Drawing the Past, Volume 2 PDF Download
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Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837231
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Contributions by Dorian L. Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Céspedes González, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A. MacInnes, Małgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator’s mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837231
Category : Literary Criticism
Languages : en
Pages : 295
Get Book Here
Book Description
Contributions by Dorian L. Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Céspedes González, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A. MacInnes, Małgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator’s mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837177
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author:
Publisher: Walter Foster Jr
ISBN: 1942875665
Category : Juvenile Nonfiction
Languages : en
Pages : 66
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Book Description
Learn to draw tons of your favorite things, from dinosaurs to ducklings, magicians to mermaids, and guitars to grasshoppers! A variety of animals, common objects, and other favorite things are broken down into approachable, basic shapes, so anyone can learn to draw anything they set their mind to!
Author: Robert Ervin Howard
Publisher: Chaosium Fiction Series
ISBN: 9781568821306
Category : Fantasy fiction, American
Languages : en
Pages : 0
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Book Description
Robert E. Howard is the world-renowned author of the Conan series and the stories that were the basis of the recent Kull movie. He also was one of H.P. Lovecraft's frequent correspondents, and an author of many pivotal Mythos tales. This book collects together all of Howard's Mythos tales, including the tales that originated Gol-Goroth, Unausspreclichen Kulten, and Friedrich Von Junzt. Included in this collections are several fragments left behind by Robert E. Howard which have been completed by a variety of authors. This book has been long anticipated by readers of H.P. Lovecraft and Call of Cthulhu players alike.
Author: Six Pommes
Publisher: Quarry Books
ISBN: 1631598465
Category : Art
Languages : en
Pages : 227
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Book Description
How to Draw Almost Everything Volume 2—a follow-up to the popular book How to Draw Almost Everything, part of the Almost Everything series from Quarry Books—shows how easy it is to draw even more cute illustrations. Learn to draw each illustration in easy-to-follow steps. Just follow the arrows to complete each step. You’ll also find helpful tips and ideas for drawing variations. Start with basic shapes, such as circles, triangles, and squares, then add special details to personalize your illustrations. Draw animals, people, everyday objects, patterns and borders, and holiday and seasonal themes, along with warm-ups and special lessons. An inspiration gallery offers fun ideas for adding illustrations to everyday objects or creating one-of-a-kind notes, cards, and gifts. Each book in the Almost Everything series offers readers a fun, comprehensive, and charmingly illustrated visual directory of ideas to inspire skill building in their creative endeavors.
Author: Jess Erskine
Publisher: Rolling Donut Press
ISBN: 9780998999517
Category :
Languages : en
Pages : 112
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Book Description
Unleash your creativity as you collaborate with artist Jess Erskine to finish the drawing.Volume two offers 50 all-new, entertaining and intricate challenges designed to stretch your imagination and artistic skills.
Author: Cliff Young
Publisher: Courier Corporation
ISBN: 0486136272
Category : Art
Languages : en
Pages : 50
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Book Description
Packed with indispensable information on a vital aspect of drawing, this time-honored manual offers expert guidance on how to draw shirts, pants, skirts, gloves, hats, coats, and undergarments on the human figure. Step by simple step, artists will discover how these garments fit and drape the body at rest and in action. Abundant with detailed illustrations, photographs, and diagrams, Drawing Drapery from Head to Toe familiarizes readers with the properties of cloth and how it moves; it also examines the origins of folds in relation to the figure, the effects of pull and crush, action folds, creasing, and more. The result: a keen development of the essential techniques for creating realistic, masterfully rendered drawings of the clothed figure. One of few books on the subject of drawing drapery, this volume was written by a noted artist and instructor. Easy to follow, full of fascinating advice, and highly enjoyable to read, it is sure to become a well-thumbed guide.
Author: Rich Davis
Publisher: Race Point Publishing
ISBN: 9781631067167
Category : Art
Languages : en
Pages : 0
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Book Description
In Learn to Draw (Almost) Anything in 6 Easy Steps, artist Rich Davis breaks down 100 sketches into six simple steps, showing you how to draw all sorts of fun things, from animals and flowers to robots and cars. What can you draw in 6 steps? You can create a world of fun! Send a rocket to the moon. Make a robot and name it something silly like Gorgonzola. Turn your dog into a cartoon character. A fun drawing adventure for anyone interested in learning how to draw, doodle, and cartoon, Learn to Draw (Almost) Anything in 6 Easy Steps is ideal for boosting confidence in beginners. Whether you’re 5 or 95, can learn to draw!
Author: Moriah Elizabeth
Publisher:
ISBN: 9780692452745
Category :
Languages : en
Pages : 242
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Book Description
Create This Book is the ultimate outlet for creativity. Includes 242 pages of unique and inspiring prompts to get you in the creative zone! Whether you are trying to get past an artist's block, wanting to become more creative, or just looking to have some fun, you will love this interactive journal! Want to learn more? Check out "Create This Book" on Youtube! You can watch Moriah Elizabeth's "Create This Book" Series! Great for inspiration and guidance on your creative journey! Go to MoriahElizabeth.com for more information.
Author: Clement Greenberg
Publisher: University of Chicago Press
ISBN: 0226306224
Category : Art
Languages : en
Pages : 373
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Book Description
Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
