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Author: June Schlueter
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838635834
Category : Drama
Languages : en
Pages : 156
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Book Description
Examples of plays from Oedipus to the present appear throughout the book, and individual chapters are dedicated to sustained discussions of William Shakespeare's King Lear, Tom Stoppard's Rosencrantz and Guildenstern Are Dead, Arthur Miller's The Ride Down Mount Morgan, and Tennessee Williams's A Streetcar Named Desire. The author emphasizes Shakespeare and, especially, modern drama in the belief that these plays provide salient models of the theoretical principles of reading toward closure.
Author: June Schlueter
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838635834
Category : Drama
Languages : en
Pages : 156
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Book Description
Examples of plays from Oedipus to the present appear throughout the book, and individual chapters are dedicated to sustained discussions of William Shakespeare's King Lear, Tom Stoppard's Rosencrantz and Guildenstern Are Dead, Arthur Miller's The Ride Down Mount Morgan, and Tennessee Williams's A Streetcar Named Desire. The author emphasizes Shakespeare and, especially, modern drama in the belief that these plays provide salient models of the theoretical principles of reading toward closure.
Author: Heidi Craig
Publisher: Cambridge University Press
ISBN: 1009224042
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King.
Author: Edward David Latham
Publisher: University of North Texas Press
ISBN: 1574412493
Category : Biography & Autobiography
Languages : en
Pages : 238
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Book Description
Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres?
Author: Francis M. Dunn
Publisher: Oxford University Press, USA
ISBN: 019508344X
Category : Closure (Rhetoric)
Languages : en
Pages : 263
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Book Description
Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Francis Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of the play, while innovations in plot and ending opened tragedy up to a medley of comic, parodic, and narrative impulses. Part One explores the dramatic and metadramatic uses of novel closing gestures, such as aetiology, closing prophecy, exit lines of the chorus, and deus ex machina. Part Two shows how experimentation in plot and ending reinforce one another in Hippolytus, Trojan Women, and Heracles. Part Three argues that in three late plays, Helen, Orestes, and Phoenician Women, Euripides devises radically new and untragic ways of representing and understanding human experience. Tragedy's End is the first comprehensive study of closure in classical tragedy, and will be of interest to students and scholars of classical literature, drama, and comparative literature.
Author: Katharine Goodland
Publisher: Routledge
ISBN: 1351936646
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Grieving women in early modern English drama, this study argues, recall not only those of Classical tragedy, but also, and more significantly, the lamenting women of medieval English drama, especially the Virgin Mary. Looking at the plays of Shakespeare, Kyd, and Webster, this book presents a new perspective on early modern drama grounded upon three original interrelated points. First, it explores how the motif of the mourning woman on the early modern stage embodies the cultural trauma of the Reformation in England. Second, the author here brings to light the extent to which the figures of early modern drama recall those of the recent medieval past. Finally, Goodland addresses how these representations embody actual mourning practices that were viewed as increasingly disturbing after the Reformation. Female Mourning and Tragedy in Medieval and Renaissance English Drama synthesizes and is relevant to several areas of recent scholarly interest, including the performance of gender, the history of emotion, studies of death and mourning, and the cultural trauma of the Reformation.
Author: T. Dickson
Publisher: Springer
ISBN: 134918862X
Category : Technology & Engineering
Languages : en
Pages : 211
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Book Description
Author: Eva von Contzen
Publisher: Manchester University Press
ISBN: 1526131617
Category : Drama
Languages : en
Pages : 292
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Book Description
The thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture. Aspects under scrutiny include dramatic traditions, confessional and religious rites, dogmas and debates, conceptualisations of performance, and audience response. The contributors stress the co-presence of biblical and contemporary concerns in the periods under discussion, conceiving of biblical drama as a central participant in the dynamic struggle to both interpret and translate the Bible.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 0791093662
Category :
Languages : en
Pages : 249
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Book Description
A collection of essays about the works of Eugene O'Neill.
Author: Edward David Latham
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 350
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Book Description
Author: Jim Linnell
Publisher: SIU Press
ISBN: 0809390663
Category : Performing Arts
Languages : en
Pages : 146
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Book Description
In this bold new way of looking at dramatic structure, Jim Linnell establishes the central role of emotional experience in the conception, execution, and reception of plays. Walking on Fire: The Shaping Force of Emotion in Writing Drama examines dramatic texts through the lens of human behavior to identify the joining of event and emotion in a narrative, defined by Linnell as emotional form.Effectively building on philosophy, psychology, and critical theory in ways useful to both scholars and practitioners, Linnell unfolds the concept of emotional form as the key to understanding the central shaping force of drama. He highlights the Dionysian force of human emotion in the writer as the genesis for creative work and articulates its power to determine narrative outcomes and audience reaction.Walking on Fire contains writing exercises to open up playwrights to the emotional realities and challenges of their work. Additionally, each chapter offers case studies of traditional and nonlinear plays in the known canon that allow readers to evaluate the construction of these works and the authors’ practices and intentions through an xamination of the emotional form embedded in the central characters’ language, thoughts, and behaviors. The plays discussed include Henrik Ibsen’s A Doll’s House, William Shakespeare’s Hamlet, Athol Fugard’s “MASTER HAROLD”. . .and the boys, Donald Margulies’s The Loman Family Picnic, Harold Pinter’s The Birthday Party, and Tony Kushner’s Angels in America. Walking on Fire opens up new conversations about content and emotion for writers and offers exciting answers to the questions of why we make drama and why we connect to it. Linnell’s userfriendly theory and passionate approach create a framework for understanding the links between the writer’s work in creating the text, the text itself, and the audience’s engagement.
