Author: Claire Van Cleave
Publisher: Harvard University Press
ISBN: 9780674026773
Category : Art
Languages : en
Pages : 200
Book Description
"Beginning with an examination of drawing as part of the creative process, and showing how it reveals the artist's mind at work, the author explains in detail the materials and techniques used in Renaissance drawings. It also considers how drawings were used, how they changed stylistically through the period and how they varied in different regions of Italy. It concludes with a brief look at connoisseurship and collecting."--Amazon.
Master Drawings of the Italian Renaissance
Author: Claire Van Cleave
Publisher: Harvard University Press
ISBN: 9780674026773
Category : Art
Languages : en
Pages : 200
Book Description
"Beginning with an examination of drawing as part of the creative process, and showing how it reveals the artist's mind at work, the author explains in detail the materials and techniques used in Renaissance drawings. It also considers how drawings were used, how they changed stylistically through the period and how they varied in different regions of Italy. It concludes with a brief look at connoisseurship and collecting."--Amazon.
Publisher: Harvard University Press
ISBN: 9780674026773
Category : Art
Languages : en
Pages : 200
Book Description
"Beginning with an examination of drawing as part of the creative process, and showing how it reveals the artist's mind at work, the author explains in detail the materials and techniques used in Renaissance drawings. It also considers how drawings were used, how they changed stylistically through the period and how they varied in different regions of Italy. It concludes with a brief look at connoisseurship and collecting."--Amazon.
Italian Master Drawings at the Philadelphia Museum of Art
Author: Philadelphia Museum of Art
Publisher: Pennsylvania State University Press
ISBN: 0271025387
Category : Architecture
Languages : en
Pages : 287
Book Description
The Philadelphia Museum of Art is fortunate to have a collection of Italian drawings that encompasses a broad sweep of Italy's art history, ranging from Renaissance and Baroque to Futurist and contemporary works by such famed artists as Parmigianino, Francesco Salviati, Guercino, Giovanni Benedetto Castiglione, Pompeo Batoni, and Amedeo Modigliani. With this publication, eighty of these drawings are provided with commentary, complete scholarly analysis, and biographies of the artists by the renowned scholar Mimi Cazort. The volume opens with an illustrated essay by Ann Percy, the Museum's Curator of Drawings, who offers the first full account of the people and events that shaped the formation of this exceptional but little-published collection.
Publisher: Pennsylvania State University Press
ISBN: 0271025387
Category : Architecture
Languages : en
Pages : 287
Book Description
The Philadelphia Museum of Art is fortunate to have a collection of Italian drawings that encompasses a broad sweep of Italy's art history, ranging from Renaissance and Baroque to Futurist and contemporary works by such famed artists as Parmigianino, Francesco Salviati, Guercino, Giovanni Benedetto Castiglione, Pompeo Batoni, and Amedeo Modigliani. With this publication, eighty of these drawings are provided with commentary, complete scholarly analysis, and biographies of the artists by the renowned scholar Mimi Cazort. The volume opens with an illustrated essay by Ann Percy, the Museum's Curator of Drawings, who offers the first full account of the people and events that shaped the formation of this exceptional but little-published collection.
Italian Master Drawings from the Princeton University Art Museum
Author: Princeton University. Art Museum
Publisher:
ISBN: 9780300149326
Category : Drawing
Languages : en
Pages : 0
Book Description
This richly illustrated volume offers a new look at the exceptional collection of Italian drawings at the Princeton University Art Museum. An introductory essay by Laura M. Giles chronicles the history and significance of the collection, and nearly one hundred of the collection's masterworks are treated with essay-length entries and full-page images. The first scholarly examination of the collection since Felton Gibbons's comprehensive publication of 1977, the catalogue includes an appendix of more than 150 drawings that have entered the collection since--many previously unpublished, and all fully documented with short entries. Highlights include works by celebrated masters, including Carpaccio and Modigliani, from the early Renaissance through the early Modern periods, with an emphasis on the collection's renowned holdings of works by Luca Cambiaso, Guercino, and the two Tiepolos. With contributions by Alessandra Bigi Iotti, Jonathan Bober, Giada Damen, Diane de Grazia, Rhoda Eitel-Porter, Frederick Ilchman, Anne Varick Lauder, John Marciari, Elizabeth Pilliod, John Pinto, David Stone, Catherine Whistler, and Giulio Zavatta.
Publisher:
ISBN: 9780300149326
Category : Drawing
Languages : en
Pages : 0
Book Description
This richly illustrated volume offers a new look at the exceptional collection of Italian drawings at the Princeton University Art Museum. An introductory essay by Laura M. Giles chronicles the history and significance of the collection, and nearly one hundred of the collection's masterworks are treated with essay-length entries and full-page images. The first scholarly examination of the collection since Felton Gibbons's comprehensive publication of 1977, the catalogue includes an appendix of more than 150 drawings that have entered the collection since--many previously unpublished, and all fully documented with short entries. Highlights include works by celebrated masters, including Carpaccio and Modigliani, from the early Renaissance through the early Modern periods, with an emphasis on the collection's renowned holdings of works by Luca Cambiaso, Guercino, and the two Tiepolos. With contributions by Alessandra Bigi Iotti, Jonathan Bober, Giada Damen, Diane de Grazia, Rhoda Eitel-Porter, Frederick Ilchman, Anne Varick Lauder, John Marciari, Elizabeth Pilliod, John Pinto, David Stone, Catherine Whistler, and Giulio Zavatta.
