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Author: International Court of Justice
Publisher:
ISBN:
Category : Arbitration (International law)
Languages : en
Pages : 500
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Book Description
Author: International Court of Justice
Publisher:
ISBN:
Category : Arbitration (International law)
Languages : en
Pages : 500
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Book Description
Author: Freedom House
Publisher: Rowman & Littlefield Publishers
ISBN: 9781442217942
Category : Civil rights
Languages : en
Pages : 0
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Book Description
A survey of the state of human freedom around the world investigates such crucial indicators as the status of civil and political liberties and provides individual country reports.
Author:
Publisher:
ISBN:
Category : International agencies
Languages : en
Pages : 1816
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Book Description
Author: Lyndel V. Prott
Publisher: UNESCO
ISBN: 9231041282
Category : Business & Economics
Languages : en
Pages : 465
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Book Description
This Compendium gives an outline of the historical, philosophical and ethical aspects of the return of cultural objects (e.g. cultural objects displaced during war or in colonial contexts), cites past and present cases (Maya Temple Facade, Nigerian Bronzes, United States of America v. Schultz, Parthenon Marbles and many more) and analyses legal issues (bona fide, relevant UNESCO and UNIDROIT Conventions, Supreme Court Decisions, procedure for requests etc.). It is a landmark publication that bears testament to the ways in which peoples have lost their entire cultural heritage and analyses the issue of its return and restitution by providing a wide range of perspectives on this subject. Essential reading for students, specialists, scholars and decision-makers as well as those interested in these topics.
Author: Michael Jakobson
Publisher: University Press of Kentucky
ISBN: 081316138X
Category : History
Languages : en
Pages : 191
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Book Description
A vast network of prison camps was an essential part of the Stalinist system. Conditions in the camps were brutal, life expectancy short. At their peak, they housed millions, and hardly an individual in the Soviet Union remained untouched by their tentacles. Michael Jakobson's is the first study to examine the most crucial period in the history of the camps: from the October Revolution of 1917, when the tsarist prison system was destroyed to October 1934, when all places of confinement were consolidated under one agency—the infamous GULAG. The prison camps served the Soviet government in many ways: to isolate opponents and frighten the population into submission, to increase labor productivity through the arrest of "inefficient" workers, and to provide labor for factories, mines, lumbering, and construction projects. Jakobson focuses on the structure and interrelations of prison agencies, the Bolshevik views of crime and punishment and inmate reeducation, and prison self-sufficiency. He also describes how political conditions and competition among prison agencies contributed to an unprecedented expansion of the system. Finally, he disputes the official claim of 1931 that the system was profitable—a claim long accepted by former inmates and Western researchers and used to explain the proliferation of the camps and their population. Did Marxism or the Bolshevik Revolution or Leninism inexorably lead to the GULAG system? Were its origins truly evil or merely banal? Jakobson's important book probes the official record to cast new light on a system that for a time supported but ultimately helped destroy the now fallen Soviet colossus.
Author:
Publisher: DIANE Publishing
ISBN: 1428910336
Category :
Languages : en
Pages : 369
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Book Description
Nearly 40 years after the concept of finite deterrence was popularized by the Johnson administration, nuclear Mutual Assured Destruction (MAD) thinking appears to be in decline. The United States has rejected the notion that threatening population centers with nuclear attacks is a legitimate way to assure deterrence. Most recently, it withdrew from the Anti-Ballistic Missile Treaty, an agreement based on MAD. American opposition to MAD also is reflected in the Bush administration's desire to develop smaller, more accurate nuclear weapons that would reduce the number of innocent civilians killed in a nuclear strike. Still, MAD is influential in a number of ways. First, other countries, like China, have not abandoned the idea that holding their adversaries' cities at risk is necessary to assure their own strategic security. Nor have U.S. and allied security officials and experts fully abandoned the idea. At a minimum, acquiring nuclear weapons is still viewed as being sensible to face off a hostile neighbor that might strike one's own cities. Thus, our diplomats have been warning China that Japan would be under tremendous pressure to go nuclear if North Korea persisted in acquiring a few crude weapons of its own. Similarly, Israeli officials have long argued, without criticism, that they would not be second in acquiring nuclear weapons in the Middle East. Indeed, given that Israelis surrounded by enemies that would not hesitate to destroy its population if they could, Washington finds Israel's retention of a significant nuclear capability totally "understandable."
Author: M. W. Mouton
Publisher: Springer
ISBN: 9401759669
Category : Science
Languages : en
Pages : 378
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 714
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Book Description
Author: Pamela M. Potter
Publisher: Univ of California Press
ISBN: 0520282345
Category : Art
Languages : en
Pages : 408
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Book Description
This provocative study asks why we have held on to vivid images of the NazisÕ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other Òenemies of the stateÓ was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.
Author: Dmitry S. Likhachev
Publisher: Central European University Press
ISBN: 9633864925
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
This compelling and often traumatic book is the memoir of one of the most important figures in modern Russian history, Dmitry S. Likhachev, revered as ‘a guardian of national culture’. Reflections on the Russian Soul is an incredible account of an intellectual’s turbulent journey through twentieth century Russia. Likhachev re-counts the fortunes of people with whom he came into contact and reproduces the air of passed years in Russia. Likhachev vividly portrays his childhood years in St. Petersburg and continues into his student life at Leningrad University that led to an agonizing period of imprisonment and near death. He describes how a harmless prank caught the attention of the Secret Police, resulting in his exile and confinement within the infamous prison island of Solovki. He describes his first-hand experience of brutality in prison during the early Stalin years and the incident that not only saved him but also haunted him for the rest of his life. He reflects on the years after his release from prison and the events leading up to the Second World War. His powerful recollection of the blockade of Leningrad provides the reader with a horrific insight into the harsh effects of war, hunger and survival. Lichachev goes on to describe post-war Russia and how his own livelihood developed from literary editor to a return to Leningrad University as Professor of History. This compelling autobiography finishes with Likhachev’s poignant return to Solovki as a free man.
