In Code PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download In Code PDF full book. Access full book title In Code by Maryann Corbett. Download full books in PDF and EPUB format.
Author: Maryann Corbett
Publisher: Able Muse Press
ISBN: 1773490540
Category : Poetry
Languages : en
Pages : 92
Get Book Here
Book Description
In Code was born out of Maryann Corbett’s years of work for the Minnesota Legislature, with a nonpartisan office that mandated that she maintain a public silence about politics. In poems that go from elegiac to fiery to funny, she examines behind-the-scenes legislative labor and the people who do it, the tensions of working for government in a climate hostile to government, and the buildings and grounds that put a beautiful face on a history full of ambiguities. This well-honed collection, Corbett's fifth, reflects on doublespeak and public poses; on coworkers and commutes; on legalese, courts, and elections; on news and history; and at last on retirement—through poems masterfully deployed in a dazzling array of forms: including the prose poem, the sonnet, the ghazal, the villanelle, and the canzone. Maryann Corbett is a candid, wistful, purposeful, and meditative poet in command of her craft. Of her years working for the Minnesota Legislature, Maryann Corbett writes in Rattle: "There was the frisson supplied by the constant presence of the media, the satisfaction of believing one's work served the public, the thrill of working with smart, motivated people, the pleasure of being surrounded by the striking buildings and gardens of the Capitol grounds, the sense of history. There was also the uncomfortable awareness that with every legislative session there are winners and losers, and that the same battles for justice are fought, and often lost, by the same people, year after year." In Code features poems that reflect on both those pleasures and that discomfort, as in these lines from "Seven Little Poems about Making Laws": Capitol café: German proverbs, whitewashed since 1917, are restored to view with bright applause. Old hatreds have new objects now. PRAISE FOR MARYANN CORBETT: Ned Balbo: . . . an extraordinary poet. Tony Barnstone: . . . metrical poetry infused with gorgeous imagery and the vernacular of our scientized world. Richard Wilbur: . . . accurate and delightful. Rhina P. Espaillat: . . . every section touches me and keeps calling me back. A.M. Juster: . . . wit without meanness, warmth without sentimentality, and craft without pretension. Geoffrey Brock: . . . one of the best-kept secrets of American poetry. Marilyn Taylor: . . . poignant, perceptive, exquisitely formed poems . . . a poet to be genuinely grateful for. Peter Campion: . . . a poet of the first order. Willis Barnstone: . . . a newborn Robert Frost, with a wicked eye for contemporary life. Susan McLean: . . . a stunner. ABOUT THE AUTHOR: Maryann Corbett earned a doctorate in English in 1981, with a specialization in medieval literature and linguistics. She expected to be teaching Beowulf and Chaucer and the history of the English language. Instead, she spent almost thirty-five years working for the Minnesota Legislature, helping attorneys to write in plain English and coordinating the creation of finding aids for the law. She is the author of five books of poetry and is a past winner of the Richard Wilbur Award and the Willis Barnstone Translation Prize. Her work is widely published in journals on both sides of the Atlantic and is included in anthologies like Measure for Measure: An Anthology of Poetic Meters and The Best American Poetry 2018.
