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Author: Martin Crowley
Publisher: Oxford University Press
ISBN: 9780198160137
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
This book offers a study of the whole of Duras's written oeuvre, covering journalism and lesser-known works as well as more famous texts. It brings out the constant presence of ethical questions in and around the experiences of passion and excess with which her work is always concerned, andsubjects Duras's texts to an unprecedented level of close reading, carrying her beyond the terms of her usual reception. On the basis of this approach, and with reference to Duras's involvement with her intellectual and political contexts, the book demonstrates the detailed engagement of Duras'swriting in the ethical and political issues of her day. Careful textual analysis shows the particular, fragile nature of this engagement, as well as the intricate textures of Duras's work; this leads to a striking new model of the relation between the literary text and the ethical life of itsreaders, which will be of importance not only to specialists in French Studies, but to all those interested in ethical criticism and modern literary studies.
Author: Martin Crowley
Publisher: Oxford University Press
ISBN: 9780198160137
Category : Literary Criticism
Languages : en
Pages : 344
Get Book Here
Book Description
This book offers a study of the whole of Duras's written oeuvre, covering journalism and lesser-known works as well as more famous texts. It brings out the constant presence of ethical questions in and around the experiences of passion and excess with which her work is always concerned, andsubjects Duras's texts to an unprecedented level of close reading, carrying her beyond the terms of her usual reception. On the basis of this approach, and with reference to Duras's involvement with her intellectual and political contexts, the book demonstrates the detailed engagement of Duras'swriting in the ethical and political issues of her day. Careful textual analysis shows the particular, fragile nature of this engagement, as well as the intricate textures of Duras's work; this leads to a striking new model of the relation between the literary text and the ethical life of itsreaders, which will be of importance not only to specialists in French Studies, but to all those interested in ethical criticism and modern literary studies.
Author: Marguerite Duras
Publisher: U of Minnesota Press
ISBN: 9780816677535
Category : Fiction
Languages : en
Pages : 114
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Book Description
Celebrated writer Marguerite Duras on the artistic process
Author: Leslie Hill
Publisher: Routledge
ISBN: 1134942737
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
Marguerite Duras is France's best-known and most controversial contemporary woman writer. Duras' influence extends from her early novels of the 1950's to her radically innovative experimental autobiographical text of the 1980's The Lover Leslie Hill's book throws new light on Duras' relationship to feminism, psychoanalysis, sexuality, literature, film, politics, and the media. Feted by Kristeva, and Laca who claimed her as almost his other self, Duras is revealed to be a profoundly transgressive thinker and artist. It will be a must for all concerned with contemporary writing, writing by women, recent European cinema, film and literature.
Author: Zahi Zalloua
Publisher: Northwestern University Press
ISBN: 0810137801
Category : Philosophy
Languages : en
Pages : 358
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Book Description
Engaging scholars from across humanistic fields grappling with the role and value of theory in our times, Theory's Autoimmunity argues for reclaiming theory's skepticism as a value. To cultivate theory's skeptical impulses is to embrace what Jacques Derrida has termed autoimmunity: a condition of openness to the outside—openness of the self, the community, democracy, or other ideals—that allows for change. Openness to change comes with risks, and the self-protective temptation to immunize oneself or one's community against these risks is strong. Yet without such risks, without openness to otherness, no encounter with the new, with difference, can ever take place. Without autoimmunity, theory becomes stagnant and programmatic, unable to receive and respond to the other or the event, to address, revise, and produce new meanings. Taking up the challenge of thinking theory as skepticism, with and against philosophy, this study turns to literature as an interlocutor, investigating the ways theory, like the literary works of Montaigne, Baudelaire, Stendhal, Morrison, or Duras, declines to put on the interpretive brakes, to stop reading at a point of understanding. Undoing and remaking itself, theory—those critical interpretive practices that revel in the creation and proliferation of meaning—becomes autoimmune.
