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Author: Peter McGuire Wolf
Publisher: Universal-Publishers
ISBN: 1581120060
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Dostoevsky's novels have contributed to a conception of man that reverberates in the conclusions of prominent twentieth-century philosophical anthropologists. Max Scheler, Martin Heidegger, Jean-Paul Sartre, Maurice Merleau-Ponty, and Albert Camus, among others, have admitted that the works of Dostoevsky had an influence on the manner in which they learned to conceive of human nature and the world in which humans live. Our aim in this dissertation is to ask: what is there in the novels of Dostoevsky concerning the nature of man, of which certain philosophers could claim that in their philosophical conceptions of man they were positively influenced by him? The main thesis is substantiated with a careful analysis of four novels: Notes From the House of the Dead (Zapiski iz mertvogo doma), Notes From the Underground (Zapiski iz podpol'ia), Crime and Punishment (Prestuplenie i nakazanie), and The Brothers Karamazov (Brat'ia Karamazovy). These novels were chosen partly because I have come to the conclusion that these novels, more than others, concretely show in what sense the leading characters appear to have made themselves be what they had freely chosen to be under the circumstances in which they had to live, and that they were fully aware of the responsibility they had to bear for the implications and consequences of what they had thus decided. Based upon a close reading, four interpretive chapters employ the most significant criticism from English, Russian and French literary scholarship. Dostoevsky's philosophical conception of man is compared and contrasted with the conception that Scheler and Heidegger hold, i.e., that freedom is man's essence, Sartre's atheistic humanism and Camus' thought. The following conclusions are consonant with Dostoevsky's work: freedom is constitutive for the being (or the mode of being; essence) of man, it is an inalienable duty--one must become oneself. Man strives to overcome himself and to exceed his freedom but in so doing invariably loses it. Man exceeds himself only in the sense that he realizes an ideal human possibility. The Dostoevskian man reveals not only the absence of human nature but also the enormous power which man possesses for achieving his ideal human possibility.
Author: Peter McGuire Wolf
Publisher: Universal-Publishers
ISBN: 1581120060
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Dostoevsky's novels have contributed to a conception of man that reverberates in the conclusions of prominent twentieth-century philosophical anthropologists. Max Scheler, Martin Heidegger, Jean-Paul Sartre, Maurice Merleau-Ponty, and Albert Camus, among others, have admitted that the works of Dostoevsky had an influence on the manner in which they learned to conceive of human nature and the world in which humans live. Our aim in this dissertation is to ask: what is there in the novels of Dostoevsky concerning the nature of man, of which certain philosophers could claim that in their philosophical conceptions of man they were positively influenced by him? The main thesis is substantiated with a careful analysis of four novels: Notes From the House of the Dead (Zapiski iz mertvogo doma), Notes From the Underground (Zapiski iz podpol'ia), Crime and Punishment (Prestuplenie i nakazanie), and The Brothers Karamazov (Brat'ia Karamazovy). These novels were chosen partly because I have come to the conclusion that these novels, more than others, concretely show in what sense the leading characters appear to have made themselves be what they had freely chosen to be under the circumstances in which they had to live, and that they were fully aware of the responsibility they had to bear for the implications and consequences of what they had thus decided. Based upon a close reading, four interpretive chapters employ the most significant criticism from English, Russian and French literary scholarship. Dostoevsky's philosophical conception of man is compared and contrasted with the conception that Scheler and Heidegger hold, i.e., that freedom is man's essence, Sartre's atheistic humanism and Camus' thought. The following conclusions are consonant with Dostoevsky's work: freedom is constitutive for the being (or the mode of being; essence) of man, it is an inalienable duty--one must become oneself. Man strives to overcome himself and to exceed his freedom but in so doing invariably loses it. Man exceeds himself only in the sense that he realizes an ideal human possibility. The Dostoevskian man reveals not only the absence of human nature but also the enormous power which man possesses for achieving his ideal human possibility.
Author: James Patrick Scanlan
Publisher: Cornell University Press
ISBN: 9780801439940
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
For all his distance from philosophy, Dostoevsky was one of the most philosophical of writers. Drawing on his novels, essays, letters and notebooks, this volume examines Dostoevsky's philosophical thought.
Author: Fyodor Dostoevsky
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 26
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Book Description
"The Grand Inquisitor" is a significant and widely read chapter from Fyodor Dostoevsky's novel "The Brothers Karamazov." Dostoevsky's novel was first published in 1880. "The Grand Inquisitor" is a stand-alone section within the novel where Ivan Karamazov tells the story to his brother, Alyosha, of a Grand Inquisitor who questions and confronts Jesus Christ upon His return to Earth. In the story, the Grand Inquisitor represents the authority of the church and the state, while Jesus Christ represents spiritual and moral truth. The Grand Inquisitor's argument revolves around the idea that the church and state must control and limit individual freedom for the sake of the common people, who are not capable of handling true freedom. This section of the novel is often studied independently because it presents a thought-provoking exploration of religious, philosophical, and moral themes. Dostoevsky's work is celebrated for its deep and complex examinations of the human condition and the role of faith and morality in society. "The Grand Inquisitor" is a prime example of his ability to grapple with these profound questions.