Author: Maryann Corbett
Publisher: Able Muse Press
ISBN: 1773490540
Category : Poetry
Languages : en
Pages : 92
Get Book Here
Book Description
In Code was born out of Maryann Corbett’s years of work for the Minnesota Legislature, with a nonpartisan office that mandated that she maintain a public silence about politics. In poems that go from elegiac to fiery to funny, she examines behind-the-scenes legislative labor and the people who do it, the tensions of working for government in a climate hostile to government, and the buildings and grounds that put a beautiful face on a history full of ambiguities. This well-honed collection, Corbett's fifth, reflects on doublespeak and public poses; on coworkers and commutes; on legalese, courts, and elections; on news and history; and at last on retirement—through poems masterfully deployed in a dazzling array of forms: including the prose poem, the sonnet, the ghazal, the villanelle, and the canzone. Maryann Corbett is a candid, wistful, purposeful, and meditative poet in command of her craft. Of her years working for the Minnesota Legislature, Maryann Corbett writes in Rattle: "There was the frisson supplied by the constant presence of the media, the satisfaction of believing one's work served the public, the thrill of working with smart, motivated people, the pleasure of being surrounded by the striking buildings and gardens of the Capitol grounds, the sense of history. There was also the uncomfortable awareness that with every legislative session there are winners and losers, and that the same battles for justice are fought, and often lost, by the same people, year after year." In Code features poems that reflect on both those pleasures and that discomfort, as in these lines from "Seven Little Poems about Making Laws": Capitol café: German proverbs, whitewashed since 1917, are restored to view with bright applause. Old hatreds have new objects now. PRAISE FOR MARYANN CORBETT: Ned Balbo: . . . an extraordinary poet. Tony Barnstone: . . . metrical poetry infused with gorgeous imagery and the vernacular of our scientized world. Richard Wilbur: . . . accurate and delightful. Rhina P. Espaillat: . . . every section touches me and keeps calling me back. A.M. Juster: . . . wit without meanness, warmth without sentimentality, and craft without pretension. Geoffrey Brock: . . . one of the best-kept secrets of American poetry. Marilyn Taylor: . . . poignant, perceptive, exquisitely formed poems . . . a poet to be genuinely grateful for. Peter Campion: . . . a poet of the first order. Willis Barnstone: . . . a newborn Robert Frost, with a wicked eye for contemporary life. Susan McLean: . . . a stunner. ABOUT THE AUTHOR: Maryann Corbett earned a doctorate in English in 1981, with a specialization in medieval literature and linguistics. She expected to be teaching Beowulf and Chaucer and the history of the English language. Instead, she spent almost thirty-five years working for the Minnesota Legislature, helping attorneys to write in plain English and coordinating the creation of finding aids for the law. She is the author of five books of poetry and is a past winner of the Richard Wilbur Award and the Willis Barnstone Translation Prize. Her work is widely published in journals on both sides of the Atlantic and is included in anthologies like Measure for Measure: An Anthology of Poetic Meters and The Best American Poetry 2018.
Author: Rob Wright
Publisher: Able Muse Press
ISBN: 1773490710
Category : Poetry
Languages : en
Pages : 86
Get Book Here
Book Description
Rob Wright's Last Wishes is eclectic and delves into mining grit and lifestyle as fluently as it does into spiritual hopes and despairs, or the mind's lucidity and aberrations. Well-traveled in time and place, Last Wishes' culturally diverse characters and scenes--framed in Philadelphia, Fort Meyers, Manhattan, São Paulo, Kowloon, Majdanek, or elsewhere--are memorable or miserable. Accounts of ghosts and hauntings, imagined or real, include heart-stopping witness narratives of the Holocaust and other atrocities. This is a seasoned inaugural collection--a special honoree for the 2019 Able Muse Book Award. PRAISE FOR LAST WISHES Rob Wright's poems in Last Wishes ache with a quiet, exquisite music. Whether at the edge of the forest, or before a mirror regarding his own face, or at the limit of what a son can feel for his father, Wright calls us to join him on his search for order and meaning, even as he questions what he finds: "The shell that holds all grief and memory, / in chains of molecules that make a mind, / will turn back into atoms, hungry, free. / We're spirits caught inside our skin and hair-- / ephemeral our dramas, spun from air." Such is the breathtaking beauty of Last Wishes, to long for what seems so close and yet, in the end, we cannot know. --Rafael Campo, author of Comfort Measures Only: New and Selected Poems One of Wright's gifts is the age-old poetic magic of conveying beauty in what might at first appear to offer up nothing but ugliness. . . . It is fitting that one of the titles here is "Prologue for an Imaginary Play," because Wright's poems often are, in essence, little plays. The landscapes here are never static; like a photographer, or a cinematographer, Wright captures his subjects at their most revealing in a flash. Scenes are arranged and rendered at the moment of greatest drama and tension. --Alison Hicks (from the foreword), author of You Who Took the Boat Out The first poem in Last Wishes describes in evocatively exact and gritty detail a landscape of abandoned mines, and ends with the poet’s mind reaching out toward the miners who once worked there: “I thought/ how hunger drives a man to crawl beneath/ the brittle crust that shuts out sun and sky.” Moments like this are repeated again and again throughout this obsessively compelling book—a surface (often enough a fairly bleak one) is described in richly precise detail, and out of it pasts, ghosts, the dead, revenants and spectral appearances emerge with a kind of beckoning, unreachable clarity that is at times wistful and at times brutal. If these poems were photographs most of them would be in grimmest black and white, but they would make a most marvelously enthralling exhibition. —Dick Davis, author of Faces of Love: Hafez and the Poets of Shiraz
