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Author: Don McKay
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 52
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Book Description
"In August 2006," writes Don McKay in his introduction, "a group of artists working in different media, and out of a variety of traditions, assembled in the Muskwa-Kechika wilderness of Northern British Columbia. This 'art-camp' was organized and managed by Donna Kane and Wayne Sawchuk as a way to direct aesthetic attention to an area-one of very few-in which a wild ecosystem remains virtually intact. This book is my response, presented in a form which, so I hope, fits both the region and the experience." Spreading a map of the Muskwa-Kechika out on the kitchen table prior to the trip, McKay studies the region framed by the Toad River in the north and the Tuchodi Lakes to the south. Written on the ground and in retrospect, the assemblage of poetry and prose describes encounters with the landscape and its inhabitants-lichen, caribou, moose, loons, and an unruly pack horse named Bucky. Taking up naming, ownership, wilderness, deep time-preoccupations that emerged previously in Vis à Vis and Deactivated West 100-McKay brings these notions to bear on a place almost entirely undisturbed by human settlement or industry. The Muskwa Assemblage is about settling into this lack of parameters, writing down and crossing out attempts to define that which goes on happily without definition. Interspersed with the prose are poems that capture what observation of animals in their habitat has over naming-of reducing to the shorthand of category-and similarly what wilderness retains when human habitation is not the object, where we are simply "beings among beings." This book is a smyth-sewn paperback. The text is typeset in Jenson and hand printed from photopolymer plates on Hahnemühle Biblio paper making 48 pages trimmed to 4.5 × 7 inches, bound into a paper cover and enfolded in a letterpress-printed jacket. The jacket paper will be handmade at Gaspereau Press.
Author: Don McKay
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 52
Get Book Here
Book Description
"In August 2006," writes Don McKay in his introduction, "a group of artists working in different media, and out of a variety of traditions, assembled in the Muskwa-Kechika wilderness of Northern British Columbia. This 'art-camp' was organized and managed by Donna Kane and Wayne Sawchuk as a way to direct aesthetic attention to an area-one of very few-in which a wild ecosystem remains virtually intact. This book is my response, presented in a form which, so I hope, fits both the region and the experience." Spreading a map of the Muskwa-Kechika out on the kitchen table prior to the trip, McKay studies the region framed by the Toad River in the north and the Tuchodi Lakes to the south. Written on the ground and in retrospect, the assemblage of poetry and prose describes encounters with the landscape and its inhabitants-lichen, caribou, moose, loons, and an unruly pack horse named Bucky. Taking up naming, ownership, wilderness, deep time-preoccupations that emerged previously in Vis à Vis and Deactivated West 100-McKay brings these notions to bear on a place almost entirely undisturbed by human settlement or industry. The Muskwa Assemblage is about settling into this lack of parameters, writing down and crossing out attempts to define that which goes on happily without definition. Interspersed with the prose are poems that capture what observation of animals in their habitat has over naming-of reducing to the shorthand of category-and similarly what wilderness retains when human habitation is not the object, where we are simply "beings among beings." This book is a smyth-sewn paperback. The text is typeset in Jenson and hand printed from photopolymer plates on Hahnemühle Biblio paper making 48 pages trimmed to 4.5 × 7 inches, bound into a paper cover and enfolded in a letterpress-printed jacket. The jacket paper will be handmade at Gaspereau Press.
Author: Travis V. Mason
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554583713
Category : Literary Criticism
Languages : en
Pages : 449
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Book Description
Ornithologies of Desire develops ecocritical reading strategies that engage scientific texts, field guides, and observation. Focusing on poetry about birds and birdwatching, this book argues that attending to specific details about the physical world when reading environmentally conscious poetry invites a critical humility in the face of environmental crises and evolutionary history. The poetry and poetics of Don McKay provide Ornithologies of Desire with its primary subject matter, which is predicated on attention to ornithological knowledge and avian metaphors. This focus on birds enables a consideration of more broadly ecological relations and concerns, since an awareness of birds in their habitats insists on awareness of plants, insects, mammals, rocks, and all else that constitutes place. The book’s chapters are organized according to: apparatus (that is, science as ecocritical tool), flight, and song. Reading McKay’s work alongside ecology and ornithology, through flight and birdsong, both challenges assumptions regarding humans’ place in the earth system and celebrates the sheer virtuosity of lyric poetry rich with associative as well as scientific details. The resulting chapters, interchapter, and concordance of birds that appear in McKay’s poetry encourage amateurs and specialists, birdwatchers and poetry readers, to reconsider birds in English literature on the page and in the field.
