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Author: Sarah A. Mattice
Publisher: Cambridge Scholars Publishing
ISBN: 1527506967
Category : Philosophy
Languages : en
Pages : 176
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Book Description
This collection consists of a selection of papers presented at the 2014 Uehiro Cross Currents Philosophy Conference, which focused on comparative philosophy, held at the University of Hawai’i in Mānoa. The annual student conference opens up opportunities for dialogue across cultures and traditions and challenges the status quo of academic philosophy’s focus on Western thought alone, as exhibited in this book. Doing so has both aesthetic and political implications. In one way, to the extent that comparative philosophy outlines new possibilities for how the world can be distributed—how things can be thought of in their spatiotemporal embodiments—it is involved in artistic practice, the development of an aesthetic, a way of making sense of the sensible. In another way, to the extent that it demonstrates the equality of marginalized voices in its distribution and redistribution of sensibility, comparative philosophy takes on a political dimension. The chapters within point to this politico-aesthetic aspect of comparative philosophy and, indeed, of philosophy in general.
Author: Sarah A. Mattice
Publisher: Cambridge Scholars Publishing
ISBN: 1527506967
Category : Philosophy
Languages : en
Pages : 176
Get Book Here
Book Description
This collection consists of a selection of papers presented at the 2014 Uehiro Cross Currents Philosophy Conference, which focused on comparative philosophy, held at the University of Hawai’i in Mānoa. The annual student conference opens up opportunities for dialogue across cultures and traditions and challenges the status quo of academic philosophy’s focus on Western thought alone, as exhibited in this book. Doing so has both aesthetic and political implications. In one way, to the extent that comparative philosophy outlines new possibilities for how the world can be distributed—how things can be thought of in their spatiotemporal embodiments—it is involved in artistic practice, the development of an aesthetic, a way of making sense of the sensible. In another way, to the extent that it demonstrates the equality of marginalized voices in its distribution and redistribution of sensibility, comparative philosophy takes on a political dimension. The chapters within point to this politico-aesthetic aspect of comparative philosophy and, indeed, of philosophy in general.
Author: Will Barnes
Publisher: Rowman & Littlefield
ISBN: 1793655677
Category : Philosophy
Languages : en
Pages : 165
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Book Description
Where does Extreme Liberal Cynicism—so common in academic and popular culture—come from, and is it capable of solving the problems it identifies? A Critique of Liberal Cynicism: Peter Sloterdijk, Judith Butler, and Critical Liberalism identifies the motivations and resources within liberal cynicism and their potential for overcoming its pernicious extremes. Will Barnes describes Extreme Liberal Cynicism as a product of mourning, guilt, and the experience of powerlessness stemming from the trauma of holding liberal investments in a world in which these investments are vulnerable to ideological critique and seem to have failed. Extreme Liberal Cynicism seeks invulnerability through disavowing the efficacy of its constitutive ideals achieved via a reified hopelessness that eclipses trauma, guilt, and disempowerment leaving the cynic unhappy, alienated, hostile, obstinate, delusional, and desperate; thus, it is a failing self-defense mechanism. Barnes argues that although Extreme Liberal Cynicism is rationally unjustifiable and intrinsically harmful, it also contains the impetus for a reappropriation of its complex desires and losses. This adjustment could compel the extreme cynic to maintain a moderate critical liberal cynicism committed to critiquing and reinvigorating its constitutive ideals of freedom, equality, and justice, and thereby contribute positively to progressive politics.
Author: John Plotz
Publisher: Princeton University Press
ISBN: 0691259275
Category : Art
Languages : en
Pages : 360
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Book Description
A critical look at the aesthetic encounter with semi-detachment through literature and art When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience. The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill’s ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen. In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters.
Author: Hans van Maanen
Publisher: Amsterdam University Press
ISBN: 9089641521
Category : Philosophy
Languages : en
Pages : 314
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Book Description
Hans van Maanen is professor of art and society at the Department of Arts, Culture & Media Studies of the University of Groningen, the Netherlands.
Author: Philip Fisher
Publisher: Harvard University Press
ISBN: 9780674955615
Category : Art
Languages : en
Pages : 220
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Book Description
Why pause and study this particular painting among so many others ranged on a gallery wall? Wonder, which Descartes called the first of the passions, is at play; it couples surprise with a wish to know more, the pleasurable promise that what is novel or rare may become familiar. This is a book about the aesthetics of wonder, about wonder as it figures in our relation to the visual world and to rare or new experiences. In three instructive instances--a pair of paintings by Cy Twombly, the famous problem of doubling the area of a square, and the history of attempts to explain rainbows--Philip Fisher examines the experience of wonder as it draws together pleasure, thinking, and the aesthetic features of thought. Through these examples he places wonder in relation to the ordinary and the everyday as well as to its opposite, fear. The remarkable story of how rainbows came to be explained, fraught with errors, half-knowledge, and incomplete understanding, suggests that certain knowledge cannot be what we expect when wonder engages us. Instead, Fisher argues, a detailed familiarity, similar to knowing our way around a building or a painting, is the ultimate meeting point for aesthetic and scientific encounters with novelty, rare experiences, and the genuinely new.