Author: Richard Avramenko
Publisher: Lexington Books
ISBN: 0739173774
Category : Political Science
Languages : en
Pages : 262
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Book Description
Recognized as one of the greatest novelists of all-time, Fyodor Dostoevsky continues to inspire and instigate questions about religion, philosophy, and literature. However, there has been a neglect looking at his political thought: its philosophical and religious foundations, its role in nineteenth-century Europe, and its relevance for us today. Dostoevsky’s Political Thought explores Dostoevsky’s political thought in his fictional and nonfictional works with contributions from scholars of political science, philosophy, history, and Russian Studies. From a variety of perspectives, these scholars contribute to a greater understanding of Dostoevsky not only as a political thinker but also as a writer, philosopher, and religious thinker.
Author: Yuri Corrigan
Publisher: Northwestern University Press
ISBN: 081013571X
Category : Literary Criticism
Languages : en
Pages : 359
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Book Description
Dostoevsky was hostile to the notion of individual autonomy, and yet, throughout his life and work, he vigorously advocated the freedom and inviolability of the self. This ambivalence has animated his diverse and often self-contradictory legacy: as precursor of psychoanalysis, forefather of existentialism, postmodernist avant la lettre, religious traditionalist, and Romantic mystic. Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the “mystery” of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky’s career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche. Corrigan’s argument offers a fundamental shift in theories about Dostoevsky's work and will be of great interest to scholars of Russian literature, as well as to readers interested in the prehistory of psychoanalysis and trauma studies and in theories of selfhood and their cultural sources.
Author: Robert Guay
Publisher:
ISBN: 0190464011
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
The gruesome double-murder upon which the novel Crime and Punishment hinges leads its culprit, Raskolnikov, into emotional trauma and obsessive, destructive self-reflection. But Raskolnikov's famous philosophical musings are just part of the full philosophical thought manifest in one of Dostoevsky's most famous novels. This volume, uniquely, brings together prominent philosophers and literary scholars to deepen our understanding of the novel's full range of philosophical thought. The seven essays treat a diversity of topics, including: language and the representation of the human mind, emotions and the susceptibility to loss, the nature of agency, freedom and the possibility of evil, the family and the failure of utopian critique, the authority of law and morality, and the dialogical self. Further, authors provide new approaches for thinking about the relationship between literary representation and philosophy, and the way that Dostoevsky labored over intricate problems of narrative form in Crime and Punishment. Together, these essays demonstrate a seminal work's full philosophical worth--a novel rich with complex themes whose questions reverberate powerfully into the 21st century.
Author: Jeff Love
Publisher: Northwestern University Press
ISBN: 9780810133945
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
After more than a century, the urgency with which the writing of Fyodor Dostoevsky and Friedrich Nietzsche speaks to us is undiminished. Nietzsche explicitly acknowledged Dostoevsky’s relevance to his work, noting its affinities as well as its points of opposition. Both of them are credited with laying much of the foundation for what came to be called existentialist thought. The essays in this volume bring a fresh perspective to a relationship that illuminates a great deal of twentieth-century intellectual history. Among the questions taken up by contributors are the possibility of morality in a godless world, the function of philosophy if reason is not the highest expression of our humanity, the nature of tragedy when performed for a bourgeois audience, and the justification of suffering if it is not divinely sanctioned. Above all, these essays remind us of the supreme value of the questioning itself that pervades the work of Dostoevsky and Nietzsche.
Author: Fyodor Dostoyevsky
Publisher:
ISBN: 1606800809
Category : Russia
Languages : en
Pages : 115
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Book Description
Author: Paolo Stellino
Publisher: Peter Lang
ISBN: 3034316704
Category : Philosophy
Languages : en
Pages : 252
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Book Description
The first time that Nietzsche crossed the path of Dostoevsky was in the winter of 1886–87. While in Nice, Nietzsche discovered in a bookshop the volume L’esprit souterrain. Two years later, he defined Dostoevsky as the only psychologist from whom he had anything to learn. The second, metaphorical encounter between Nietzsche and Dostoevsky happened on the verge of nihilism. Nietzsche announced the death of God, whereas Dostoevsky warned against the danger of atheism. This book describes the double encounter between Nietzsche and Dostoevsky. Following the chronological thread offered by Nietzsche’s correspondence, the author provides a detailed analysis of Nietzsche’s engagement with Dostoevsky from the very beginning of his discovery to the last days before his mental breakdown. The second part of this book aims to dismiss the wide-spread and stereotypical reading according to which Dostoevsky foretold and criticized in his major novels some of Nietzsche’s most dangerous and nihilistic theories. In order to reject such reading, the author focuses on the following moral dilemma: If God does not exist, is everything permitted?
Author: Katya Tolstaya
Publisher: BRILL
ISBN: 900424459X
Category : History
Languages : en
Pages : 391
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Book Description
Introducing a new hermeneutics, this book explores the correlation between the personal faith of F.M. Dostoevsky (1821-1881) and the religious quality of his texts. In offering the first comprehensive analysis of his ego documents, it demonstrates how faith has methodologically to be defined by the inaccessibility of the 'living person'. This thesis, which draws on the work of M.M. Bakhtin, is further developed by critically examining the reception of Dostoevsky by the two main representatives of early dialectical theology, Karl Barth and Eduard Thurneysen. In the early 1920s, they claimed Dostoevsky as a chief witness to their radical theology of the fully transcendent God. While previously unpublished archive materials demonstrate the theological problems of their static conceptual interpretation, the 'kaleidoscopic' hermeneutics is founded on the awareness that a text offers only a fixed image, whereas living faith is in permanent motion.