Drawings by Italian Masters
Author: Irene Weir
Publisher:
ISBN:
Category : Artists, Italian
Languages : en
Pages : 46
Book Description
Publisher:
ISBN:
Category : Artists, Italian
Languages : en
Pages : 46
Book Description
Impressionism and Post-impressionism
Author: Philadelphia Museum of Art
Publisher: Highlights from the Philadelph
ISBN: 9780876332894
Category : Art
Languages : en
Pages : 0
Book Description
"Published on the occasion of the exhibition The impressionist's eye, Philadelphia Museum of Art, April 16-August 18, 2019"--Colophon.
Publisher: Highlights from the Philadelph
ISBN: 9780876332894
Category : Art
Languages : en
Pages : 0
Book Description
"Published on the occasion of the exhibition The impressionist's eye, Philadelphia Museum of Art, April 16-August 18, 2019"--Colophon.
An Italian Journey
Author: Linda Wolk-Simon
Publisher: Metropolitan Museum of Art
ISBN: 1588393798
Category : Art
Languages : en
Pages : 270
Book Description
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.
Publisher: Metropolitan Museum of Art
ISBN: 1588393798
Category : Art
Languages : en
Pages : 270
Book Description
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.
Giorgio Morandi: Late Paintings
Author: Giorgio Morandi
Publisher: David Zwirner Books
ISBN: 1941701566
Category : Art
Languages : en
Pages : 97
Book Description
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Publisher: David Zwirner Books
ISBN: 1941701566
Category : Art
Languages : en
Pages : 97
Book Description
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
American Modernism
Author: Philadelphia Museum of Art
Publisher: Yale University Press
ISBN: 9780300233100
Category : Art
Languages : en
Pages : 0
Book Description
With an emphasis on painting and sculpture made in the United States between 1910 and 1950, this gorgeously illustrated volume offers a rich introduction to American modernism through the world-class collection of the Philadelphia Museum of Art. The lively text, which includes previously unpublished archival photos, examines the roles that the museum and the city of Philadelphia played in promoting modernism from its inception. Works by internationally acclaimed artists from the circle of photographer and gallerist Alfred Stieglitz, including Arthur Dove, Marsden Hartley, Georgia O'Keeffe, and Charles Sheeler, are featured here alongside works by artists left outside the mainstream of art history. The book draws visual connections across works by these artists while creating compelling juxtapositions that tell a story of modern American art that is unique to the Philadelphia Museum of Art. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (04/18/18-09/03/18)
Publisher: Yale University Press
ISBN: 9780300233100
Category : Art
Languages : en
Pages : 0
Book Description
With an emphasis on painting and sculpture made in the United States between 1910 and 1950, this gorgeously illustrated volume offers a rich introduction to American modernism through the world-class collection of the Philadelphia Museum of Art. The lively text, which includes previously unpublished archival photos, examines the roles that the museum and the city of Philadelphia played in promoting modernism from its inception. Works by internationally acclaimed artists from the circle of photographer and gallerist Alfred Stieglitz, including Arthur Dove, Marsden Hartley, Georgia O'Keeffe, and Charles Sheeler, are featured here alongside works by artists left outside the mainstream of art history. The book draws visual connections across works by these artists while creating compelling juxtapositions that tell a story of modern American art that is unique to the Philadelphia Museum of Art. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (04/18/18-09/03/18)
Master Drawings from the Collection of the National Gallery of Art and Promised Gifts
Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 132
Book Description
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 132
Book Description
The Reception of Titian in Britain
Author: Peter Humfrey
Publisher: Brepols Publishers
ISBN: 9782503536750
Category : Art
Languages : en
Pages : 0
Book Description
This volume comprises sixteen essays on the reception of Titian by British painters, collectors and critics in the long nineteenth century. The main focus falls on the first three decades of the century, in the aftermath of the exhibition of the celebrated Orleans collection in London in 1798-99. But the chronology extends from Reynolds and his contemporaries, around the time of the founding of the Royal Academy in 1768, to the more diverse and complicated reactions of the Victorian age, and even into the twentieth century. This book was nominated on the long list for the William MB Berger Prize for British Art History 2014. This award was established in 2001 by the Berger Collection Educational Trust and The British Art Journal and is awarded annually to a book or exhibition catalogue that has made an outstanding contribution to the history of British art.
Publisher: Brepols Publishers
ISBN: 9782503536750
Category : Art
Languages : en
Pages : 0
Book Description
This volume comprises sixteen essays on the reception of Titian by British painters, collectors and critics in the long nineteenth century. The main focus falls on the first three decades of the century, in the aftermath of the exhibition of the celebrated Orleans collection in London in 1798-99. But the chronology extends from Reynolds and his contemporaries, around the time of the founding of the Royal Academy in 1768, to the more diverse and complicated reactions of the Victorian age, and even into the twentieth century. This book was nominated on the long list for the William MB Berger Prize for British Art History 2014. This award was established in 2001 by the Berger Collection Educational Trust and The British Art Journal and is awarded annually to a book or exhibition catalogue that has made an outstanding contribution to the history of British art.