Author: Alexander Pepple
Publisher: Able Muse Press
ISBN: 1773490486
Category : Literary Collections
Languages : en
Pages : 188
Get Book Here
Book Description
This is the annual Able Muse Review (Print Edition) - Winter 2019 issue, Number 27. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse-online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). Includes the tribute to Timothy Murphy special feature and the winning stories and poems from the 2019 Able Muse contest (Able Muse Write Prize) winners and finalists. ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry."-Dana Gioia. "Able Muse is refreshing to read for its selection of poetry that adheres to form . . . a quality magazine offering the reader informed and unexpected views on life."-NewPages. CONTENTS: WITH THE 2019 ABLE MUSE WRITE PRIZE FOR POETRY & FICTION – Includes the winning story and poems from the contest winners and finalists EDITORIAL – Alexander Pepple GUEST EDITORIAL – Richard Wakefield FEATURED ART – A Hunt Theme TRIBUTE TO TIMOTHY MURPHY FEATURE: --Tribute GUEST-EDITOR: Richard Wakefield --Tribute Poetry: A.E. Stallings, Timothy Steele, Rhina P. Espaillat, John Ridland, Amit Majmudar, Wendy Videlock, Bruce Bennett, Len Krisak, Catherine Chandler, Terese Coe, Mary Meriam, Andrew Frisardi, Richard Meyer, John Beaton --Tribute Essay: Dana Gioia FICTION – Erin Russell ESSAYS – Edward Lee, Tony Whedon BOOK REVIEWS – Brooke Clark, Travis Biddick POETRY – Hailey Leithauser, John Philip Drury, Len Krisak, James Matthew Wilson, Suzanne Noguere, Alfred Nicol, Katie Hartsock, David MacRae Landon, Amy Bagan, Barry Abrams, Miriam O'Neal, Beth Paulson, Daniel Galef
Author: Stephen Kampa
Publisher: Able Muse Press
ISBN: 1773491571
Category : Poetry
Languages : en
Pages : 134
Get Book Here
Book Description
Stephen Kampa’s World Too Loud to Hear confronts today’s zeitgeist of dark social norms online or off. Our litany of individual and collective shortcomings is laid bare or castigated—as, for instance, with obligations we abhor, avoid, and “can’t wait / to pass down to the upstart generations.” The delivery ranges from straight or subtle to rants and execrations, while the settings range from historic and current affairs to the imaginary, dystopian, sci-fi, or surrealistic. This sui generis collection is fearless in hope, with a sobering take on our acceleratingly fearful national and global trajectory. PRAISE FOR WORLD TOO LOUD TO HEAR: Stephen Kampa’s World Too Loud to Hear is a book about America’s “slow-motion, decades-long cascade / of violence . . .”—gun violence by and against children, violence of tech-driven accelerating change, and violence that permeates almost every aspect of our online lives. These amazing poems manage to be at once outraged and witty, inventive and passionate, nuanced and blunt. I can’t think of another book that captures so completely the lunatic reality of self-destruction. Stephen Kampa is fabulous poet, and this is a fabulous and important book. —Alan Shapiro, author of Proceed to Check Out and Against Translation Stephen Kampa’s World Too Loud to Hear takes on the noise of the twenty-first century with a furious love and attention. The poems in this book lay out our terrible addictions—to gun violence, to scientism, to screens, to empty celebrity, to social division, to anger itself. But they also show us what remains worth saving from those evils: children, magic, and mystery. These poems delight equally in novel syllabic stanzas, calm iambics, and drumming accentuals, and they ratchet up poetic form to the tension of a crossbow, with the same deadly aim. They use change-up rhyme patterns, sonics, wordplay, and narrative drama to keep us tumbling forward, through etymology and child abuse, homage and political hackery, near-despair and struggling faith. And they often arrive at the sort of poetic closure that makes a reader freeze and gasp. —Maryann Corbett, author of In Code and Street View Juggling Horatian and Juvenalian satire with surgical wit and polemical yet coy imbalances, Stephen Kampa’s speakers are the needling social critics, cultural anthropologists, and litigator-jesters. I have not read a collection of poetry that better tackles social injustices and apathies, gun violence, religious hypocrisy, climate change, and our subservience to technology. Kampa shows us ourselves: combing the Almighty WebMD to wrangle with our psychosomatic homunculi, constructing our digital personae and elevating our experiences to impress other inflated personae, and being lured into divisiveness by cartoonish political buffoonery. In this World Too Loud to Hear, Kampa reminds us through his maw-opening critiques and funhouse mirrors that we have lost our benevolence and are becoming untethered from the one objective truth from which we humans can find insights: the natural world. —Adam Vines, author of Lures and Out of Speech ABOUT THE AUTHOR: Stephen Kampa is the author of four collections of poetry: Cracks in the Invisible, Bachelor Pad, Articulate as Rain, and World Too Loud to Hear. He is a winner of the Hollis Summers Poetry Prize, the Theodore Roethke Prize, the Collins Prize, and the Florida Book Awards Gold Medal in Poetry. He has been a resident at Art342 and at the Amy Clampitt House. His work has appeared in The Best American Poetry. He has also worked as a musician and appears on multiple albums from WildRoots Records.
