Venice and Drawing, C. 1500-1800

Venice and Drawing, C. 1500-1800 PDF Author: Catherine Whistler
Publisher:
ISBN: 9780300187731
Category : Drawing
Languages : en
Pages : 380

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Book Description
An impressive overview of drawing in Venice, from the time of Titian and Tintoretto to that of Canaletto and Tiepolo From the time of Titian and Tintoretto to that of Canaletto and Tiepolo, drawing was an important part of artistic practice and was highly valued in Venice. This exciting new study overturns traditional views on the significance of drawing in Venice, as an art and an act, from the Renaissance to the age of the Grand Tour. Gathering together the separate strands of theory, artistic practice, and collecting, Catherine Whistler highlights the interactions and tensions between a developing literary discourse and the practices of making and collecting graphic art. Her analysis challenges the conventional definition of Venetian art purely in terms of color, demonstrating that 16th-century Venetian artists and writers had a highly developed sense of the role and importance of disegno and drawing in art. The book's generous illustrations support these striking arguments, as well as conveying the great variety, interest, and beauty of the drawings themselves.

Venice and Drawing, C. 1500-1800

Venice and Drawing, C. 1500-1800 PDF Author: Catherine Whistler
Publisher:
ISBN: 9780300187731
Category : Drawing
Languages : en
Pages : 380

Get Book Here

Book Description
An impressive overview of drawing in Venice, from the time of Titian and Tintoretto to that of Canaletto and Tiepolo From the time of Titian and Tintoretto to that of Canaletto and Tiepolo, drawing was an important part of artistic practice and was highly valued in Venice. This exciting new study overturns traditional views on the significance of drawing in Venice, as an art and an act, from the Renaissance to the age of the Grand Tour. Gathering together the separate strands of theory, artistic practice, and collecting, Catherine Whistler highlights the interactions and tensions between a developing literary discourse and the practices of making and collecting graphic art. Her analysis challenges the conventional definition of Venetian art purely in terms of color, demonstrating that 16th-century Venetian artists and writers had a highly developed sense of the role and importance of disegno and drawing in art. The book's generous illustrations support these striking arguments, as well as conveying the great variety, interest, and beauty of the drawings themselves.

Drawing in Tintoretto's Venice

Drawing in Tintoretto's Venice PDF Author: John Marciari
Publisher:
ISBN: 9780875981895
Category : Art
Languages : en
Pages :

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Book Description
Jacopo Tintoretto (1518-1594) was among the most distinctive artists of the Italian Renaissance. Yet, although his bold paintings are immediately recognizable, his drawings remain unfamiliar even to many scholars. Drawing in Tintoretto's Venice offers a complete overview of Tintoretto as a draftsman. It begins with a look at drawings by Tintoretto's precedents and contemporaries, a discussion intended to illuminate Tintoretto's sources as well as his originality, and also to explore the historiographical and critical questions that have framed all previous discussion of Tintoretto's graphic work. Subsequent chapters explore Tintoretto's evolution as a draftsman and the role that drawings played in his artistic practice--both preparatory drawings for his paintings and the many studies after sculptures by Michelangelo and others--thus examining the use of drawings within the studio as well as teaching practices in the workshop. Later chapters focus on the changes to Tintoretto's style as he undertook ever larger commissions and accordingly began to manage a growing number of assistants, with special attention paid to Domenico Tintoretto, Palma Giovane, and other artists whose drawing style was influenced by their time working with the master. The book is published in conjunction with the exhibition Drawing in Tintoretto's Venice, opening at the Morgan Library & Museum, New York, in 2018 and travelling to the National Gallery of Art, Washington, in early 2019. All of the drawings in the exhibition are discussed and illustrated, and a checklist of the exhibition is also included in the volume, but the book is a far more widely ranging account of Tintoretto's drawings and a comprehensive account of his work as a draftsman.

Drawing in Venice

Drawing in Venice PDF Author: Catherine Whistler
Publisher: Ashmolean Museum Oxford
ISBN: 9781854442994
Category : Drawing, Italian
Languages : en
Pages : 0

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Book Description
Catalog of an exhibition held at the Ashmolean Museum, Oxford, October 15, 2015 - January 10, 2016.

Canaletto and the Art of Venice

Canaletto and the Art of Venice PDF Author: Rosie Razzall
Publisher: Royal Collection Editions
ISBN: 9781909741409
Category : Art
Languages : en
Pages : 0

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Book Description
The Royal Collection has one of the largest and finest collections of Venetian art from the first half of the eighteenth century. It includes paintings, prints and drawings by Canaletto himself, as well as those of his contemporaries, such as Sebastiano and Marco Ricci, Antonio Visentini, Francesco Zuccarelli and Giovanni Battista Piazzetta. These artists were patronised by Consul Smith and their works were later purchased by George III. This lavishly illustrated catalogue marks the first time that the rich holdings of eighteenth-century Venetian art in the Royal Collection will have been brought together, and focuses on presenting these extraordinary works against the background of the social and artistic networks of the period. Whilst displaying and analysing the brilliant works of Canaletto himself, including his cityscapes, capriccios and paintings of architecture, this catalogue also discusses the intimate interior of Venetian life, explores the links between artists and the theatre in Venice at this time and looks at Venice as a centre for printmaking and book production.

Painting in Cinquecento Venice

Painting in Cinquecento Venice PDF Author: David Rosand
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 0

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Book Description


Albrecht Dürer and the Venetian Renaissance

Albrecht Dürer and the Venetian Renaissance PDF Author: Katherine Crawford Luber
Publisher: Cambridge University Press
ISBN: 9780521562881
Category : Art
Languages : en
Pages : 310

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Book Description
Publisher Description

Drawings from Venice

Drawings from Venice PDF Author: Terisio Pignatti
Publisher: Armadillo
ISBN:
Category : Art
Languages : en
Pages : 168

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Book Description


Sargent's Venice

Sargent's Venice PDF Author: Warren Adelson
Publisher: Yale University Press
ISBN: 0300117175
Category : Art
Languages : en
Pages : 235

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Book Description
Den amerikanske kunstner John Singer Sargents (1856-1925) skildringer af Venedig.

The Clothing of the Renaissance World

The Clothing of the Renaissance World PDF Author: Cesare Vecellio
Publisher:
ISBN: 9780500514269
Category : Design
Languages : en
Pages : 600

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Book Description
A tour de force of scholarship and book production: an essential reference for anyone interested in costume history, Renaissance studies, theater, and ethnography.

Renaissance Art in Venice

Renaissance Art in Venice PDF Author: Tom Nichols
Publisher: Laurence King Publishing
ISBN: 9781780678511
Category : Art
Languages : en
Pages : 0

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Book Description
Art and architecture have always been central to Venice but in the Renaissance period, between c.1440 and 1600, they reached a kind of apotheosis when many of the city's new buildings, sculpture, and paintings took on distinctive and original qualities. The spread of Renaissance values provided leading artists such as Gentile and Giovanni Bellini, Giorgione, Palladio, Titian, and Tintoretto with a licence for artistic invention. This inventiveness however also needs to be understood in relation to the artists and artworks that still conformed to the more traditional, corporate, and public values of "Venetianness"' (Venezianità). By adopting a chronological approach, with each chapter covering a successive twenty-five year period, and focusing attention on the artists, Tom Nichols presents a vivid and easily navigable study of Venetian Renaissance art. Through close visual analyses of specific works from architecture to illuminated manuscripts, he puts the formative power of art back at the heart of this remarkable story.