 1640s, he was central to the move from classical scholasticism to accounts of anatomy and physiology based on observation and experiment. As Sedleian professor of natural philosophy in Oxford, the surviving records of his lectures from the 1660s provide an example of pedagogy in medicine at that time. And, after moving to London in 1667, Willis continued to interact with a community of scientists and physicians who transformed ideas on respiration, muscular movement and the nervous system. Despite a busy clinical practice, Willis found time to write extensively on anatomy and physiology, clinical medicine and therapeutics. These contributions are recognized as wise, original and influential. Between 1659 and 1675, Willis published fourteen treatises. These appeared in six published works, one in two parts, written in Latin. Four of the titles contain engraved plates depicting the brain, muscle, lungs and stomach. The illustrators were Christopher Wren, Richard Lower, Edmund King and possibly Willis himself. Soon after his death, the treatises were published as collected works, also in Latin. Starting in 1679, his writings were translated into English and published as Dr Willis's practice of physic, eventually completed in 1684. The eighteen chapters of this bio-bibliography are in four sections: chapter 1 is biographical; chapters 2 - 4 describe aspects of the history of the book and illustration relevant to Willis's printed works; chapters 5 - 14 provide bibliographical details of Willis's treatises contained in 102 copies printed in Latin, English, Dutch and French between 1659 and 1721; and chapters 15 - 18 summarise the content of Willis's works and their contribution to medical science.