Author: Amy Glynn
Publisher: Able Muse Press
ISBN: 1773491415
Category : Poetry
Languages : en
Pages : 108
Get Book Here
Book Description
Amy Glynn's Romance Language is a wellspring of culture, nature, natural phenomena, myths, esoterica. A kaleidoscope of sciences and disciplines—spanning archeology, acoustics, botany, zoology, psychology, cosmology, meteorology, mythology—are freely juxtaposed with the bliss of romance gained to longing for the one lost, the celebration of nature and the teeming creatures therein to hope for their enduring sustenance. A logophilic showcase and worthy winner of the 2022 Able Muse Book Award, Romance Language transports the reader into a sensory and cerebral world of the real and imagined, ever reaching for stimulus, wisdom, understanding, and enlightenment. PRAISE FOR ROMANCE LANGUAGE Romance Language thrills to the natural world in all its boggling multiplicity, while reserving a barrage of tart ironies for the fallen humans who inhabit it—the lovers who fail us and those, long gone, we can never let go of. Glynn understands that science is no check to mystery, that we subsist in “an ocean of cadence” that was here before us: “The beginning was music. There was music first.” Her songs channel that original music “of tide, chaos, and rhythm” with such fierceness and sorrow that we are compelled to listen. Their effect is revelatory. —David Yezzi, author of More Things in Heaven and Late Romance: Anthony Hecht The poems in Romance Language consistently, and seemingly without effort, manage a remarkable feat: they’re unfailingly attentive to the situational subtext that underlies each foray, whether into nature, art, or mythology. With their rueful irony and wit, their candor and self-awareness, these poems are not only technically flawless but also insistently, and sometimes tetchily, human. —Rachel Hadas, 2022 Able Muse Book Award judge, author of Love and Dread Amy Glynn has built upon her naturalist’s precision, her musician’s ear, and her talent for unexpected but apt metaphor, with a heightened attention to what we learn in love. Romance Language is as much about language, though, as it is about romance. Glynn is a dazzling word-hoarder and -shaper. With serious wit, she entwines autobiography with the life of other creatures (most beautifully, birds) and knows our own scale in the landscape and seascape. For all her artifice, her plainest truths are the most moving, as when she hopes for a “gift // for seeing as a gift whatever happens / to us.” These poems “happen” to the reader as a great gift, too. —Mary Jo Salter, author of Zoom Rooms and The Surveyors Glynn brings a polymathic sensibility to her writing, conversant in both high and vernacular diction on subjects ranging widely from science and classical literature to current politics and pop culture. The poems—bold, vibrant, mercurial, mysterious, sometimes wickedly funny, and always highly musical—remind me that form is a living, breathing part of our contemporary canon. Whether fixed like the sonnet or ghazal, or nonce, or free verse—these poems are constructed with great passion and precision, and the result is a luminous, powerful, and utterly original outpouring. —Rebecca Foust, author of Paradise Drive and Only ABOUT THE AUTHOR: Amy Glynn is a poet and essayist whose work appears widely in journals and anthologies including The Best American Poetry. She is the author of A Modern Herbal (Measure Press, 2013). She has received the Troubadour Prize, The SPUR Award of the Academy of Western Writers, Poetry Northwest’s Carolyn Kizer Award, and two James Merrill House fellowships, among other honors. She lives in the San Francisco Bay Area.
