Author: Alan Warren Friedman
Publisher: University Press of Kentucky
ISBN: 0813161622
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
In 1934, Nancy Cunard published Negro: An Anthology, which brought together more than two hundred contributions, serving as a plea for racial justice, an exposé of black oppression, and a hymn to black achievement and endurance. The anthology stands as a virtual ethnography of 1930s racial, historic, artistic, political, and economic culture. Samuel Beckett, a close friend of the flamboyant and unconventional Cunard, translated nineteen of the contributions for Negro, constituting Beckett's largest single prose publication. Beckett traditionally has been viewed as an apolitical postmodernist rather than as a willing and major participant in Negro's racial, political, and aesthetic agenda. In Beckett in Black and Red, Friedman reevaluates Beckett's contribution to the project, reconciling the humanism of his life and work and valuing him as a man deeply engaged with the greatest public issues of his time. Cunard believed racial justice and equality could be achieved only through Communism, and thus "black" and "red" were inextricably linked in her vision. Beckett's contribution to Negro demonstrates his support for Cunard's interest in surrealism as well as her political causes, including international republicanism and anti-fascism. Only in recent years have Cunard's ideas begun to receive serious consideration. Beckett in Black and Red radically revalues Cunard and reconceives Beckett. His work in Negro shows a commitment to cultural and individual equality and worth that Beckett consistently demonstrated throughout his life, both in personal relationships and in his writing.
Beckett in Black and Red
Author: Alan Warren Friedman
Publisher: University Press of Kentucky
ISBN: 0813161622
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
In 1934, Nancy Cunard published Negro: An Anthology, which brought together more than two hundred contributions, serving as a plea for racial justice, an exposé of black oppression, and a hymn to black achievement and endurance. The anthology stands as a virtual ethnography of 1930s racial, historic, artistic, political, and economic culture. Samuel Beckett, a close friend of the flamboyant and unconventional Cunard, translated nineteen of the contributions for Negro, constituting Beckett's largest single prose publication. Beckett traditionally has been viewed as an apolitical postmodernist rather than as a willing and major participant in Negro's racial, political, and aesthetic agenda. In Beckett in Black and Red, Friedman reevaluates Beckett's contribution to the project, reconciling the humanism of his life and work and valuing him as a man deeply engaged with the greatest public issues of his time. Cunard believed racial justice and equality could be achieved only through Communism, and thus "black" and "red" were inextricably linked in her vision. Beckett's contribution to Negro demonstrates his support for Cunard's interest in surrealism as well as her political causes, including international republicanism and anti-fascism. Only in recent years have Cunard's ideas begun to receive serious consideration. Beckett in Black and Red radically revalues Cunard and reconceives Beckett. His work in Negro shows a commitment to cultural and individual equality and worth that Beckett consistently demonstrated throughout his life, both in personal relationships and in his writing.
Publisher: University Press of Kentucky
ISBN: 0813161622
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
In 1934, Nancy Cunard published Negro: An Anthology, which brought together more than two hundred contributions, serving as a plea for racial justice, an exposé of black oppression, and a hymn to black achievement and endurance. The anthology stands as a virtual ethnography of 1930s racial, historic, artistic, political, and economic culture. Samuel Beckett, a close friend of the flamboyant and unconventional Cunard, translated nineteen of the contributions for Negro, constituting Beckett's largest single prose publication. Beckett traditionally has been viewed as an apolitical postmodernist rather than as a willing and major participant in Negro's racial, political, and aesthetic agenda. In Beckett in Black and Red, Friedman reevaluates Beckett's contribution to the project, reconciling the humanism of his life and work and valuing him as a man deeply engaged with the greatest public issues of his time. Cunard believed racial justice and equality could be achieved only through Communism, and thus "black" and "red" were inextricably linked in her vision. Beckett's contribution to Negro demonstrates his support for Cunard's interest in surrealism as well as her political causes, including international republicanism and anti-fascism. Only in recent years have Cunard's ideas begun to receive serious consideration. Beckett in Black and Red radically revalues Cunard and reconceives Beckett. His work in Negro shows a commitment to cultural and individual equality and worth that Beckett consistently demonstrated throughout his life, both in personal relationships and in his writing.