Author: Don McKay
Publisher: McClelland & Stewart
ISBN: 1551996642
Category : Poetry
Languages : en
Pages : 83
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Book Description
From one of Canada’s most acclaimed poets and the winner of the Governor General’s Award for Poetry. This book, Don McKay’s ninth collection, practises "the dark art of reflection" – which, as one of the poems tells us, whether boldly or capriciously, could not have existed without the moon – as it moves ever more deeply into ideas of home.
Author: Don McKay
Publisher: Wolfville, NS : Gaspereau Press
ISBN: 9781894031509
Category : Literary Criticism
Languages : en
Pages : 108
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Book Description
In Vis à Vis, Don McKay charts a vision of poetics that keeps its feet on the ground and its eyes on the horizon. As one of Canada's leading poets, McKay has long been known for his passionate engagement with his natural surroundings. This book collects three essays on this relationship, together with new and previously published poems that further demonstrate these ideas. Using bushtits, baler twine, Heidegger and Levinas, McKay sets out to explore some of the almost unspeakable concepts driving the use of language particular to poets, and the arguably skewed relationship human beings have with their natural surroundings. In a book the Globe & Mail calls "stylishly constructed" and "impeccably casual," one of Canada's best-loved writers offers his own sense of poetics.
Author: Don McKay
Publisher: McClelland & Stewart
ISBN: 0771055099
Category : Poetry
Languages : en
Pages : 98
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Book Description
Multi-award-winning poet Don McKay returns with a startling collection of new poems, his first since his Griffin Poetry Prize winning book, Strike/Slip Don McKay is known, among other things, as Canada's foremost poet of the natural world. Readers have come to expect a playful extravagance in his poetry. Most recently, he has opened himself to the mysteries of geologic wonder. "Who needs ghosts when matter /nonchalantly haunts us," he writes. In his new book, perhaps his most stunning yet, it's fossils and deep time that provide the awe. The landscape of Newfoundland has taken his linguistic virtuosity even further, sharpened his wit, and given him a lyric energy that sometimes feels as if he's lifting the planet into song.
Author: Don McKay
Publisher:
ISBN: 9781771230131
Category : Air pilots
Languages : en
Pages : 273
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Book Description
Author: Don McKay
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 104
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Book Description
Author: Don McKay
Publisher: McClelland & Stewart
ISBN: 0771057857
Category : Poetry
Languages : en
Pages : 97
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Book Description
"[McKay's] exuberantly musical and shrewd poems are ecological in the fullest sense of the word: they seek to elucidate our relationships with our fragile dwelling places both on the earth and in our own skins." --New York Times Book Review E.J. Pratt Family Poetry Award, Winner An extraordinary collection of poems from Griffin Poetry Prize winner Don McKay. Old joke: “What’s the difference between a lurch and a dance step?” “I don’t know.” “I didn’t think so. Let’s sit down.” These poems are what happens when you stay out on the dance floor instead, dancing the staggers. The full moon rises from the ocean and you lurch with astonishment that we live on a rocky sphere whirling in space. Or the bird in your hand—a pipit or a storm petrel—conveys the exquisite frailty of existence. And there’s the complex of lurches as we contemplate our complicity in the sixth mass extinction. Throughout Lurch, language dances its ardent incompetence as a translator of “the profane wonders of the wilderness,” whether manifest as Balsam Fir, Catbirds, the extinct Eskimo Curlew, or the ever-present Cosmic Microwave Background. What is the difference between a love song and an elegy? We live between eroding raindrops and accelerating clocks. The piano lifts its lid to show its wire-and-hammer heart.
