Downtown Film and TV Culture 1975-2001 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Downtown Film and TV Culture 1975-2001 PDF full book. Access full book title Downtown Film and TV Culture 1975-2001 by Joan Hawkins. Download full books in PDF and EPUB format.
Author: Joan Hawkins
Publisher: Intellect (UK)
ISBN: 9781783204229
Category : Motion pictures
Languages : en
Pages : 0
Get Book Here
Book Description
Downtown Film and TV Culture, 1975-2001 brings together essays by filmmakers, exhibitors, cultural critics, and scholars from multiple generations of the New York Downtown scene to illuminate individual films and filmmakers and explore the creation of a Downtown Canon, the impact of AIDS on younger filmmakers, community access cable television broadcasts, and the impact of the historic downtown scene on contemporary experimental culture. The book includes J. Hoberman's essay "No Wavelength: The Parapunk Underground," as well as historical essays by Tony Conrad and Lynne Tillman, interviews with filmmakers Bette Gordon and Beth B., and essays by Ivan Kral and Nick Zedd.
Author: Joan Hawkins
Publisher: Intellect (UK)
ISBN: 9781783204229
Category : Motion pictures
Languages : en
Pages : 0
Get Book Here
Book Description
Downtown Film and TV Culture, 1975-2001 brings together essays by filmmakers, exhibitors, cultural critics, and scholars from multiple generations of the New York Downtown scene to illuminate individual films and filmmakers and explore the creation of a Downtown Canon, the impact of AIDS on younger filmmakers, community access cable television broadcasts, and the impact of the historic downtown scene on contemporary experimental culture. The book includes J. Hoberman's essay "No Wavelength: The Parapunk Underground," as well as historical essays by Tony Conrad and Lynne Tillman, interviews with filmmakers Bette Gordon and Beth B., and essays by Ivan Kral and Nick Zedd.
Author: Jamie Sexton
Publisher: Columbia University Press
ISBN: 0231851022
Category : Performing Arts
Languages : en
Pages : 72
Get Book Here
Book Description
A low-budget breakout film that wowed critics and audiences on its initial release, Stranger Than Paradise would prove to be a seminal film in the new American independent cinema movement and establish its director, Jim Jarmusch, as a hip, cult auteur. Taking inspiration from 1960s underground filmmaking, international art cinema, genre cinema, and punk culture, Jarmusch’s film provides a bridge between midnight movie features and a new mode of quirky, offbeat independent filmmaking. This book probes the film's production history, initial reception, aesthetics, and legacy in order to understand its place within the cult film canon. In examining the film's cult pedigree, it explores a number of threads that fed into the film—including New York downtown culture of the early 1980s and Jarmusch’s involvement in music—as well as reflecting on how the film's status has developed alongside Jarmusch’s subsequent output and reputation.
Author: Kim Knowles
Publisher: Springer Nature
ISBN: 3031552563
Category :
Languages : en
Pages : 611
Get Book Here
Book Description
Author: Erica Stein
Publisher: Taylor & Francis
ISBN: 1000606155
Category : Social Science
Languages : en
Pages : 558
Get Book Here
Book Description
Bringing together leading scholars from around the world and across scholarly disciplines, this collection of 32 original chapters provides a comprehensive exploration of the relationships between cities and media. The volume showcases diverse methods for studying media and the city and posits "media urbanism" as an approach to the co-construction and interactions among media texts and technologies, media users, media industries, media histories, and urban space. Chapters serve as a guide to humanities-based ways of studying urban imaginaries, infrastructures and architectures, development and redevelopment, and strategies and tactics as well as a provocation toward new lines of inquiry that further explore the dense interconnectedness of media and cities. Structured thematically, the chapters are organized into four distinct sections, introduced with editorial commentary that places the chapters into conversation with each other and frames them in relation to an overarching question, problem, or method. Part I: Imaginaries and cityscapes focuses on screen representations and mediated experiences of urban space produced and consumed by various actors; Part II: Architectures and infrastructures highlights the different ways in which built environments and socio-technical substrates that sustain differential mobilities, urban rhythms, and systems of circulation and exchange are intertwined with various forms of media and mediation; Part III: Development and redevelopment examines efforts by urban planners and designers, municipal governments, and community organizers to utilize media forms to imagine and shape the construction of the space and meaning of the city; finally, Part IV: Strategies and tactics uses categories for practices of control and resistance to investigate media and struggles for power within urban environments from surveillance and place-branding to activist media and the right to the city. The Routledge Companion to Media and the City provides a definitive reference for both scholars and students of urban cultures and media within the humanities.
Author: John Scanlan
Publisher: Reaktion Books
ISBN: 1789145716
Category : Performing Arts
Languages : en
Pages : 318
Get Book Here
Book Description
A raucous cultural history of rock’s relationship with the moving image. When rock ’n’ roll burst into life in the 1950s, the shockwaves echoed around the world, amplified by images of untamed youth projected on cinema screens. But for the performers themselves, corporate showbusiness remained very much in control, contriving a series of cash-in movies to exploit the new musical fad. In this riveting cultural history, John Scanlan explores rock’s relationship with the moving image over seven decades in cinema, television, music videos, advertising, and YouTube. Along the way, he shows how rock was exploited, how it inspired film pioneers, and, not least, the film transformations it caused over more than half a century. From Elvis Presley to David Bowie, and from Scorpio Rising to the films of Scorsese and DIY documentarists like Don Letts, this is a unique retelling of the story of rock—from birth to old age—through its onscreen life.
