Author: Cristina Albu
Publisher: Routledge
ISBN: 1315437112
Category : Art
Languages : en
Pages : 306
Book Description
This book examines the interconnections between art, phenomenology, and cognitive studies. Contributors question the binary oppositions generally drawn between visuality and agency, sensing and thinking, phenomenal art and politics, phenomenology and structuralism, and subjective involvement and social belonging. Instead, they foreground the many ways that artists ask us to consider how we sense, think, and act in relation to a work of art.
Perception and Agency in Shared Spaces of Contemporary Art
Author: Cristina Albu
Publisher: Routledge
ISBN: 1315437112
Category : Art
Languages : en
Pages : 306
Book Description
This book examines the interconnections between art, phenomenology, and cognitive studies. Contributors question the binary oppositions generally drawn between visuality and agency, sensing and thinking, phenomenal art and politics, phenomenology and structuralism, and subjective involvement and social belonging. Instead, they foreground the many ways that artists ask us to consider how we sense, think, and act in relation to a work of art.
Publisher: Routledge
ISBN: 1315437112
Category : Art
Languages : en
Pages : 306
Book Description
This book examines the interconnections between art, phenomenology, and cognitive studies. Contributors question the binary oppositions generally drawn between visuality and agency, sensing and thinking, phenomenal art and politics, phenomenology and structuralism, and subjective involvement and social belonging. Instead, they foreground the many ways that artists ask us to consider how we sense, think, and act in relation to a work of art.
Double War: Shaun Gladwell
Author: Kit Messham-Muir
Publisher:
ISBN: 9780500500545
Category : Afghan War, 2001-
Languages : en
Pages : 0
Book Description
Dr Kit Messham-Muir's Double War: Shaun Gladwell, visual culture and the wars in Afghanistan and Iraq is the first published sustained critical investigation into the artwork of Shaun Gladwell, one of Australia's leading contemporary artists. Messham-Muir, an art theorist and Museologist, focuses on the psychological and emotional dimensions of visualising war. He is also a member of Newcastle's Centre for the History of Violence. Messham-Muir was given privileged access to Gladwell's studio throughout the development of Gladwell's work. Double War's six chapters explore Gladwell's war artist works, as well as the broader political and cultural contexts of the War on Terror. Gladwell is known for his video installation works, has represented Australia at the 2009 Venice Biennale and was appointed as an Australian Official War Artist in late 2009. He spent a month in Afghanistan and the Middle East with the Australian Defence Force, and drew upon this experience to produce a large body of paintings, video and photographic works.
Publisher:
ISBN: 9780500500545
Category : Afghan War, 2001-
Languages : en
Pages : 0
Book Description
Dr Kit Messham-Muir's Double War: Shaun Gladwell, visual culture and the wars in Afghanistan and Iraq is the first published sustained critical investigation into the artwork of Shaun Gladwell, one of Australia's leading contemporary artists. Messham-Muir, an art theorist and Museologist, focuses on the psychological and emotional dimensions of visualising war. He is also a member of Newcastle's Centre for the History of Violence. Messham-Muir was given privileged access to Gladwell's studio throughout the development of Gladwell's work. Double War's six chapters explore Gladwell's war artist works, as well as the broader political and cultural contexts of the War on Terror. Gladwell is known for his video installation works, has represented Australia at the 2009 Venice Biennale and was appointed as an Australian Official War Artist in late 2009. He spent a month in Afghanistan and the Middle East with the Australian Defence Force, and drew upon this experience to produce a large body of paintings, video and photographic works.
The Palgrave Handbook of Artistic and Cultural Responses to War since 1914
Author: Martin Kerby
Publisher: Springer
ISBN: 3319969862
Category : History
Languages : en
Pages : 586
Book Description
This handbook explores a diverse range of artistic and cultural responses to modern conflict, from Mons in the First World War to Kabul in the twenty-first century. With over thirty chapters from an international range of contributors, ranging from the UK to the US and Australia, and working across history, art, literature, and media, it offers a significant interdisciplinary contribution to the study of modern war, and our artistic and cultural responses to it. The handbook is divided into three parts. The first part explores how communities and individuals responded to loss and grief by using art and culture to assimilate the experience as an act of survival and resilience. The second part explores how conflict exerts a powerful influence on the expression and formation of both individual, group, racial, cultural and national identities and the role played by art, literature, and education in this process. The third part moves beyond the actual experience of conflict and its connection with issues of identity to explore how individuals and society have made use of art and culture to commemorate the war. In this way, it offers a unique breadth of vision and perspective, to explore how conflicts have been both represented and remembered since the early twentieth century.
