CRITICAL HISTORY OF THE OLD TESTAMENT

CRITICAL HISTORY OF THE OLD TESTAMENT PDF Author: RICHARD. SIMON
Publisher:
ISBN: 9781033286210
Category :
Languages : en
Pages : 0

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CRITICAL HISTORY OF THE OLD TESTAMENT

CRITICAL HISTORY OF THE OLD TESTAMENT PDF Author: RICHARD. SIMON
Publisher:
ISBN: 9781033286210
Category :
Languages : en
Pages : 0

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Book Description


Reading Opera

Reading Opera PDF Author: Arthur Groos
Publisher: Princeton University Press
ISBN: 140085959X
Category : Music
Languages : en
Pages : 363

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Book Description
"Libretto-bashing has a distinguished tradition in the blood sport of opera," writes Arthur Groos in the introduction to this broad survey of critical approaches to that much-maligned genre. To examine, and to challenge, the long-standing prejudice against libretti and the scholarly tradition that has, until recently, reiterated it, Groos and Roger Parker have commissioned thirteen stimulating essays by musicologists, literary critics, and historians. Taken as a whole, the volume demonstrates that libretti are now very much within the purview of contemporary humanistic scholarship. Libretti pose questions of intertextuality, transposition of genre, and reception history. They invite a broad spectrum of contemporary reading strategies ranging from the formalistic to the feminist. And as texts for music they raise issues in the relation between the two mediums and their respective traditions. Reading Opera will be of value to anyone with a serious interest in opera and contemporary opera criticism. The essays cover the period from the early nineteenth to the early twentieth centuries, with a particular focus on works of the later nineteenth century. The contributors are Carolyn Abbate, William Ashbrook, Katherine Bergeron, Caryl Emerson, Nelly Furman, Sander L. Gilman, Arthur Groos, James A. Hepokoski, Jurgen Maehder, Roger Parker, Paul Robinson, Christopher Wintle, and Susan Youens. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Nation's Image

The Nation's Image PDF Author: Jane Fulcher
Publisher: Cambridge University Press
ISBN: 9780521529433
Category : History
Languages : en
Pages : 296

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Book Description
Professor Fulcher argues that French grand opera was a subtly used tool of the state.

Lourdes

Lourdes PDF Author: Ruth Harris
Publisher: Penguin UK
ISBN: 014188990X
Category : Religion
Languages : en
Pages : 702

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Book Description
Lourdes was at the very centre of nineteenth century debates on religion, science and medicine. Both the Church and secularists championed the 'miracle' town as crucial in shaping how society should think about the mind, body and spirit. Since the ‘visions’ of Bernadette Soubirous in 1858 transformed the quiet Pyrenean town into an international tourist and pilgrimage destination, it has been a site for controversy. In her well-crafted and carefully researched book, Harris deftly places Lourdes and its attendant spiritual movement firmly at the centre of French history and shows its significance in the country’s development.

A New Life of Jesus. Authorized Translation

A New Life of Jesus. Authorized Translation PDF Author: David Friedrich Strauss
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 478

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Book Description


Musicology and Difference

Musicology and Difference PDF Author: Ruth A. Solie
Publisher: Univ of California Press
ISBN: 0520916506
Category : Music
Languages : en
Pages : 367

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Book Description
Addressing Western and non-Western music, composers from Francesca Caccini to Charles Ives, and musical communities from twelfth-century monks to contemporary opera queens, these essays explore questions of gender and sexuality. Musicology and Difference brings together some of the freshest and most challenging voices in musicology today on a question of importance to all the humanistic disciplines.

French Opera at the Fin de Siècle

French Opera at the Fin de Siècle PDF Author: Steven Huebner
Publisher: Oxford University Press
ISBN: 9780199719921
Category : Music
Languages : en
Pages : 552

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Book Description
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.

Suite Bergamasque for Piano: Urtext

Suite Bergamasque for Piano: Urtext PDF Author:
Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 36

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Book Description
Debussy's famous piano suite, which contains the ever-popular 'Clair de lune', presented here in an Urtext edition by Hans Swarsensky.

Opera, the Extravagant Art

Opera, the Extravagant Art PDF Author: Herbert Lindenberger
Publisher: Ithaca, N.Y. : Cornell University Press
ISBN:
Category : Music
Languages : en
Pages : 312

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Book Description
Discusses the formal relations between opera and drama, aesthetic representation, the portrayal of opera in novels, and cultural attitudes toward opera.

Opera, State, and Society in the Third Republic, 1875-1914

Opera, State, and Society in the Third Republic, 1875-1914 PDF Author: André Michael Spies
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : History
Languages : en
Pages : 288

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Book Description
Before the Great War, the Opéra was the most exclusive salon in Paris, rendezvous of the elites of the Belle Epoque. This work explores the social and political content of the Opéra and Opéra-Comique repertoires as they responded to the ideological requirements of aristocratic and bourgeois audiences, to the political interests of Third Republic politicians who subsidized and supervised the opera, and to the ideas of prominent composers and librettists.