Author: Francesco Spampinato
Publisher: Bloomsbury Publishing USA
ISBN: 1501370561
Category : Performing Arts
Languages : en
Pages : 535
Get Book Here
Book Description
While highlighting the prevailing role of television in Western societies, Art vs. TV maps and condenses a comprehensive history of the relationships of art and television. With a particular focus on the link between reality and representation, Francesco Spampinato analyzes video art works, installations, performances, interventions and television programs made by contemporary artists as forms of resistance to and appropriation and parody of mainstream television. The artists discussed belong to different generations: those that emerged in the 1960s in association with art movements such as Pop Art, Fluxus and Happening; and those appearing on the scene in the 1980s, whose work aimed at deconstructing media representation in line with postmodernist theories; to those arriving in the 2000s, an era in which, through reality shows and the Internet, anybody could potentially become a media personality; and finally those active in the 2010s, whose work reflects on how old media like television has definitively vaporized through the electronic highways of cyberspace. These works and phenomena elicit a tension between art and television, exposing an incongruence; an impossibility not only to converge but at the very least to open up a dialogical exchange.
Author: Juan Antonio Suárez
Publisher: Oxford University Press
ISBN: 0197566995
Category : Performing Arts
Languages : en
Pages : 313
Get Book Here
Book Description
Experimental Film and Queer Materiality studies a rich archive of queer material engagements in work by well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, and Jack Smith as well as under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl, and Teo Hernández.
Author: Scott MacDonald
Publisher: Columbia University Press
ISBN: 0231553196
Category : Performing Arts
Languages : en
Pages : 387
Get Book Here
Book Description
William Greaves is one of the most significant and compelling American filmmakers of the past century. Best known for his experimental film about its own making, Symbiopsychotaxiplasm: Take One, Greaves was an influential independent documentary filmmaker who produced, directed, shot, and edited more than a hundred films on a variety of social issues and on key African American figures ranging from Muhammad Ali to Ralph Bunche to Ida B. Wells. A multitalented artist, his career also included stints as a songwriter, a member of the Actors Studio, and, during the late 1960s, a producer and cohost of Black Journal, the first national television show focused on African American culture and politics. This volume provides the first comprehensive overview of Greaves’s remarkable career. It brings together a wide range of material, including a mix of incisive essays from critics and scholars, Greaves’s own writings, an extensive meta-interview with Greaves, conversations with his wife and collaborator Louise Archambault Greaves and his son David, and a critical dossier on Symbiopsychotaxiplasm. Together, they illuminate Greaves’s mission to use filmmaking as a tool for transforming the ways African Americans were perceived by others and the ways they saw themselves. This landmark book is an essential resource on Greaves’s work and his influence on independent cinema and African-American culture.
Author: Rachel Garfield
Publisher: Bloomsbury Publishing
ISBN: 1350197653
Category : Performing Arts
Languages : en
Pages : 289
Get Book Here
Book Description
Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making. In this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist punk audio-visual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new “punk audio visual aesthetic”. A vital aspect of our vibrant contemporary digital audio visual culture, Garfield argues, can be traced back to the techniques and forms of these feminist pioneers, who like their musical contemporaries worked in a pre-digital, analogue modality that nevertheless influenced the emergent digital audio visual culture of the 1990s and 2000s.
Author: Angela Jones
Publisher: Routledge
ISBN: 1351365533
Category : Social Science
Languages : en
Pages : 194
Get Book Here
Book Description
While legal recognition of marriage has met the needs of a segment of the LGBTQ population, many still face daily struggles with issues around housing, education, healthcare, policing and incarceration, and immigration. These are issues that were largely eclipsed in national arenas by the fight for marriage equality. In reaction to this, The Unfinished Queer Agenda After Marriage Equality examines the institutional failings and overlapping systems of injustice that continue to dehumanize queer and trans people and deprive them of basic human rights. Building on a major conference held in 2016 entitled "After Marriage: The Future of LGBTQ Politics and Scholarship", the editors have collected academic papers, edited transcripts of selected conference sessions, and interviews with activists. Drawing from this source material, the book argues that any queer agenda should be informed by an understanding that the issues facing queer and trans people come from the combined influence of neo-liberal capitalism, global white supremacy, and heterosexism. The authors argue that these modes of oppression continue to be especially damaging for poor people, undocumented people, people of color, non-binary, trans, and queer people. By taking an in-depth look at the myriad social issues that continue to affect LGBTQ communities, and by exposing systemic prejudices and inequality as the root cause, this title is an important intervention for students and researchers engaged with queer and trans activism, beyond the fight for marriage equality.
