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Author: Julio Marz?n
Publisher: University of Texas Press
ISBN: 9780292751606
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
As David Ignatow's foreword notes, the time is ripe for a multicultural canonical modernist, and Marzan himself, a poet with Puerto Rican roots, has produced an insightful study of Williams' sometimes hidden, sometimes obvious debt to his Spanish American heritage. At the same time, Marzan raises serious questions about how 'ethnic' literature shapes the modern canon. --American Literature I have been waiting for some time for a study of Williams's Latin American roots, and this book fills that bill. . . . It's a significant addition to the Williams canon. --Paul Mariani, author of William Carlos Williams: A New World Naked William Carlos Williams wrote from an all-encompassing American vision that recalls the spirit of Walt Whitman. Paradoxically, though, this most-American poet sprang from foreign roots--a Puerto Rican mother and a father who was an English-born Caribbean islander. In this poetically evocative work, Julio Marzan explores the Latin American roots of Williams' poetry. In particular, he focuses on the dualities and contradictions between Williams' public, North American persona, Bill, and his private, poetically encrypted Latin persona, Carlos. He shows how Williams' poetry draws on Latin American and Spanish sources, particularly the poetry of Spaniard Luis de Gongora, to encode a Latin subtext in poems that ostensibly present a mainstream, Anglo vision. These explorations uncover a wealth of complexity in Williams and his poetry. Reflecting the experience of many immigrants, his life and work embody the unreconcilable desires to assimilate and win acceptance in a new land while remaining separate and immersed in the beloved culture of one'sbirth. A published poet, Julio Marzan is also editor of Inventing a Word: An Anthology of Twentieth-Century Puerto Rican Poetry.
Author: Julio Marz?n
Publisher: University of Texas Press
ISBN: 9780292751606
Category : Literary Criticism
Languages : en
Pages : 312
Get Book Here
Book Description
As David Ignatow's foreword notes, the time is ripe for a multicultural canonical modernist, and Marzan himself, a poet with Puerto Rican roots, has produced an insightful study of Williams' sometimes hidden, sometimes obvious debt to his Spanish American heritage. At the same time, Marzan raises serious questions about how 'ethnic' literature shapes the modern canon. --American Literature I have been waiting for some time for a study of Williams's Latin American roots, and this book fills that bill. . . . It's a significant addition to the Williams canon. --Paul Mariani, author of William Carlos Williams: A New World Naked William Carlos Williams wrote from an all-encompassing American vision that recalls the spirit of Walt Whitman. Paradoxically, though, this most-American poet sprang from foreign roots--a Puerto Rican mother and a father who was an English-born Caribbean islander. In this poetically evocative work, Julio Marzan explores the Latin American roots of Williams' poetry. In particular, he focuses on the dualities and contradictions between Williams' public, North American persona, Bill, and his private, poetically encrypted Latin persona, Carlos. He shows how Williams' poetry draws on Latin American and Spanish sources, particularly the poetry of Spaniard Luis de Gongora, to encode a Latin subtext in poems that ostensibly present a mainstream, Anglo vision. These explorations uncover a wealth of complexity in Williams and his poetry. Reflecting the experience of many immigrants, his life and work embody the unreconcilable desires to assimilate and win acceptance in a new land while remaining separate and immersed in the beloved culture of one'sbirth. A published poet, Julio Marzan is also editor of Inventing a Word: An Anthology of Twentieth-Century Puerto Rican Poetry.