Publisher: Springer
ISBN: 3319969862
Category : History
Languages : en
Pages : 586
Book Description
This handbook explores a diverse range of artistic and cultural responses to modern conflict, from Mons in the First World War to Kabul in the twenty-first century. With over thirty chapters from an international range of contributors, ranging from the UK to the US and Australia, and working across history, art, literature, and media, it offers a significant interdisciplinary contribution to the study of modern war, and our artistic and cultural responses to it. The handbook is divided into three parts. The first part explores how communities and individuals responded to loss and grief by using art and culture to assimilate the experience as an act of survival and resilience. The second part explores how conflict exerts a powerful influence on the expression and formation of both individual, group, racial, cultural and national identities and the role played by art, literature, and education in this process. The third part moves beyond the actual experience of conflict and its connection with issues of identity to explore how individuals and society have made use of art and culture to commemorate the war. In this way, it offers a unique breadth of vision and perspective, to explore how conflicts have been both represented and remembered since the early twentieth century.
Legacies of the Degraded Image in Violent Digital Media
Author: Stuart Marshall Bender
Publisher: Springer
ISBN: 3319644599
Category : Performing Arts
Languages : en
Pages : 150
Book Description
This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic.
Publisher: Springer
ISBN: 3319644599
Category : Performing Arts
Languages : en
Pages : 150
Book Description
This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic.
Images of War in Contemporary Art
Author: Uroš Cvoro
Publisher: Bloomsbury Publishing
ISBN: 1350227358
Category : Art
Languages : en
Pages : 246
Book Description
In Images of War in Contemporary Art, Uroš Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow-art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art-offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojša Šeric Šoba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).
Publisher: Bloomsbury Publishing
ISBN: 1350227358
Category : Art
Languages : en
Pages : 246
Book Description
In Images of War in Contemporary Art, Uroš Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow-art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art-offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojša Šeric Šoba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).
Maddestmaximvs
Author: Shaun Gladwell
Publisher: Schwartz
ISBN: 9781863954419
Category : Installations (Art)
Languages : en
Pages : 154
Book Description
Published on the occasion of the 2009 Venice Biennale, MADDESTMAXIMVS - PLANET & STARS SEQUENCE is a project book a and catalogue, documenting a new major body of work by Shaun Gladwell. The publication maps the project in its entirety. Commencing in 2007, MADDESTMAXIMVS has continued with a series of recorded performances and sculptures that investigate representations of landscape and the mythological figures that are projected into these spaces. The installation in the Australian Pavilion in Venice will consist of several projects that intersect each other through various locations and performances. Rather than picturing landscapes, Gladwell's project questions the very history and representation of these locations. Introduced with local references, the project offers international identification and relevance. Through performance, Gladwell re-imagines the Australian hinterland, negotiating the conventions of art history and traditional landscape painting. This meditative investigation articulates Gladwell's discursive approach to contemporary art and structures the project as a free, contemplative space. Roadkill kangaroos are found on the side of highways by a black leather clad motorcyclist and given a ritualistic burial, a figure surfs a vehicle as it moves through desert roads, a masked individual rapidly paints and subsequently erases images of the/a universe in open arid settings, and a group of figures spin against natural rock formations. With over one hundred colour plates and two in-depth texts - by Carolyn Christov-Bakargiev and Dr Blair French - MADDESTMAXIMVS - PLANET & STARS SEQUENCE is the first comprehensive publication of Shaun Gladwell's multi-dimensional practice.
