Discursos leídos ante la Real academia española en la recepción pública del sr. D. José Ortega Munilla, el día 30 de marzo de 1902. [Discurso del sr. D. José Ortega Munilla. Discurso del... sr. D. Juan Valera.]. PDF Download
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Author: Juan Valera y Alcalá Galiano
Publisher:
ISBN:
Category :
Languages : es
Pages : 69
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Book Description
![Discursos leídos ante la Real academia española en la recepción pública del sr. D. José Ortega Munilla, el día 30 de marzo de 1902. [Discurso del sr. D. José Ortega Munilla. Discurso del... sr. D. Juan Valera.]. PDF](https://books.google.com/books/content/images/frontcover/CTupygAACAAJ?fife=w80-h100)
Author: Juan Valera y Alcalá Galiano
Publisher:
ISBN:
Category :
Languages : es
Pages : 69
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 684
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Author: University of California, Los Angeles. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1060
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Author: José Ortega Munilla
Publisher:
ISBN:
Category :
Languages : es
Pages : 69
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Author: Museo del Prado
Publisher: T.F. Editores, S.L.C.
ISBN:
Category : Art
Languages : en
Pages : 458
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Book Description
This is effectively a historical journey through the works of the great 19th century Spanish masters from Goya through to Sorolla.
Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 64
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Author: Richard Muther
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 514
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Author: Francisco Goya
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 316
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Book Description
Around 1770 or 1771, Francisco Goya went to Italy for roughly one year. Although it is not known whether he was actually fleeing the Spanish Inquisition, as an artist of his time he was certainly undertaking a pilgrimage to a country in which many (non-Italian) artists had completed their apprenticeships. Myths proliferate about Goya's Italian period. There are tales of his working as an acrobat, romancing a nun and being offering a job as court painter to Catherine the Great. Whatever the truth of these, he certainly came face to face with much inspirational art: Raphael and Michelangelo at the Vatican, Tiepolo, Correggio's frescoes in Parma, plus the Belvedere Torso of Apollonius and the Farnese Hercules of Glykon (both of which he sketched). During this stint, Goya also entered a painting in the Parma Academy competition, winning second prize. But upon his return to Spain, Goya was an artist transformed, liberated from Neoclassicism and free to pursue his own wilder painterly imaginings. By 1774, Goya had gone from anonymity to become Saragossa's most prosperous artist. What was he doing during this murky Italian jaunt? Goya and Italy is the first book to consider this question at length. In its pages, historians have collaborated to recreate the climate of eighteenth-century Rome, to postulate Goya's place in it and to assess the legacy of this shrouded episode in his biography. It will prove an invaluable document for Goya fans.
Author: Oscar E. Vázquez
Publisher: Penn State Press
ISBN: 9780271043951
Category : Antiques & Collectibles
Languages : en
Pages : 350
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Book Description
The pace and scale of the exchange of cultural goods of all sorts&—paintings, furniture, even ladies' fans&—increased sharply in nineteenth-century Spain, and new institutions and practices for exhibiting as well as valorizing &"art&" were soon formed. Oscar V&ázquez maps this cultural landscape, tracing the connections between the growth of art markets and changing patterns of collecting. Unlike many earlier students of collecting, he focuses not upon questions of taste but rather upon the discursive and institutional frameworks that came to regulate art's economic and symbolic worth at all levels of Spanish society. Drawing upon sources that range from newspaper reviews to notarial documents, V&ázquez shows how collecting acquired the power to mediate debates over individual, regional, and national identity. His book also looks at the emergence of a new state apparatus for arts administration and situates these social and political changes in the broader European context. Inventing the Art Collection will be of interest to historians and sociologists of Spain and Europe, as well as art historians and cultural theorists.
Author: Carolyn P. Boyd
Publisher: Princeton University Press
ISBN: 0691026564
Category : Education
Languages : en
Pages : 379
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Book Description
Based on a broad range of archival and published sources, including parliamentary and ministerial records, pedagogical treatises and journals, teachers' manuals, memoirs, and a sample of over 200 primary and secondary school textbooks, the study examines ideological and political conflict among groups of elites seeking to shape popular understanding of national history and identity through the schools, both public and private.