Author: Don McKay
Publisher: Kentville, N.S. : Gaspereau Press
ISBN: 9781554470082
Category : Place (Philosophy) in literature
Languages : en
Pages : 0
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Book Description
Deactivated West 100 is Don McKay's latest set of variations on a poetics of place. Armed with lunch and relevant reading material, McKay invites us to join him on Vancouver Island for a series of explorations that depend on first losing our way. In the spirit of Vis à Vis (Gaspereau Press, 2001), McKay embarks on a project to locate a human understanding of place in the midst of wilderness and in the scheme of infinite time. In six movements of prose and poetry, questions are clarified and answers begun. Home is a series of habits, McKay suggests, as he recounts a personal tradition that involves selecting a stone from a local beach, familiarizing himself with it over the years, and then returning it from his pocket to the same beach and selecting a new one. Picking up the discussion of place and wilderness that began in Vis à Vis, McKay launches it in a new direction, headlong into the geologic/geopoetic time scale where crystals, magma, terranes and Xenophanes affirm an understanding of how we inhabit space and time. At the centre of the collection is a series of poems dedicated to the Shay locomotive, which powered Vancouver Island's logging industry in the 1920s. Here the natural and the built coexist, mental and geographical locations intersect, and wilderness and creativity border. These poems are followed by a set of journeys made for the purpose of losing the way and a treatise on natural clearings. On the ground, McKay is both precise and imaginative, pursuing the specific interstices where abstractions leak into the forest, and walks follow creeks into wilder, less habitable areas of thought. "The background for Deactivated West 100 is a particular fault line on southern Vancouver Island known as the Loss Creek-Leech River fault," says McKay. "It is very eloquent because it is marked on the surface by a deep canyon-at least at its western end, in which Loss Creek, the Leech River and a couple of reservoirs lie. I decided, as part of my apprenticeship to west coast landscapes, to walk the fault line from end to end and take note of whatever it presented to me in terms of rocks, plants, animals, birds (of course) and human history. A lot of that walking was done on the old deactivated bush road which follows Loss Creek and gives the book its title. Since the area has been very aggressively logged, this also led me into the history and politics of forestry hereabouts-including technological advances like the Shay locomotive and the Stihl chainsaw, both of whom make appearances in the book." Deactivated West 100 proceeds with the same mix of humour, humility and determined authenticity that have characterized McKay's previous works. At a pace that falls somewhere between stroll and clamber, McKay introduces a potent set of ideas with which to situate ourselves in the woods. This book is a smyth-sewn paperback bound in card stock with a letterpress-printed jacket. The text was typeset by Andrew Steeves in Electra and printed offset on laid paper.
Author: Matthew McKay, PhD
Publisher: New World Library
ISBN: 1608683737
Category : Body, Mind & Spirit
Languages : en
Pages : 164
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Book Description
If you have lost someone you deeply love, or have become strongly aware of your mortality, it’s hard to avoid wondering about life after death, the existence of God, notions of heaven and hell, and why we are here in the first place. The murder of Matthew McKay’s son, Jordan, sent him on a journey in search of ways to communicate with his son despite fears and uncertainty. Here he recounts his efforts — including past-life and between-lives hypnotic regressions, a technique called induced after-death communication, channeled writing, and more. McKay, a psychologist and researcher, ultimately learned how to reach his son. In this book he provides extraordinary revelations — direct from Jordan — about the soul’s life after death, how karma works, why we incarnate, why there is so much pain in the world, the single force that connects us, and our future as souls. Unlike many books about after-death communication, near-death experiences, and past-life memories, this is a book for those who do not believe yet yearn to know what happens after death. In addition to being riveting reading, Seeking Jordan is a unique heart-, soul-, and mind-stirring reflection on the issues each of us will ultimately face.