Author: Janis Harrington
Publisher: Able Muse Press
ISBN: 1773490958
Category : Poetry
Languages : en
Pages : 96
Get Book Here
Book Description
Janis Harrington’s How to Cut a Woman in Half is a testament to resiliency in the throes of mounting family tragedies and trials “beyond human comprehension.” This odyssey from loss toward recovery and hope celebrates the boundless love and support between siblings. Using an adapted sonnet form, Harrington has wrought a taut and spellbinding tale in this finalist for the 2020 Able Muse Book Award. PRAISE FOR HOW TO CUT A WOMAN IN HALF: In this stunning sequence of sonnets—a sequence that reads like a novel, in which each sonnet is so masterfully crafted that its form disappears into the story it tells—Janis Harrington spins a larger narrative of intergenerational family tragedy, but also of sisterly devotion and resilience. The whole sweep of it is so compelling that once I started reading, I couldn’t stop. How to Cut a Woman in Half takes the reader through shock and grief and then, very subtly and tenderly, back from the edge of an abyss. —Cecilia Woloch, author of Tsigan: The Gypsy Poem and Earth These deft narrative sonnets beautifully contain painful restraint and the breaking of sorrow; the slant and partial rhymes refuse to meet expectations for grieving an intentional death: “We look at each other, still / as the motionless hands on the clock’s face, / marooned in this spotless, silent house, / nothing on the horizon to save us.” The sisters save each other, learning to appreciate “the ordinary miracle of dawn.” —April Ossmann, author of Anxious Music and Event Boundaries These carefully wrought sonnets take readers on a journey “to grief’s center” as the speaker supports her sister through new widowhood and, in the process, rediscovers and explores her own submerged grief. Many poems take place in the liminal space between “living and not,” bardo moments that contain “all my life’s partings.” It is striking how fully present the speaker is in the experience of mourning, and how well suited the sonnet form is for containing such deeply personal wells of human sorrow. A beautiful and healing read. —Rebecca Foust, author of Paradise Drive and Only ABOUT THE AUTHOR: Janis Harrington’s first book, Waiting for the Hurricane, won the Lena M. Shull Book Award from the North Carolina Poetry Society. Her poems have appeared in journals and anthologies, including: Tar River Poetry, Journal of the American Medical Association, North Carolina Literary Review, and Beyond Forgetting: Poetry and Prose about Alzheimer’s Disease. She was the runner-up for the White Pine Press Poetry Prize 2020 and a finalist for the 2021 James Applewhite Poetry Prize and the 2022 Randall Jarrell Poetry Competition. After living in Switzerland for many years, she and her husband returned to Chapel Hill, North Carolina. How to Cut a Woman in Half was a finalist for the 2020 Able Muse Book Award.
Author: Kelly Rowe
Publisher: Able Muse Press
ISBN: 1773491091
Category : Poetry
Languages : da
Pages : 74
Get Book Here
Book Description
In Kelly Rowe’s Rise above the River, we find a sister powerless to redress her brother’s fall from grace after the trauma of his childhood sexual abuse by a female authority figure. Rise above the River interrogates in a quest for answer, meaning, reason, justice, and mercy—along the way, exploring the conceit of the fallen angel with ekphrases on artwork such as Alexandre Cabanel’s L’ange déchu and Hugo Simberg’s The Wounded Angel. This powerful and emotionally charged collection is the winner of the 2021 Able Muse Book Award. PRAISE FOR RISE ABOVE THE RIVER Lucifer, Ismene, Alexander the Great, “an obscure Civil War hero,” a Florida railroad, “the dead middle of Mississippi,” an apron swaying and twisting on a clothesline—with these figures and images, as well as with letters and visits, memories and dreams, Kelly Rowe enables us to assemble a story that can’t be told directly, to compose a picture that can’t be faced head-on. And the limpid diction and confiding tone of Rise above the River both soften and strengthen a narrative voice that finds many ways to tell the ineffable. —Rachel Hadas, author of Pandemic Almanac In this haunting book of poems, a sister remembers her younger brother, who as a child seemed always to emit a golden light to match his golden boy-soprano voice. Adventurous, imaginative, a lover of trees and water, he was more Huck Finn than angel. Then, as Randall Jarrell once observed, something went wrong. Could it have been innate or could it have been, as the poet suspects, the ill attentions of one of her brother’s teachers, a woman who was never properly called out for her abuse? The lyrical reminiscences of the older sister, as she watches her brother grow in his estrangement, his greed, his inability to