Author: renée c. hoogland
Publisher: Dartmouth College Press
ISBN: 1611684927
Category : Art
Languages : en
Pages : 249
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Book Description
Instead of asking questions about the symbolic meaning or underlying "truth" of a work of art, renée c. hoogland is concerned with the actual "work" that it does in the world (whether intentionally or not). Why do we find ourselves in tears in front of an abstract painting? Why do some cartoons of the prophet Muhammad generate worldwide political outrage? What, in other words, is the compelling force of visual images, even—or especially—if they are nonfigurative, repulsive, or downright "ugly"? Rather than describing, analyzing, and interpreting artworks, hoogland approaches art as an event that obtains on the level of actualization, presenting "retellings" of specific artistic events in the light of recent interventions in aesthetic theory, and proposing to conceive of the aesthetic encounter as a potentially disruptive, if not violent, force field with material, political, and practical consequences.
Author: Samuel Kirwan
Publisher: Routledge
ISBN: 1317553659
Category : Science
Languages : en
Pages : 245
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Book Description
Across the globe, political movements opposing privatisation, enclosures, and other spatial controls are coalescing towards the idea of the ‘commons’. As a result, struggles over the commons and common life are now coming to the forefront of both political activism and scholarly enquiry. This book advances academic debates concerning the spatialities of the commons and draws out the diverse materialities, temporalities, and experiences of practices of commoning. Part one, "Materialising the Commons" focuses on the performance of new geographical imaginations in spatial and material practices of commoning. Part two, "Spaces of Commoning", explores the importance of the turn from ‘commons’ to ‘commoning’, bringing together chapters focusing on the "doing" of commons, and how spaces, materials, bodies and abstract flows are intertwined in these complex and excessive processes. Part three, "An Expanded Commons", explores the broader registers and spaces in which the concept of the commons is at stake and highlights how and where the commons can open new areas of action and research. Part four, "The Capture of the Commons", questions the particular interdependence of ‘the commons’ and ‘enclosure’ assumed within commons literature framed by the concept of neoliberalism. Providing a comprehensive introduction to the diverse ways in which ideas of the commons are being conceptualised and enacted both throughout the social sciences and in practical action, this book foregrounds the commons as an arena for political thought and sets an agenda for future research.
Author: Leslie Atzmon
Publisher: Bloomsbury Publishing
ISBN: 0857856545
Category : Design
Languages : en
Pages : 251
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Book Description
Encountering Things brings together leading design scholars to explore the relationship between thing theory and design, exploring production processes and offering an engaging, theoretical perspective about the social and cultural lives of objects. Focusing on the themes of process and product, the contributors investigate the productive interplay between the activity of design and the objects that design uses and produces. Chapters span the design disciplines and essays examine the processes by which objects, things, and artifacts are made; the lives of design objects; and things in their cultural contexts. Theoretical discussion is encouraged by in-depth case studies of things themselves. Each chapter includes an informational sidebar per essay and a useful glossary of key terms.
Author: Yassine Essid
Publisher: UBC Press
ISBN: 0774823208
Category : Political Science
Languages : en
Pages : 440
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Book Description
Why are globalizing processes unevenly distributed between poor and wealthy countries? What effect do these disparities have on the lives of ordinary people? The contributors to this volume find answers to these questions in the Mediterranean, a region divided between the wealthier nations of the north shore and their poorer neighbours to the south. The divergent histories, economies, cultural and linguistic backgrounds, education systems, and political structures of these two regions lead to explanations not only for uneven globalization but also for the wave of demonstrations that have sparked unrest in North Africa and the Near East.
Author: Julie-Anne Boudreau
Publisher: John Wiley & Sons
ISBN: 1119582210
Category : Social Science
Languages : en
Pages : 240
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Book Description
Both theoretically informed and empirically rich, Youth Urban Worlds explores how urban cultures affect political action amongst youth. Argues that urban cultures challenge the very meaning and contours of the political process Includes ethnographies, delving into the perspectives and knowledges of racialized youth, urban farmers, and “voluntary risk takers,” like dumpster divers, building climbers, and student protestors Theorizes that aesthetics are an increasingly crucial form of political action in the contemporary urban setting and explains the impact of aesthetics on the political Examines the centrality of fun, warmth, aesthetics, and embodiment to these youth’s experience of being in the world Explains how youth are able to practically and concretely impact the political process through the performance of risky and disruptive behavior