Negro
Author: Nancy Cunard
Publisher:
ISBN: 9781946963598
Category :
Languages : en
Pages : 0
Book Description
Reprint Edition of the 1934 Edition. This is the abridged edition of Nancy Cunard's classic collection. In 1934, Nancy Cunard self-published this volume in an edition of 1000 copies through her Hours Press. She was an odd source considering she was a wealthy white Englishwoman. Nonetheless, the volume was very well respected. Chapters in the book cover "Slavery," "Patterns of Negro Life and Expression," "Negro History and Literature," "Education and Law," and more. Langston Hughes, Zora Neale Hurston, William Carlos Williams, Samuel Becket, and others contributed to the text. Mostly neglected in Cunard's own time, Negro has attained the status of a cult classic. The list of contributors--represented in poetry, prose, translations, and music--is a who's who of 20th-century arts and literature: Louis Armstrong, Samuel Beckett, Norman Douglas, Nancy Cunard herself, Theodore Dreiser, W. E. B. DuBois, Langston Hughes, Zora Neale Hurston, William Plomer, Arthus Schomburg, William Carlos Williams, and more. In its subject and international approach, Negro was generations ahead of its time. Its exploration of black achievement and black anger takes the reader from life in America to the West Indies, South America, Europe, and Africa. Though very much of its time, Negro is also timeless in its depiction of oppressive social and political conditions as well as in its homage to myriad contributions by black artists and thinkers. The story behind Negro: An Anthology is as legendary as its contents. In the late 1920s, Nancy Cunard, socially conscious, British, white, upper-class nonconformist and heir to the famed Cunard Shipping Line, married a black man and single-handedly put out 100 copies of a groundbreaking anthology. The work contained essays, poetry, short stories, and political propaganda from the era's finest Afro-American writers, along with valuable contributions by several white writers, including William Carlos Williams, Samuel Beckett, and Theodore Dreiser. In this invaluable reprint, we can see how broadly Cunard's interest in the "Negro question" ran. In chapters dealing with slavery, history, education, and the arts--as well as Latin America, Europe, and Africa--Cunard includes the poetry of Langston Hughes and Sterling Brown; Zora Neale Hurston's anthropological study of the "Characteristics of Negro Expressions"; James Ford's legendary "Communism and the Negro"; and glimpses into the conditions and folk customs of blacks in Trinidad, Barbados, Cuba, Brazil, Uruguay, Paris, and West Africa. The most poignant writing, however, is her own account of the infamous case of the Scottsboro Boys, a group of innocent blacks falsely accused of raping two white women, which resulted in their near-execution. Although much of the communist-friendly content of Negro may seem naive by today's standards, the collection still stands as one of the most unique and esoteric compendiums of 20th-century Afro-American literature. --Eugene Holley, Jr.
Publisher:
ISBN: 9781946963598
Category :
Languages : en
Pages : 0
Book Description
Reprint Edition of the 1934 Edition. This is the abridged edition of Nancy Cunard's classic collection. In 1934, Nancy Cunard self-published this volume in an edition of 1000 copies through her Hours Press. She was an odd source considering she was a wealthy white Englishwoman. Nonetheless, the volume was very well respected. Chapters in the book cover "Slavery," "Patterns of Negro Life and Expression," "Negro History and Literature," "Education and Law," and more. Langston Hughes, Zora Neale Hurston, William Carlos Williams, Samuel Becket, and others contributed to the text. Mostly neglected in Cunard's own time, Negro has attained the status of a cult classic. The list of contributors--represented in poetry, prose, translations, and music--is a who's who of 20th-century arts and literature: Louis Armstrong, Samuel Beckett, Norman Douglas, Nancy Cunard herself, Theodore Dreiser, W. E. B. DuBois, Langston Hughes, Zora Neale Hurston, William Plomer, Arthus Schomburg, William Carlos Williams, and more. In its subject and international approach, Negro was generations ahead of its time. Its exploration of black achievement and black anger takes the reader from life in America to the West Indies, South America, Europe, and Africa. Though very much of its time, Negro is also timeless in its depiction of oppressive social and political conditions as well as in its homage to myriad contributions by black artists and thinkers. The story behind Negro: An Anthology is as legendary as its contents. In the late 1920s, Nancy Cunard, socially conscious, British, white, upper-class nonconformist and heir to the famed Cunard Shipping Line, married a black man and single-handedly put out 100 copies of a groundbreaking anthology. The work contained essays, poetry, short stories, and political propaganda from the era's finest Afro-American writers, along with valuable contributions by several white writers, including William Carlos Williams, Samuel Beckett, and Theodore Dreiser. In this invaluable reprint, we can see how broadly Cunard's interest in the "Negro question" ran. In chapters dealing with slavery, history, education, and the arts--as well as Latin America, Europe, and Africa--Cunard includes the poetry of Langston Hughes and Sterling Brown; Zora Neale Hurston's anthropological study of the "Characteristics of Negro Expressions"; James Ford's legendary "Communism and the Negro"; and glimpses into the conditions and folk customs of blacks in Trinidad, Barbados, Cuba, Brazil, Uruguay, Paris, and West Africa. The most poignant writing, however, is her own account of the infamous case of the Scottsboro Boys, a group of innocent blacks falsely accused of raping two white women, which resulted in their near-execution. Although much of the communist-friendly content of Negro may seem naive by today's standards, the collection still stands as one of the most unique and esoteric compendiums of 20th-century Afro-American literature. --Eugene Holley, Jr.
