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Author: Peter Holman
Publisher: Cambridge University Press
ISBN: 9780521588294
Category : Music
Languages : en
Pages : 120
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Book Description
Dowland's Lachrimae (1604) is perhaps the greatest but most enigmatic publication of instrumental music from before the eighteenth century. This new handbook, the first detailed study of the collection, investigates its publication history, its instrumentation, its place in the history of Renaissance dance music, and its reception history. Two extended chapters examine the twenty-one pieces in the collection in detail, discussing the complex internal relationships between the cycle of seven 'Lachrimae' pavans, the relationships between them and other pieces inside and outside the collection, and possible connections between the Latin titles of the seven pavans and Elizabethan conceptions of melancholy. The extraordinarily multi-faceted nature of the collection also leads the author to illuminate questions of patronage, the ordering and format of the collection, pitch and transposition, tonality and modality, and even numerology.
Author: Peter Holman
Publisher: Cambridge University Press
ISBN: 9780521588294
Category : Music
Languages : en
Pages : 120
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Book Description
Dowland's Lachrimae (1604) is perhaps the greatest but most enigmatic publication of instrumental music from before the eighteenth century. This new handbook, the first detailed study of the collection, investigates its publication history, its instrumentation, its place in the history of Renaissance dance music, and its reception history. Two extended chapters examine the twenty-one pieces in the collection in detail, discussing the complex internal relationships between the cycle of seven 'Lachrimae' pavans, the relationships between them and other pieces inside and outside the collection, and possible connections between the Latin titles of the seven pavans and Elizabethan conceptions of melancholy. The extraordinarily multi-faceted nature of the collection also leads the author to illuminate questions of patronage, the ordering and format of the collection, pitch and transposition, tonality and modality, and even numerology.
Author: Associate Professor School of Music Theatre and Dance K Dawn Grapes
Publisher: Oxford University Press
ISBN: 0197558852
Category : Biography & Autobiography
Languages : en
Pages : 281
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Book Description
Dowland recounts the story of one of the most important composers to emerge from early modern England. More than a biography, this book contextualizes the geographical, political, religious, cultural, and musical aspects of the life of John Dowland (1563-1626). The narrative follows the master lutenist on his journeys to France, through the German and Italian lands, and to the Danish and English courts of Christian IV and James I, as he developed a musical style that was at once personal and cosmopolitan.
Author: John Dowland
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: K. Dawn Grapes
Publisher: Routledge
ISBN: 1351580515
Category : Music
Languages : en
Pages : 237
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Book Description
John Dowland: A Research and Information Guide offers the first comprehensive guide to the musical works and literature on one of the major composers of the English Renaissance. Including a catalog of works, discography of recordings, extensive annotated bibliography of secondary sources, and substantial indexes, this volume is a major reference tool for all those interested in Dowland's works and place in music history, and a valuable resource for researchers of Renaissance and English music.
Author: John Alexander Fuller-Maitland
Publisher: Courier Corporation
ISBN: 9780486210698
Category : Music
Languages : en
Pages : 570
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Book Description
"The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music." — Grove's Dictionary of Music and Musicians. Volume Two of the famous early 17th century collection of keyboard music features 300 airs, variations, fantasies, toccatas, pavanes, and more by Morley, Byrd, Bull, Gibbons, and others. Modern notation.
Author: Rebecca Herissone
Publisher: Cambridge University Press
ISBN: 1107289556
Category : Composition (Music)
Languages : en
Pages : 568
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Book Description
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.
Author: David Greer
Publisher: Routledge
ISBN: 1317101073
Category : Music
Languages : en
Pages : 259
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Book Description
Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
Author: Paolo Fabbri
Publisher: Cambridge University Press
ISBN: 9780521033350
Category : Music
Languages : en
Pages : 368
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Book Description
Paolo Fabbri's Monteverdi, first published in Italian, is the leading study of the greatest composer of late Renaissance and early Baroque Italy, rightly called the "father of modern music." A large number of contemporary documents, including some 130 of his own letters, offer rich insights into the composer and his times, also illuminating the many and varied contexts for music-making in the most important musical centers in Italy. This newly revised translation brings an indispensable text to a much broader readership.
Author: Peter Holman
Publisher: Cambridge University Press
ISBN: 9780521581967
Category : Music
Languages : en
Pages : 120
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Book Description
Dowland's famous Lachrimae (1604) is the earliest collection of instrumental music generally known to nonspecialists, yet it has never been studied in detail before. Among other things, this comprehensive guide investigates its publication history, its place in the development of Renaissance dance music, the significance of its writing for particular stringed instruments, and the possible connections between the famous cycle of "Lachrimae" pavans and Elizabethan conceptions of melancholy.
Author: Benjamin M. Korstvedt
Publisher: Cambridge University Press
ISBN: 9780521635370
Category : Music
Languages : en
Pages : 156
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Book Description
This book explores Bruckner's Eighth Symphony (1890) from several angles, offering an accessible guide to its musical design.