feel for others, contrast painfully with these aspects of his life and character. This is a beautifully written book about a man whose fall is irredeemable. The mystery is why. This is a shattering book of poems about lost innocence and beauty. —Mark Jarman, 2021 Able Muse Book Award judge, author of The Heronry From personal recounting and reflection to rethinking classical mythology, this collection presents an eclectic, engaging contemplation throughout, underscored by a haunting and often surprising rhyme that ties us doubly to the moment we are reading. In reading these poems, we are so often starkly surprised by the strong, sure leaps—“Snow falling. / Her white feet. / Her aria.” Sometimes quietly and sometimes loudly, these poems lead us into their important mix. The several reconciliations at the end draw these poems into closing, but in their moment they gift us with a persuasive sense of greater connection to things simply and innately significant—underscored by profound feeling. —Alberto Ríos, author of The World Has Need of You ABOUT THE AUTHOR: Kelly Rowe’s chapbook Flying South on the Back of a Dove was published by the Texas Review Press in January 2019. Her second chapbook, Child Bed Fever, was selected for the 2021 Rane Arroyo Series, and published by Seven Kitchens Press in November 2022. She has recently published poems in journals including North American Review, New Ohio Review, 32 Poems, Massachusetts Review, Salamander, and New Letters. She lives in Flagstaff, Arizona, and works as a volunteer attorney, representing undocumented women.
Author: Tosca Reno
Publisher: Ballantine Group
ISBN: 1552100847
Category : Health & Fitness
Languages : en
Pages : 529
Get Book Here
Book Description
With the success of the Eat-Clean Diet came the demand for more recipes, and author Tosca Reno is not only a health and fitness expert, she's also an excellent cook. She's always loved cooking for friends and family, and her Clean-Eating lifestyle inspired her to create fabulous meals that everyone would love. Who better to write a cookbook that would make the whole family happy . . . both at the table and when they shop for clothes a few sizes smaller! Get: •150 beautiful food photographs • Delectable low-fat beef, pork, chicken and fish dinners • Protein-rich meat-free recipes • Gluten-free meals • Tips on eating clean in difficult situations • Timesaving one-dish meals for busy moms • Great recipes on the go • How to prepare an elegant clean-eating event.
Author: Domenic Stansberry
Publisher: Minotaur Books
ISBN: 1429909218
Category : Fiction
Languages : en
Pages : 278
Get Book Here
Book Description
Edgar Award--winning author Domenic Stansberry is known for his intensity---his dark thrillers, thick with suspense, in which the differences between good and evil are not so easy to decipher. The Big Boom is just such a novel: set in San Francisco, at the peak of the high-tech frenzy, just before the technology markets and the California economy all go bust. The Big Boom features the return of Dante Mancuso, the hero of Stansberry's Chasing the Dragon, an obsessive private investigator working the streets of his San Francisco neighborhood. He is a dark-eyed, complex figure---melancholic, tender, with fierce, aquiline good looks---known to neighborhood familiars by his nickname: the Pelican. Dante's nickname---like the demons that haunt his personal life---comes from his family on account of his tenacity, and his large, Sicilian nose. Now Dante has settled into a new apartment in North Beach, hoping to put those demons behind him and patch together a life with his longtime lover, Marilyn Visconte, but before long he is approached by an old North Beach family in hopes that he will find their missing daughter---a young woman, a former sweetheart, with whom Dante had been involved years before---and his newfound peace is shattered. Dante's search for Angela Antonelli, though, has hardly begun when the corpse of a young woman is dredged from the bay. He soldiers on in his investigation, fearful that the missing woman and the corpse are one and the same. His search for the missing woman---even after he has been called off the case---becomes an obsession that alienates his current lover, but Dante follows the ghostly trail anyway into the heart of the financial district and the underside of the dot-com revolution. It is a quest rendered in the staccato prose of the genre, a style that---in Stansberry's hands---takes on a dreamlike cast, hallucinatory at times, blurring the lines between reality and Dante's own dark nostalgia. The Big Boom is a tightrope of a novel, a taut story about familial duplicity, personal greed, and the desperate pull of love even across the divide of memory.
Author:
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 132
Get Book Here
Book Description
