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Author: Gustave Fredric Soderlund
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 150
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Book Description
Author: Gustave Fredric Soderlund
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 150
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Book Description
Author: Gustave Fredric 1881-1972 Soderlund
Publisher: Hassell Street Press
ISBN: 9781014961495
Category :
Languages : en
Pages : 152
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608757
Category : Music
Languages : en
Pages : 320
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Book Description
Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Author: Robert Stewart
Publisher: Scarecrow Press
ISBN: 1461722942
Category : Music
Languages : en
Pages : 240
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Book Description
This is a music theory text that presents a systematic approach to polyphonic composition in the ecclesiastical style of Palestrina. It is designed for use in beginning and intermediate level courses in modal counterpoint and helps students develop a systematic and reliable method to compare individual composers and stylistic trends of the Renaissance. It contains a comprehensive collection of Palestrina's works as well as selections from Lassus. Tear-out exercises can be used in conjunction with the text.
Author: Douglass Green
Publisher: Routledge
ISBN: 1136935096
Category : Music
Languages : en
Pages : 452
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Book Description
Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.
Author: Thomas Benjamin
Publisher: Psychology Press
ISBN: 9780415971713
Category : Art
Languages : en
Pages : 216
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Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Henry Martin
Publisher: Scarecrow Press
ISBN: 9780810854093
Category : Music
Languages : en
Pages : 152
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Book Description
"Counterpoint proceeds by developing species counterpoint in the tradition of Johann Joseph Fux and his famous Gradus ad Parnassum (1725), but with attention to Schenker's more in-depth study. Everyone from beginning music theory students to composers to graduate composition students will benefit from the methods introduced here. As emphasized in the preface, readers are presented with "exercises for composition." Rather than actually teaching a student to compose, working through these exercises will improve musicianship as it applies to both composition and understanding music theory."--BOOK JACKET.
Author: Leonard B. Meyer
Publisher: Pendragon Press
ISBN: 9780918728944
Category :
Languages : en
Pages : 494
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Book Description
Author: Liselotte Martha Schmidt
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 322
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Book Description
Author: Music Library Association
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 562
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Book Description
