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Author: Steve Hayes
Publisher: Dorrance Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 193
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Book Description
Before the internet, smartphones or cable, there was a lone social media force that was more powerful than Facebook, Instagram, Tik-Tok, and all the rest combined. This portal to humanity was conducted by live humans in real time to inform, engage, and entertain the entire human race, and its cost was just a small one-time fee for ownership of this alluring device. The accounts and descriptions of how it operated and the personal journey one could encounter engaging with its usage mesmerized followers to become an invisible, mythical prodigy and a creation most could never imagine living without. While this once unstoppable influence is still with us today, it has now become just another choice in the hundreds of other options we have to keep ourselves entertained. Don’t Touch that Radio Dial is a love story from one who stood within a very small inner circle of performers who helped to create the legacy of the world’s very first social platform. As the curtain is pulled back, beware of the consequences as we ask you, please don’t touch that radio dial. (You don’t know where it’s been.) About the Author Steve Hayes is a radio humorist, author, and a sponge for lifetime experiences. Growing up in a small southern Ohio River town, he grew up somewhat as a radio hostage. Beginning with his early experiences with with his Uncle Phil, the news director for WLS Radio, and starting his own radio career at fifteen years old, Hayes’ life has been surrounded by music, radio, and connecting to thousands through the airwaves. He has worked for radio stations in Florida, Kentucky, Ohio, Texas, and West Virginia in a multitude of roles as on-air host, program director, and general manager.
Author: Steve Hayes
Publisher: Dorrance Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 193
Get Book Here
Book Description
Before the internet, smartphones or cable, there was a lone social media force that was more powerful than Facebook, Instagram, Tik-Tok, and all the rest combined. This portal to humanity was conducted by live humans in real time to inform, engage, and entertain the entire human race, and its cost was just a small one-time fee for ownership of this alluring device. The accounts and descriptions of how it operated and the personal journey one could encounter engaging with its usage mesmerized followers to become an invisible, mythical prodigy and a creation most could never imagine living without. While this once unstoppable influence is still with us today, it has now become just another choice in the hundreds of other options we have to keep ourselves entertained. Don’t Touch that Radio Dial is a love story from one who stood within a very small inner circle of performers who helped to create the legacy of the world’s very first social platform. As the curtain is pulled back, beware of the consequences as we ask you, please don’t touch that radio dial. (You don’t know where it’s been.) About the Author Steve Hayes is a radio humorist, author, and a sponge for lifetime experiences. Growing up in a small southern Ohio River town, he grew up somewhat as a radio hostage. Beginning with his early experiences with with his Uncle Phil, the news director for WLS Radio, and starting his own radio career at fifteen years old, Hayes’ life has been surrounded by music, radio, and connecting to thousands through the airwaves. He has worked for radio stations in Florida, Kentucky, Ohio, Texas, and West Virginia in a multitude of roles as on-air host, program director, and general manager.
Author: Bala James Baptiste
Publisher: Univ. Press of Mississippi
ISBN: 1496822102
Category : Social Science
Languages : en
Pages : 167
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Book Description
In Race and Radio: Pioneering Black Broadcasters in New Orleans, Bala James Baptiste traces the history of the integration of radio broadcasting in New Orleans and tells the story of how African American on-air personalities transformed the medium. Analyzing a trove of primary data—including archived manuscripts, articles and display advertisements in newspapers, oral narratives of historical memories, and other accounts of African Americans and radio in New Orleans between 1945 and 1965—Baptiste constructs a formidable narrative of broadcast history, racism, and black experience in this enormously influential radio market. The historiography includes the rise and progression of black broadcasters who reshaped the Crescent City. The first, O. C. W. Taylor, hosted an unprecedented talk show, the Negro Forum, on WNOE beginning in 1946. Three years later in 1949, listeners heard Vernon "Dr. Daddy-O" Winslow's smooth and creative voice as a disk jockey on WWEZ. The book also tells of Larry McKinley who arrived in New Orleans from Chicago in 1953 and played a critical role in informing black listeners about the civil rights movement in the city. The racial integration of radio presented opportunities for African Americans to speak more clearly, in their own voices, and with a technological tool that opened a broader horizon in which to envision community. While limited by corporate pressures and demands from advertisers ranging from local funeral homes to Jax beer, these black broadcasters helped unify and organize the communities to which they spoke. Race and Radio captures the first overtures of this new voice and preserves a history of black radio's awakening.
Author: William Barlow
Publisher: Temple University Press
ISBN: 9781566396677
Category : Business & Economics
Languages : en
Pages : 368
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Book Description
Looks at African Americans in the radio industry and at stations focusing on the African American market.
Author: Peter C. Rollins
Publisher: University Press of Kentucky
ISBN: 0813138558
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
“An excellent study that should interest film buffs, academics, and non-academics alike” (Journal of the West). Hollywood’s West examines popular perceptions of the frontier as a defining feature of American identity and history. Seventeen essays by prominent film scholars illuminate the allure of life on the edge of civilization and analyze how this region has been represented on big and small screens. Differing characterizations of the frontier in modern popular culture reveal numerous truths about American consciousness and provide insights into many classic Western films and television programs, from RKO’s 1931 classic Cimarron to Turner Network Television’s recent made-for-TV movies. Covering topics such as the portrayal of race, women, myth, and nostalgia, Hollywood’s West makes a significant contribution to the understanding of how Westerns have shaped our nation’s opinions and beliefs—often using the frontier as metaphor for contemporary issues.