Author: Ellen G. Friedman
Publisher: Princeton University Press
ISBN: 1400859948
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
These nineteen essays introduce the rich and until now largely unexplored tradition of women's experimental fiction in the twentieth century. The writers discussed here range from Gertrude Stein to Christine Brooke-Rose and include, among others, Virginia Woolf, Jean Rhys, Jane Bowles, Marguerite Young, Eva Figes, Joyce Carol Oates, and Marguerite Duras. "Friedman and Fuchs demonstrate the breadth of their research, first in their introduction to the volume, in which they outline the history of the reception of women's experimental fiction, and analyze and categorize the work not only of the writers to whom essays are devoted but of a number of others, too; and second in an extensive and wonderfully useful bibliography."--Emma Kafalenos, The International Fiction Review "After an introduction that is practically itself a monograph, eighteen essayists (too many of them distinguished to allow an equitable sampling) take up three generations of post-modernists."--American Literature "The editors see this volume as part of the continuing feminist project of the `recovery and foregrounding of women writers.' Friedman and Fuchs's substantive introduction excellently synthesizes the issues presented in the rest of the volume."--Patrick D. Murphy, Studies in the Humanities Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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ISBN:
Category : Government publications
Languages : en
Pages : 1048
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Book Description
Author: Peter Halter
Publisher: Cambridge University Press
ISBN: 9780521431309
Category : Art
Languages : en
Pages : 292
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Book Description
This book is a major step toward a fuller exploration of the connection between the visual arts and Williams' concept of the Modernist poem and of his achievement in transcending an art-for-art's-sake formalism to create poems that both reflect their own nature as a work of art and vividly evoke the world of which they are a part.
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Category : Aeronautics
Languages : en
Pages : 1020
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Book Description
Author: Ron Callan
Publisher: Springer
ISBN: 1349121169
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
This book examines the achievements of William Carlos Williams in the context of the transcendentalism of Ralph Waldo Emerson, Henry David Thorgau and Walt Whitman. The author develops a narrative of sensibilities to enrich the understanding of transcendentalism.
Author: Lucas Klein
Publisher: BRILL
ISBN: 9004375376
Category : Poetry
Languages : en
Pages : 310
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Book Description
What makes a Chinese poem “Chinese”? Some call modern Chinese poetry insufficiently Chinese, saying it is so influenced by foreign texts that it has lost the essence of Chinese culture as known in premodern poetry. Yet that argument overlooks how premodern regulated verse was itself created in imitation of foreign poetics. Looking at Bian Zhilin and Yang Lian in the twentieth century alongside medieval Chinese poets such as Wang Wei, Du Fu, and Li Shangyin, The Organization of Distance applies the notions of foreignization and nativization to Chinese poetry to argue that the impression of poetic Chineseness has long been a product of translation, from forces both abroad and in the past.
Author: John Timberman Newcomb
Publisher: University of Illinois Press
ISBN: 0252093909
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
This book traces the emergence of modern American poetry at the turn of the nineteenth century. With a particular focus on four "little magazines"--Poetry, The Masses, Others, and The Seven Arts--John Timberman Newcomb shows how each advanced ambitious agendas combining urban subjects, stylistic experimentation, and progressive social ideals. While subsequent literary history has favored the poets whose work made them distinct--individuals singled out usually on the basis of a novel technique--Newcomb provides a denser, richer view of the history that hundreds of poets made.
Author: John Beck
Publisher: State University of New York Press
ISBN: 0791489876
Category : Political Science
Languages : en
Pages : 224
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Book Description
Placing the philosopher John Dewey and the poet William Carlos Williams together—two important figures of twentieth-century American culture—this book examines the ambitions and failings of progressive liberal culture during the first half of the twentieth century. This book shows that, while their work ostensibly shares little in common, Williams and Dewey share the ambition to realize the radical potential of a democratic cultural politics. Including close readings of texts like Williams's Spring and All, In the American Grain, and Paterson, and Dewey's Individualism Old and New and Art as Experience, Beck offers an important contribution to current debates over the relationship between politics and cultural production.
Author: Ezra Pound
Publisher: Bloomsbury Publishing
ISBN: 1472589602
Category : Literary Collections
Languages : en
Pages : 355
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Book Description
In the summer of 1936, Ezra Pound agreed to take on the role of European Correspondent for a newly launched travel journal entitled Globe: The International Magazine. Ezra Pound and 'Globe' Magazine: The Complete Correspondence collects for the first time Pound's writings for the journal and his extensive correspondence with one of its editors, James Taylor Dunn, and the leading writers who Pound himself attempted to recruit for the magazine. Numbering almost forty letters and twenty published and unpublished articles, these writings represent a darkly significant time in Pound's thought as his infatuation with the rise of fascism took root. Annotated throughout and supported by substantial explorations of the historical and cultural contexts of the writings, the book also includes a substantial bibliography of related writings and a biographical glossary of the major figures discussed in the correspondence and writing. Together, these texts represent an important resource for anyone interested in an important phase of 20th-Century literary modernism.