Author: Michael Lucey
Publisher: University of Chicago Press
ISBN: 022660635X
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
Imagine trying to tell someone something about yourself and your desires for which there are no words. What if the mere attempt at expression was bound to misfire, to efface the truth of that ineluctable something? In Someone, Michael Lucey considers characters from twentieth-century French literary texts whose sexual forms prove difficult to conceptualize or represent. The characters expressing these “misfit” sexualities gravitate towards same-sex encounters. Yet they differ in subtle but crucial ways from mainstream gay or lesbian identities—whether because of a discordance between gender identity and sexuality, practices specific to a certain place and time, or the fleetingness or non-exclusivity of desire. Investigating works by Simone de Beauvoir, Colette, Jean Genet, and others, Lucey probes both the range of same-sex sexual forms in twentieth-century France and the innovative literary language authors have used to explore these evanescent forms. As a portrait of fragile sexualities that involve awkward and delicate maneuvers and modes of articulation, Someone reveals just how messy the ways in which we experience and perceive sexuality remain, even to ourselves.
Author: Laura McMahon
Publisher: Routledge
ISBN: 1351571869
Category : Foreign Language Study
Languages : en
Pages : 319
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Book Description
Drawing on the work of contemporary French philosopher Jean-Luc Nancy, Cinema and Contact investigates the aesthe-tics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France during the last fifty years: Robert Bresson, Marguerite Duras and Claire Denis. Countering the domi-nant critical account of touch elaborated by recent models of embodied spectatorship, this book argues that cinema offers a privileged space for understanding touch in terms of spacing and withdrawal rather than immediacy and continuity. Such a deconstructive configuration of touch is shown here to have far-reaching implications, inviting an innovative rethinking of politics, aesthetics and theology via the textures of cinema. The first study to bring the thought of Nancy into sustained dialogue with a series of detailed analyses of films, Cinema and Contact also forges new interpretative perspectives on Bresson, Duras and Denis, tracing a compelling two-way exchange between cinema and philosophy.
Author: John Paul Ricco
Publisher: University of Chicago Press
ISBN: 022611337X
Category : Art
Languages : en
Pages : 269
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Book Description
The Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that “decision” is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death. Laying out this theory of “unbecoming community” in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the “neutral mourning” of Barthes’ Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras, and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure as well as deep loss and mourning.
Author: Michael Sollars
Publisher: Infobase Publishing
ISBN: 1438108362
Category : Fiction
Languages : en
Pages : 957
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Book Description
Author: Daniel Just
Publisher: Cambridge University Press
ISBN: 1107093880
Category : History
Languages : en
Pages : 229
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Book Description
A wide-ranging account of French literature of the 1950s and 1960s showing how politically engaged leading writers were.
Author: Zahi Zalloua
Publisher: U of Nebraska Press
ISBN: 0803254652
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Drawing on literary theory and canonical French literature, Reading Unruly examines unruliness as both an aesthetic category and a mode of reading conceived as ethical response. Zahi Zalloua argues that when faced with an unruly work of art, readers confront an ethical double bind, hesitating then between the two conflicting injunctions of either thematizing (making sense) of the literary work, or attending to its aesthetic alterity or unreadability. Creatively hesitating between incommensurable demands (to interpret but not to translate back into familiar terms), ethical readers are invited to cultivate an appreciation for the unruly, to curb the desire for hermeneutic mastery without simultaneously renouncing meaning or the interpretive endeavor as such. Examining French texts from Montaigneês sixteenth-century Essays to Diderotês fictional dialogue Rameauês Nephew and Baudelaireês prose poems The Spleen of Paris, to the more recent works of Jean-Paul Sartreês Nausea, Alain Robbe-Grilletês Jealousy, and Marguerite Durasês The Ravishing of Lol Stein, Reading Unruly demonstrates that in such an approach to literature and theory, reading itself becomes a desire for more, an ethical and aesthetic desire to prolong rather than to arrest the act of interpretation. ¾