Author: SMULYAN SUSAN
Publisher: Smithsonian
ISBN: 9781560986867
Category : Business & Economics
Languages : en
Pages : 260
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Book Description
And now a word from our sponsor.... When the first radio stations signed on in the 1920s, this phrase was unknown to listeners. Fifteen years later, however, advertising ruled the airwaves. Selling Radio recounts the initial difficult coupling of broadcasting and advertising, shows how the triumph of advertising transformed the content of radio programming, and exposes the complicity of business, technology, and government in reducing the promise of radio to the adage that "time is money". Susan Smulyan argues that the emergence of commercialized broadcasting was not an inevitable development but rather the result of a bitter struggle over the form and content of the new technology. Initially schools, churches, and small businesses sponsored stations, broadcasting local sporting events and such home-grown comedy and musical acts as "The Happiness Boys". In the mid-1920s, the enthusiasm that greeted the idea of a national broadcasting system quickly soured with the announcement that wired networks using ATandT's long lines would be financed by selling radio time to advertisers. Early opponents of commercial radio included not only listeners but also station owners, educators, religious leaders, and Secretary of Commerce Herbert Hoover, all of whom decried the "worthless stuff" of advertising. Even prospective advertisers doubted that radio ads would work. Selling Radio describes how the radio industry overcame the opposition and in the process dramatically altered the content of broadcasting. As listeners were reduced to consumers, folksy regional programs were replaced with slick, fully scripted shows and schedules created by sponsors to attract a nationwide audience. With the passage ofthe Communications Act of 1934, the paradigm of commercial-driven programming was established and later adopted without question by the next great communications technology - television.
Author: David Krugler
Publisher: Simon and Schuster
ISBN: 1681778351
Category : Fiction
Languages : en
Pages : 264
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Book Description
Washington, DC, 1945: Lieutenant Ellis Voigt of the Office of Naval Intelligence is desperate to keep the secrets that threaten his life. The FBI suspects that he is the communist who murdered a Naval officer in a Washington back alley. The Soviets believe he’s holding back information from their contacts, and they’re willing to use any means necessary to extract it.When Voigt is sent to New Mexico on a secret mission to identify a Soviet spy, he is tailed by both the FBI and the Russians, running out of people he can trust. As the team at Los Alamos prepares to test an atomic bomb in the desert, Voigt faces the dilemma he’d been trying to avoid: he can stop the Soviets from getting the bomb or he can save himself—but he might not be able to do both.
Author: Mel Watkins
Publisher: Chicago Review Press
ISBN:
Category : Humor
Languages : en
Pages : 696
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Book Description
Explores how humor in the African American entertainment business has sahped America and African Americans themselves.
Author: Michael Kammen
Publisher: Knopf
ISBN: 0307827712
Category : Social Science
Languages : en
Pages : 300
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Book Description
Americans have a long history of public arguments about taste, the uses of leisure, and what is culturally appropriate in a democracy that has a strong work ethic. Michael Kammen surveys these debates as well as our changing taste preferences, especially in the past century, and the shifting perceptions that have accompanied them. Professor Kammen shows how the post-traditional popular culture that flourished after the 1880s became full-blown mass culture after World War II, in an era of unprecedented affluence and travel. He charts the influence of advertising and opinion polling; the development of standardized products, shopping centers, and mass-marketing; the separation of youth and adult culture; the gradual repudiation of the genteel tradition; and the commercialization of organized entertainment. He stresses the significance of television in the shaping of mass culture, and of consumerism in its reconfiguration over the past two decades. Focusing on our own time, Kammen discusses the use of the fluid nature of cultural taste to enlarge audiences and increase revenues, and reveals how the public role of intellectuals and cultural critics has declined as the power of corporate sponsors and promoters has risen. As a result of this diminution of cultural authority, he says, definitive pronouncements have been replaced by divergent points of view, and there is, as well, a tendency to blur fact and fiction, reality and illusion. An important commentary on the often conflicting ways Americans have understood, defined, and talked about their changing culture in the twentieth century.
Author: Burton William Peretti
Publisher: University of Illinois Press
ISBN: 9780252064210
Category : Music
Languages : en
Pages : 326
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Book Description
As musicians, listeners, and scholars have sensed for many years, the story of jazz is more than a history of the music. Burton Peretti presents a fascinating account of how the racial and cultural dynamics of American cities created the music, life, and business that was jazz. From its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans, through its later metamorphoses in the cities of the North, Peretti charts the life of jazz culture to the eve of bebop and World War II. In the course of those fifty years, jazz was the story of players who made the transition from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. And jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman. "Blacks fought back by using jazz", states Peretti, "with its unique cultural and intellectual properties, to prove, assess, and evade the "dynamic of minstrelsy". Drawing on newspaper reports of the times and on the firsthand testimony of more than seventy prominent musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz is the first comprehensive analysis of the role of early jazz in American social history.
Author: Jean Folkerts
Publisher: Maxwell Macmillan
ISBN:
Category : Social Science
Languages : en
Pages : 596
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Book Description