As Wonderful as All That?
Author: Henry Crowder
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 218
Book Description
As increasing numbers of toys disappear from his workshop, Santa engages a detective to solve the mystery.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 218
Book Description
As increasing numbers of toys disappear from his workshop, Santa engages a detective to solve the mystery.
Belgian Opera Houses and Singers
Author: Richard T. Soper
Publisher: Richard T Soper
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 578
Book Description
Publisher: Richard T Soper
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 578
Book Description
Ponselle, a Singer's Life
Author: Rosa Ponselle
Publisher: Doubleday Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 388
Book Description
Publisher: Doubleday Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 388
Book Description
Jazz, Rags & Blues, Book 1
Author: Martha Mier
Publisher: Alfred Music
ISBN: 9781457444111
Category : Music
Languages : en
Pages : 28
Book Description
Jazz, Rags & Blues, Book 1 contains original solos for late elementary to early intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music.
Publisher: Alfred Music
ISBN: 9781457444111
Category : Music
Languages : en
Pages : 28
Book Description
Jazz, Rags & Blues, Book 1 contains original solos for late elementary to early intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music.
The White Man's Duty
Author: Nancy Cunard
Publisher:
ISBN:
Category : Atlantic Charter
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Atlantic Charter
Languages : en
Pages : 60
Book Description
The Cambridge Companion to Beckett
Author: John Pilling
Publisher: Cambridge University Press
ISBN: 9780521424134
Category : Drama
Languages : en
Pages : 278
Book Description
The world fame of Samuel Beckett is due to a combination of high academic esteem and immense popularity. An innovator in prose fiction to rival Joyce, his plays have been the most influential in modern theatre history. As an author in both English and French and a writer for the page and the stage, Beckett has been the focus for specialist treatment in each of his many guises, but there have been few attempts to provide a conspectus view. This book, first published in 1994, provides thirteen introductory essays on every aspect of Beckett's work, some paying particular attention to his most famous plays (e.g. Waiting for Godot and Endgame) and his prose fictions (e.g. the 'trilogy' and Murphy). Other essays tackle his radio and television drama, his theatre directing and his poetry, followed by more general issues such as Beckett's bilingualism and his relationship to the philosophers. Reference material is provided at the front and back of the book.
Publisher: Cambridge University Press
ISBN: 9780521424134
Category : Drama
Languages : en
Pages : 278
Book Description
The world fame of Samuel Beckett is due to a combination of high academic esteem and immense popularity. An innovator in prose fiction to rival Joyce, his plays have been the most influential in modern theatre history. As an author in both English and French and a writer for the page and the stage, Beckett has been the focus for specialist treatment in each of his many guises, but there have been few attempts to provide a conspectus view. This book, first published in 1994, provides thirteen introductory essays on every aspect of Beckett's work, some paying particular attention to his most famous plays (e.g. Waiting for Godot and Endgame) and his prose fictions (e.g. the 'trilogy' and Murphy). Other essays tackle his radio and television drama, his theatre directing and his poetry, followed by more general issues such as Beckett's bilingualism and his relationship to the philosophers. Reference material is provided at the front and back of the book.
A Matter of Records
Author: Jerrold Northrop Moore
Publisher: New York : Taplinger Publishing Company
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
Book Description
A history of the gramophone and its creators: Emile Berliner and Fred Gaisberg.
Publisher: New York : Taplinger Publishing Company
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
Book Description
A history of the gramophone and its creators: Emile Berliner and Fred Gaisberg.
Jazz, Rags & Blues
Author: Martha Mier
Publisher: Alfred Music
ISBN: 9780739008508
Category : Piano music (Blues)
Languages : en
Pages : 0
Book Description
Jazz, Rags & Blues, Book 2 contains original solos for early intermediate to intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music. The online audio includes dynamic recordings of each song in the book.
Publisher: Alfred Music
ISBN: 9780739008508
Category : Piano music (Blues)
Languages : en
Pages : 0
Book Description
Jazz, Rags & Blues, Book 2 contains original solos for early intermediate to intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music. The online audio includes dynamic recordings of each song in the book.