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Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837177
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837177
Category : Literary Criticism
Languages : en
Pages : 216
Get Book Here
Book Description
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Birte Wege
Publisher: Campus Verlag
ISBN: 3593440628
Category : History
Languages : de
Pages : 209
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Book Description
Lange wurden Comics als triviale Unterhaltung verpönt. Erst in den letzten Jahrzehnten hat sich das geändert. Immer häufiger sind sie zum Medium der Wahl für Künstlerinnen und Künstler geworden, die kritisieren wollen, wie die etablierten Medien mit politischen Fragen umgehen. Dieses Buch untersucht das Potenzial von dokumentarischen Comics im Kontext einer sich schnell verändernden und immer weiter entwickelnden visuellen Kultur. Im Mittelpunkt steht dabei gerade auch die Darstellung historischer Ereignisse und die Auseinandersetzung mit Fotografie.
Author: Allen Say
Publisher: Scholastic Inc.
ISBN: 1338088262
Category : Juvenile Nonfiction
Languages : en
Pages : 68
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Book Description
Caldecott Medalist Allen Say presents a stunning graphic novel chronicling his journey as an artist during WWII, when he apprenticed under Noro Shinpei, Japan's premier cartoonist DRAWING FROM MEMORY is Allen Say's own story of his path to becoming the renowned artist he is today. Shunned by his father, who didn't understand his son's artistic leanings, Allen was embraced by Noro Shinpei, Japan's leading cartoonist and the man he came to love as his "spiritual father." As WWII raged, Allen was further inspired to consider questions of his own heritage and the motivations of those around him. He worked hard in rigorous drawing classes, studied, trained--and ultimately came to understand who he really is. Part memoir, part graphic novel, part narrative history, DRAWING FROM MEMORY presents a complex look at the real-life relationship between a mentor and his student. With watercolor paintings, original cartoons, vintage photographs, and maps, Allen Say has created a book that will inspire the artist in all of us.
Author:
Publisher: UNC Press Books
ISBN: 9780807827949
Category : Art
Languages : en
Pages : 274
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Book Description
This book presents watercolor renderings along with a selection of the artifacts in the Index of American Design, a visual archive of decorative, folk, and popular arts made in America from the colonial period to about 1900. Three essays explore the history, operation, and ambitions of the Index of American Design, examine folk art collecting in America during the early decades of the twentieth century, and consider the Index's role in the search for a national cultural identity in the early twentieth-century United States.
Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837231
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Contributions by Dorian L. Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Céspedes González, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A. MacInnes, Małgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator’s mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Michelle Van Loon
Publisher: MennoMedia, Inc.
ISBN: 1513809490
Category : Religion
Languages : en
Pages : 172
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Book Description
Uncover the spiritual strength of your family story. We all have a desire to learn more about where we’ve come from, and technology has made this more possible than ever. But our family stories are more than a list of DNA results on a piece of paper or a bunch of fading Kodachrome images filling old photo albums. In an era often marked by both fragmentation in family and culture and a hunger to discover our genetic roots, our family stories—including the difficult, complex ones—can carry great spiritual strength. The desire to trace, interpret, and pass on our family’s history is embedded in Scripture from beginning to end—there are nine genealogies found in the book of Genesis alone. When we bring together the various threads of our family stories with Scripture’s insights, they can provide the key to decoding our identity and helping us discover our place in family, church, and world. In Translating Your Past, author Michelle Van Loon helps readers uncover how patterns and gaps in family histories, generational trauma, adoption, genetic clues and surprises, spiritual history, and the church help us translate our own pasts and understand why these stories matter. Each chapter includes questions designed for individual reflection or small group discussion, as well as an appendix of helpful tools readers can use to translate their own pasts and create meaning in order to transform their unique family history into living, faith-filled heritage.