Publisher: Schwartz
ISBN: 9781863954419
Category : Installations (Art)
Languages : en
Pages : 154
Book Description
Published on the occasion of the 2009 Venice Biennale, MADDESTMAXIMVS - PLANET & STARS SEQUENCE is a project book a and catalogue, documenting a new major body of work by Shaun Gladwell. The publication maps the project in its entirety. Commencing in 2007, MADDESTMAXIMVS has continued with a series of recorded performances and sculptures that investigate representations of landscape and the mythological figures that are projected into these spaces. The installation in the Australian Pavilion in Venice will consist of several projects that intersect each other through various locations and performances. Rather than picturing landscapes, Gladwell's project questions the very history and representation of these locations. Introduced with local references, the project offers international identification and relevance. Through performance, Gladwell re-imagines the Australian hinterland, negotiating the conventions of art history and traditional landscape painting. This meditative investigation articulates Gladwell's discursive approach to contemporary art and structures the project as a free, contemplative space. Roadkill kangaroos are found on the side of highways by a black leather clad motorcyclist and given a ritualistic burial, a figure surfs a vehicle as it moves through desert roads, a masked individual rapidly paints and subsequently erases images of the/a universe in open arid settings, and a group of figures spin against natural rock formations. With over one hundred colour plates and two in-depth texts - by Carolyn Christov-Bakargiev and Dr Blair French - MADDESTMAXIMVS - PLANET & STARS SEQUENCE is the first comprehensive publication of Shaun Gladwell's multi-dimensional practice.
Bad Island
Author: Stanley Donwood
Publisher: W. W. Norton & Company
ISBN: 1324001860
Category : Comics & Graphic Novels
Languages : en
Pages : 91
Book Description
A starkly beautiful, wordless graphic novel about the end of the world by the cult artist and longtime Radiohead collaborator. A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still—and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story, and it will not have a happy ending. Working in his distinctive, monochromatic linocut style, Stanley Donwood achieves with his art what words cannot convey, carving out a mesmerizing, stark parable of environmental disaster and the end of civilization.
Publisher: W. W. Norton & Company
ISBN: 1324001860
Category : Comics & Graphic Novels
Languages : en
Pages : 91
Book Description
A starkly beautiful, wordless graphic novel about the end of the world by the cult artist and longtime Radiohead collaborator. A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still—and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story, and it will not have a happy ending. Working in his distinctive, monochromatic linocut style, Stanley Donwood achieves with his art what words cannot convey, carving out a mesmerizing, stark parable of environmental disaster and the end of civilization.
The Politics of Artists in War Zones
Author: Kit Messham-Muir
Publisher: Bloomsbury Publishing
ISBN: 1350385999
Category : Art
Languages : en
Pages : 273
Book Description
What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the 'War on Terror'. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to 'culture' wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of 'official' war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.
Publisher: Bloomsbury Publishing
ISBN: 1350385999
Category : Art
Languages : en
Pages : 273
Book Description
What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the 'War on Terror'. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to 'culture' wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of 'official' war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.
What's Wrong with ANZAC?
Author: Marilyn Lake
Publisher: University of New South Wales
ISBN: 9781742231518
Category : History
Languages : en
Pages : 183
Book Description
In recent years Anzac, an idea as much as an actual army corps, has become the dominant force within Australian history, overshadowing everything else. The commemoration of Anzac Day is bigger than ever, while Remembrance Day, VE Day, VP Day and other military anniversaries grow in significance each year.
Publisher: University of New South Wales
ISBN: 9781742231518
Category : History
Languages : en
Pages : 183
Book Description
In recent years Anzac, an idea as much as an actual army corps, has become the dominant force within Australian history, overshadowing everything else. The commemoration of Anzac Day is bigger than ever, while Remembrance Day, VE Day, VP Day and other military anniversaries grow in significance each year.
How Change Happens
Author: Duncan Green
Publisher: Oxford University Press
ISBN: 0198785399
Category : Political Science
Languages : en
Pages : 287
Book Description
"DLP, Developmental Leadership Program; Australian Aid; Oxfam."
Publisher: Oxford University Press
ISBN: 0198785399
Category : Political Science
Languages : en
Pages : 287
Book Description
"DLP, Developmental Leadership Program; Australian Aid; Oxfam."