Dramma Medioevale Europeo 1997

Dramma Medioevale Europeo 1997 PDF Author: Sydney Higgins
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 368

Get Book Here

Book Description


Dramma Medioevale Europeo

Dramma Medioevale Europeo PDF Author:
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 296

Get Book Here

Book Description


Dramma Medioevale Europeo, 1999

Dramma Medioevale Europeo, 1999 PDF Author: Sydney Higgins
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 396

Get Book Here

Book Description


Dramma Medioevale Europeo, 1998, Italien

Dramma Medioevale Europeo, 1998, Italien PDF Author: Sydney Higgins
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 300

Get Book Here

Book Description


Dramma Medioevale Europeo, 1996

Dramma Medioevale Europeo, 1996 PDF Author: Sydney Higgins
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 156

Get Book Here

Book Description


Convent Theatre in Early Modern Italy

Convent Theatre in Early Modern Italy PDF Author: Elissa B. Weaver
Publisher: Cambridge University Press
ISBN: 9780521550826
Category : History
Languages : en
Pages : 332

Get Book Here

Book Description
This book is a study of convent theatre in Italy, an all-female tradition. Widespread in the early modern period, but virtually forgotten today, this activity produced a number of talented dramatists and works worthy of remembrance. Convent authors, actresses and audiences, especially in Tuscan houses, the plays written and produced, and what these reveal about the lives of convent women, are the focus of this book. Beginning with the earliest known performances of miracle and mystery plays (sacre rappresentazioni) in the late fifteenth century, the book follows the development in the convents at the turn of the sixteenth century of spiritual comedy and of a variety of dramatic forms in the seventeenth century. Convent theatre both reflected the high level of literacy among convent women and contributed to it, and it attested to the continuing close contact between the secular world and the convents - even in the Post Tridentine period.

A Gil Vicente Bibliography (2005–2015)

A Gil Vicente Bibliography (2005–2015) PDF Author: Constantin C. Stathatos
Publisher: Rowman & Littlefield
ISBN: 1611462770
Category : Reference
Languages : en
Pages : 127

Get Book Here

Book Description
This is a compilation of contributions to the study of the Portuguese playwright Gil Vicente (1465–1536) which appeared between 2005 and 2015. Entries are grouped under three main headings: Editions and Adaptations, Translations, and Critical Studies. The scholarly interest in the father of the Portuguese theater continues unabated, as it can be seen in the great numbers of scholarly works, both editorial and critical, which appeared in the decade under question. The modest aim of this work is to alert scholars as to which of Gil Vicente’s works have not received adequate critical attention. New names are constantly added to the list of established vicentistas and new ways of looking at the dramatist’s works are introduced.

Kaleidoscope Programme Report 1996-98

Kaleidoscope Programme Report 1996-98 PDF Author: Kaleidoscope Programme
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260

Get Book Here

Book Description


Kaleidoscope Programme Report

Kaleidoscope Programme Report PDF Author: Kaleidoscope Programme
Publisher:
ISBN:
Category : Art and state
Languages : en
Pages : 260

Get Book Here

Book Description


Neo-Latin Drama in Early Modern Europe

Neo-Latin Drama in Early Modern Europe PDF Author: Jan Bloemendal
Publisher: BRILL
ISBN: 9004257462
Category : History
Languages : en
Pages : 808

Get Book Here

Book Description
From ca. 1300 a new genre developed in European literature, Neo-Latin drama. Building on medieval drama, vernacular theatre and classical drama, it spread around Europe. It was often used as a means to educate young boys in Latin, in acting and in moral issues. Comedies, tragedies and mixed forms were written. The Societas Jesu employed Latin drama in their education and public relations on a large scale. They had borrowed the concept of this drama from the humanist and Protestant gymnasia, and perfected it to a multi media show. However, the genre does not receive the attention that it deserves. In this volume, a historical overview of this genre is given, as well as analyses of separate plays. Contributors include: Jan Bloemendal, Jean-Frédéric Chevalier, Cora Dietl, Mathieu Ferrand, Howard Norland, Joaquín Pascual Barea, Fidel Rädle, and Raija Sarasti Willenius.