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Author: Sarah A. Mattice
Publisher: Cambridge Scholars Publishing
ISBN: 1527506967
Category : Philosophy
Languages : en
Pages : 176
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Book Description
This collection consists of a selection of papers presented at the 2014 Uehiro Cross Currents Philosophy Conference, which focused on comparative philosophy, held at the University of Hawai’i in Mānoa. The annual student conference opens up opportunities for dialogue across cultures and traditions and challenges the status quo of academic philosophy’s focus on Western thought alone, as exhibited in this book. Doing so has both aesthetic and political implications. In one way, to the extent that comparative philosophy outlines new possibilities for how the world can be distributed—how things can be thought of in their spatiotemporal embodiments—it is involved in artistic practice, the development of an aesthetic, a way of making sense of the sensible. In another way, to the extent that it demonstrates the equality of marginalized voices in its distribution and redistribution of sensibility, comparative philosophy takes on a political dimension. The chapters within point to this politico-aesthetic aspect of comparative philosophy and, indeed, of philosophy in general.
Author: Sarah A. Mattice
Publisher: Cambridge Scholars Publishing
ISBN: 1527506967
Category : Philosophy
Languages : en
Pages : 176
Get Book Here
Book Description
This collection consists of a selection of papers presented at the 2014 Uehiro Cross Currents Philosophy Conference, which focused on comparative philosophy, held at the University of Hawai’i in Mānoa. The annual student conference opens up opportunities for dialogue across cultures and traditions and challenges the status quo of academic philosophy’s focus on Western thought alone, as exhibited in this book. Doing so has both aesthetic and political implications. In one way, to the extent that comparative philosophy outlines new possibilities for how the world can be distributed—how things can be thought of in their spatiotemporal embodiments—it is involved in artistic practice, the development of an aesthetic, a way of making sense of the sensible. In another way, to the extent that it demonstrates the equality of marginalized voices in its distribution and redistribution of sensibility, comparative philosophy takes on a political dimension. The chapters within point to this politico-aesthetic aspect of comparative philosophy and, indeed, of philosophy in general.
Author: Patrick Jagoda
Publisher: University of Chicago Press
ISBN: 022634665X
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
The term “network” is now applied to everything from the Internet to terrorist-cell systems. But the word’s ubiquity has also made it a cliché, a concept at once recognizable yet hard to explain. Network Aesthetics, in exploring how popular culture mediates our experience with interconnected life, reveals the network’s role as a way for people to construct and manage their world—and their view of themselves. Each chapter considers how popular media and artistic forms make sense of decentralized network metaphors and infrastructures. Patrick Jagoda first examines narratives from the 1990s and 2000s, including the novel Underworld, the film Syriana, and the television series The Wire, all of which play with network forms to promote reflection on domestic crisis and imperial decline in contemporary America. Jagoda then looks at digital media that are interactive, nonlinear, and dependent on connected audiences to show how recent approaches, such as those in the videogame Journey, open up space for participatory and improvisational thought. Contributing to fields as diverse as literary criticism, digital studies, media theory, and American studies, Network Aesthetics brilliantly demonstrates that, in today’s world, networks are something that can not only be known, but also felt, inhabited, and, crucially, transformed.
Author: renée c. hoogland
Publisher: Dartmouth College Press
ISBN: 1611684927
Category : Art
Languages : en
Pages : 249
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Book Description
Instead of asking questions about the symbolic meaning or underlying "truth" of a work of art, renée c. hoogland is concerned with the actual "work" that it does in the world (whether intentionally or not). Why do we find ourselves in tears in front of an abstract painting? Why do some cartoons of the prophet Muhammad generate worldwide political outrage? What, in other words, is the compelling force of visual images, even—or especially—if they are nonfigurative, repulsive, or downright "ugly"? Rather than describing, analyzing, and interpreting artworks, hoogland approaches art as an event that obtains on the level of actualization, presenting "retellings" of specific artistic events in the light of recent interventions in aesthetic theory, and proposing to conceive of the aesthetic encounter as a potentially disruptive, if not violent, force field with material, political, and practical consequences.
Author: Hans van Maanen
Publisher: Amsterdam University Press
ISBN: 9089641521
Category : Philosophy
Languages : en
Pages : 314
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Book Description
Hans van Maanen is professor of art and society at the Department of Arts, Culture & Media Studies of the University of Groningen, the Netherlands.