Author: Xiaoneng Yang
Publisher: Stanford University Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 444
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Book Description
Tracing the Past, Drawing the Futureexamines a crucial turning point in the development of Chinese ink painting in the twentieth century, a change represented by the beautiful and innovative work of four artists, Wu Changshuo (1844–1927), Qi Baishi (1863–1957), Huang Binhong (1864–1955), and Pan Tianshou (1897–1971). With careers spanning over a century of radical change in China, these artists were instrumental in propelling the ancient tradition of Chinese ink painting into the modern era in the face of compelling Western influences. As a group, their work represents an alternative approach to questions of relevance and modernity. This lavish book illuminates the context in which these artists worked, describes their overall contribution to the history of Chinese art, and highlights their individual ideas and achievements. In his introductory essay, Xiaoneng Yang offers a brief historical background for the evolution of modern Chinese painting. Richard E. Vinograd analyzes the ?alternative modernism? represented by these artists, each of whom worked in the brush-and-ink idiom, confronted the shift toward practices of the West, and gave new life through this confrontation to cherished traditions. Essays devoted to each artist are followed by individual entries discussing their works. Featuring more than one hundred works of both painting and calligraphy by the four artists, the book, which is published to accompany a traveling exhibition, also includes a glossary and detailed bibliography.
Author: Robert Ervin Howard
Publisher: Chaosium Fiction Series
ISBN: 9781568821306
Category : Fantasy fiction, American
Languages : en
Pages : 0
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Book Description
Robert E. Howard is the world-renowned author of the Conan series and the stories that were the basis of the recent Kull movie. He also was one of H.P. Lovecraft's frequent correspondents, and an author of many pivotal Mythos tales. This book collects together all of Howard's Mythos tales, including the tales that originated Gol-Goroth, Unausspreclichen Kulten, and Friedrich Von Junzt. Included in this collections are several fragments left behind by Robert E. Howard which have been completed by a variety of authors. This book has been long anticipated by readers of H.P. Lovecraft and Call of Cthulhu players alike.
Author: Emily Willoughby
Publisher: The Crowood Press
ISBN: 1785009567
Category : Crafts & Hobbies
Languages : en
Pages : 529
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Book Description
People of all ages are fascinated by dinosaurs. Though their huge skeletons are an impressive sight, much of our sense of childlike wonder comes from artistic depictions of them in books, museum murals and popular culture. This book is about how such 'paleoart' is created, and the process of integrating scientific findings with artistic principles to produce accurate, expressive and arresting artworks of dinosaurs and the world they lived in. Drawing and Painting Dinosaurs explores the anatomy and ecology of different types of dinosaurs including Deinonychus, Apatosaurus and Tyrannosaurus rex. It demonstrates how to interpret paleontological research through the lens of an artistic depiction with examples. There are over 250 illustrations feature pencil drawings, gouache, oil paint, and digital media. Step-by-step projects demonstrate the use of both traditional and digital media, the use of unique techniques and sources of reference, and building up dinosaur anatomy from basic shapes. Finally, it gives insight into how paleoart can be a means to advance knowledge through scientific analysis and prediction. With explorations of dinosaur anatomy, unique techniques for reference and a series of how-to instructions, this book will guide an aspiring paleoartist in learning how to breathe life into the past through art.
Author: Thomas J. Cottle
Publisher: Rowman & Littlefield
ISBN: 0761862234
Category : Education
Languages : en
Pages : 318
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Book Description
In Drawing Life, Thomas J. Cottle examines the ways people interpret their life experiences and construct meanings for the events they have encountered. In this manner, they discover their various identities and the essence of what we call the self. In reading the sixteen life studies contained in this volume, we encounter both inner reflections as well the power of culture to shape the meanings people give to their circumstances and the events that befall them. The stories also reflect the role of human relationships and social institutions in defining our personal identities and sense of justice. What makes us unique, therefore, is the personal story we tell as it reveals our constructions of the world and of ourselves. The stories recounted in Drawing Life illuminate not only our past, but also our perceptions of the present and our imaginings of the future. In this way, they become anthologies of our life experiences.
