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Author: Burton Lewis Dunbar
Publisher: University of Missouri Press
ISBN: 9780826210623
Category : Art
Languages : en
Pages : 218
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Book Description
Old master drawings kept in storage, their access limited to a few, will now be made widely accessible in this new series which will eventually include all drawings in some 70 midwestern collections. The first volume introduces a corpus of the rarest of European drawings through the year 1500, a time when artists had just begun to value drawings as works of art. It presents 30 entries written by 12 scholars, each a specialist in the art of the period, and each with immediate access to the artwork itself. Annotation copyright by Book News, Inc., Portland, OR
Author: Burton Lewis Dunbar
Publisher: University of Missouri Press
ISBN: 9780826210623
Category : Art
Languages : en
Pages : 218
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Book Description
Old master drawings kept in storage, their access limited to a few, will now be made widely accessible in this new series which will eventually include all drawings in some 70 midwestern collections. The first volume introduces a corpus of the rarest of European drawings through the year 1500, a time when artists had just begun to value drawings as works of art. It presents 30 entries written by 12 scholars, each a specialist in the art of the period, and each with immediate access to the artwork itself. Annotation copyright by Book News, Inc., Portland, OR
Author: Burton Lewis Dunbar
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 0
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Book Description
Author: Burton Lewis Dunbar
Publisher:
ISBN: 9780826210623
Category : Drawing
Languages : en
Pages :
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Book Description
Author: Victoria Sancho Lobis
Publisher: Yale University Press
ISBN: 0300247079
Category : Art
Languages : en
Pages : 357
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Book Description
An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist’s mind.
Author: Filippino Lippi
Publisher: Metropolitan Museum of Art
ISBN: 0810965097
Category : Drawing
Languages : en
Pages : 420
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Book Description
Energetic, incisive, spontaneous, and expressive, the drawings of Filippino Lippi (1457/58-1504) are among the most original and creative of the Italian Renaissance.
Author: Burton Lewis Dunbar
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 220
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Book Description
"Unique and fragile objects, old master drawings are kept in storage, their access limited to knowing scholars, other artists, and dedicated collectors. Now, through the sponsorship of the Midwest Art History Society and the commendable efforts of Burton Dunbar and Edward Olszewski, the drawings will be readily accessible to everyone. This first volume of Drawings in Midwestern Collections offers a full listing of old master drawings from collections throughout the Midwest. Thoroughly researched, this important reference book introduces a corpus of the rarest of European drawings through the year 1500, a time when artists had just begun to value drawings as works of art, and from which only a limited number of drawings have survived. Each of the thirty entries in this volume is written by a scholar who has immediate access to the artwork itself and who is a specialist in the art of that period. In addition to basic information about the work, the authors have commented on each drawing's artistic significance and on problems surrounding it. Included also are reproductions of the drawings as well as numerous illustrations of comparable works from other American and European collections. Drawings in Midwestern Collections presents previously unpublished technical information on many of the drawings, argues for the new attribution of several of them, provides an up-to- date summary of scholarship on each work, and, taken as a whole, provides insight into the diversity of the holdings of midwestern museums. The first in a series of books that will include all drawings in more than seventy midwestern collections, Drawings in Midwestern Collections: Volume I, Early Works is certain to enrich the lives of students, scholars, museum personnel, and the general public."--Publishers website.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Jane Livingston
Publisher: Univ of California Press
ISBN: 0520212584
Category : Painters
Languages : en
Pages : 278
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Book Description
Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California. Published to coincide with the first retrospective of Diebenkorn's work since his death, this catalog is the most comprehensive volume on the artist now available. 192 color illustrations.
Author: Debra Cashion
Publisher: BRILL
ISBN: 9004354123
Category : Art
Languages : en
Pages : 631
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Book Description
The Primacy of the Image in Northern Art 1400-1700: Essays in Honor of Larry Silver is an anthology of 42 essays written by distinguished scholars on current research and methodology in the art history of Northern Europe of the late medieval and early modern periods. Written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania, the topics are inspired by Professor Silver’s renowned scholarship in these areas: Early Netherlandish Painting and Prints; Sixteenth-Century Netherlandish Painting; Manuscripts, Patrons, and Printed Books; Dürer and the Power of Pictures; Prints and Printmaking; and Seventeenth-Century Painting. Studies of specific artists include Hans Memling, Albrecht Dürer, Hans Baldung Grien, Hieronymus Bosch, Pieter Bruegel, Hendrick Goltzius, and Rembrandt.
Author: Christina Nielsen
Publisher: Cambridge Scholars Publishing
ISBN: 1527565572
Category : Art
Languages : en
Pages : 260
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Book Description
This collection of essays, which derive from a symposium held at the Art Institute of Chicago in 2005, tells the story of how medieval art was collected by both individuals and institutions in the American Midwest. This book will appeal to both medievalists and scholars of nineteenth- and twentieth century American history. In addition, it will also appeal to scholars who are interested in museum studies and the history of collecting. The essays in the first section, “Collecting and Displaying Medieval Art,” consider the formation of medieval art collections at influential cultural institutions in three of the most important centers of industry and culture in the Midwest: Chicago, Detroit and Cleveland. The second section, “Medieval Art as Inspiration and Education,” examines the motives of both private donors and museum professionals in forming collections and establishing period rooms and cloistered spaces at museums in Toledo, Kansas City, and St. Louis, among others. At the opposite end of the spectrum was a new trend in curatorial practice, beginning in the 1930s, that favored the dismantling of period rooms and espoused displaying historical works of art in more distinctly modern settings, a theme that pervades section three, “Medieval Art and Modernism.” An essay on medieval art in Midwestern university art museums and another one that considers the impact of works from medieval collections in special exhibitions serve as a remarkable coda to the rest of the volume. Two appendices follow this, one that provides an overview of medieval art collections in Midwestern university museums and another which provides a biographical sketch of prominent dealers of medieval art from 1900-1950.