Author: Cecilia Sjöholm
Publisher: Columbia University Press
ISBN: 0231539908
Category : Philosophy
Languages : en
Pages : 336
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Book Description
Cecilia Sjöholm reads Hannah Arendt as a philosopher of the senses, grappling with questions of vision, hearing, and touch even in her political work. Constructing an Arendtian theory of aesthetics from the philosopher's fragmentary writings on art and perception, Sjöholm begins a vibrant new chapter in Arendt scholarship that expands her relevance for contemporary philosophers. Arendt wrote thoughtfully about the role of sensibility and aesthetic judgment in political life and on the power of art to enrich human experience. Sjöholm draws a clear line from Arendt's consideration of these subjects to her reflections on aesthetic encounters and works of art mentioned in her published writings and stored among her memorabilia. This delicate effort allows Sjöholm to revisit Arendt's political concepts of freedom, plurality, and judgment from an aesthetic point of view and incorporate Arendt's insight into current discussions of literature, music, theater, and visual art. Though Arendt did not explicitly outline an aesthetics, Sjöholm's work substantively incorporates her perspective into contemporary reckonings with radical politics and their relationship to art.
Author: John Plotz
Publisher: Princeton University Press
ISBN: 0691259275
Category : Art
Languages : en
Pages : 360
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Book Description
A critical look at the aesthetic encounter with semi-detachment through literature and art When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience. The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill’s ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen. In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters.
Author: Will Barnes
Publisher: Rowman & Littlefield
ISBN: 1793655677
Category : Philosophy
Languages : en
Pages : 165
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Book Description
Where does Extreme Liberal Cynicism—so common in academic and popular culture—come from, and is it capable of solving the problems it identifies? A Critique of Liberal Cynicism: Peter Sloterdijk, Judith Butler, and Critical Liberalism identifies the motivations and resources within liberal cynicism and their potential for overcoming its pernicious extremes. Will Barnes describes Extreme Liberal Cynicism as a product of mourning, guilt, and the experience of powerlessness stemming from the trauma of holding liberal investments in a world in which these investments are vulnerable to ideological critique and seem to have failed. Extreme Liberal Cynicism seeks invulnerability through disavowing the efficacy of its constitutive ideals achieved via a reified hopelessness that eclipses trauma, guilt, and disempowerment leaving the cynic unhappy, alienated, hostile, obstinate, delusional, and desperate; thus, it is a failing self-defense mechanism. Barnes argues that although Extreme Liberal Cynicism is rationally unjustifiable and intrinsically harmful, it also contains the impetus for a reappropriation of its complex desires and losses. This adjustment could compel the extreme cynic to maintain a moderate critical liberal cynicism committed to critiquing and reinvigorating its constitutive ideals of freedom, equality, and justice, and thereby contribute positively to progressive politics.
Author: Elizabeth Straughan
Publisher: Routledge
ISBN: 1317129288
Category : Social Science
Languages : en
Pages : 320
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Book Description
Geographical Aesthetics places the terms 'aesthetics' and 'geography' under critical question together, responding both to the increasing calls from within geography to develop a 'geographical aesthetics', and a resurgence of interdisciplinary interest in conceptual and empirical questions around geoaesthetics, environmental aesthetics, as well as the spatialities of the aesthetic. Despite taking up an identifiable role within the geographical imagination and sensibilities for centuries, and having what is arguably a key place in the making of the modern discipline, aesthetics remains a relatively under-theorized field within geography. Across 15 chapters Geographical Aesthetics brings together timely commentaries by international, interdisciplinary scholars to rework historical relations between geography and aesthetics, and reconsider how it is we might understand aesthetics. In renewing aesthetics as a site of investigation, but also an analytic object through which we can think about worldly encounters, Geographical Aesthetics presents a reworking of our geographical imaginary of the aesthetic.
Author: Julie Andreyev
Publisher:
ISBN: 9781789384536
Category : Animals in art
Languages : en
Pages : 223
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Book Description
New critical discourse and applied methods based on the author's original research and interspecies art practice, Animal Lover. Each chapter narrates the creative processes of one project, including the worlds of canines, salmon, birds and forest communities, and how these encounters transformed her outlook on Earth and all life. 50 half-tones.
Author: Robert Stam
Publisher: John Wiley & Sons
ISBN: 1118288920
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
Keywords offers a conversational journey through the overlying terrains of politically engaged art and artistically engaged politics, combining a major statement on subversive aesthetics, a survey of radical film strategies, and a lexicon of over a thousand terms and concepts. No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative Creates and illustrates over a thousand terms and concept, drawing its examples from a wide range of media Provides a broad timespan, covering the very ancient (Ramayana, Aristotle) to the most current (digital mashups, memes) Uniquely discusses the areas of film, television and the internet within one book No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative
