Français Interactif PDF Download
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Author: Karen Kelton
Publisher:
ISBN: 9781937963200
Category :
Languages : en
Pages :
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Book Description
This textbook includes all 13 chapters of Français interactif. It accompanies www.laits.utexas.edu/fi, the web-based French program developed and in use at the University of Texas since 2004, and its companion site, Tex's French Grammar (2000) www.laits.utexas.edu/tex/ Français interactif is an open acess site, a free and open multimedia resources, which requires neither password nor fees. Français interactif has been funded and created by Liberal Arts Instructional Technology Services at the University of Texas, and is currently supported by COERLL, the Center for Open Educational Resources and Language Learning UT-Austin, and the U.S. Department of Education Fund for the Improvement of Post-Secondary Education (FIPSE Grant P116B070251) as an example of the open access initiative.
Author: Karen Kelton
Publisher:
ISBN: 9781937963200
Category :
Languages : en
Pages :
Get Book Here
Book Description
This textbook includes all 13 chapters of Français interactif. It accompanies www.laits.utexas.edu/fi, the web-based French program developed and in use at the University of Texas since 2004, and its companion site, Tex's French Grammar (2000) www.laits.utexas.edu/tex/ Français interactif is an open acess site, a free and open multimedia resources, which requires neither password nor fees. Français interactif has been funded and created by Liberal Arts Instructional Technology Services at the University of Texas, and is currently supported by COERLL, the Center for Open Educational Resources and Language Learning UT-Austin, and the U.S. Department of Education Fund for the Improvement of Post-Secondary Education (FIPSE Grant P116B070251) as an example of the open access initiative.
Author: Kornelia Imesch
Publisher: transcript Verlag
ISBN: 3839429757
Category : Social Science
Languages : en
Pages : 231
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Book Description
Newsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today's potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance. This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a »biopic of the nation«, and the technical, aesthetical, and political challenges of archiving and restaging cinematic and televisual newsreel.
Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813595169
Category : Art
Languages : en
Pages : 525
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Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author:
Publisher: TheBookEdition
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : French literature
Languages : fr
Pages : 644
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Book Description
Author: Council of Europe. Consultative Assembly
Publisher:
ISBN:
Category : Europe
Languages : fr
Pages : 212
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Book Description
Author:
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 428
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Book Description
Author: Anne-Christine Rice
Publisher: Hackett Publishing
ISBN: 1585107700
Category : Foreign Language Study
Languages : fr
Pages : 393
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Book Description
An exciting book for incorporating French cinema and culture into a French language course. Each chapter of the book is devoted to a single movie and includes tools for students watching the film, discussing and writing about the film, and understanding the film in a broader cultural context. This best-selling textbook continues to define language learning through film. Included in each chapter, is vocabulary helpful to understanding and discussing the film, structured exercises in understanding the film once it has been viewed—especially for discussion in class—and an accompanying reading for each film designed to provide perspective on the film itself. New to the fourth edition: - Four new award-winning films - Revised selection of readings - Handy textboxes providing clarifications, examples, and how to avoid common mistakes - Screen shots of characters in Premiere Approche - Companion website offering links to film trailers, interviews, and other online resources The Films (new in bold): Inch’ Allah dimanche | Jean de Florette | Manon des sources | Ressources humaines | Joyeux Noël | Le fabuleux destin d’Amélie Poulain |L’esquive | Ridicule | La veuve de Saint-Pierre | Les femmes du 6e étage | Welcome | Au revoir les enfants | 8 femmes | Cyrano de Bergerac | Le hussard sur le toit | Molière | Le dernier métro | Le dîner de cons
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 580
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Book Description
Author: Jean-luc Godard
Publisher: Da Capo Press
ISBN: 9780306802591
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself-his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.
