Die Veronicagestalt in Den Deutschen Passionsspielen Des 15. Und 16. Jahrhunderts PDF Download
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Author: N H J Zwijnenburg
Publisher: BRILL
ISBN: 9004653880
Category : Drama
Languages : en
Pages : 175
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Author: N H J Zwijnenburg
Publisher: BRILL
ISBN: 9004653880
Category : Drama
Languages : en
Pages : 175
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Author: Katherine T. Brown
Publisher: Routledge
ISBN: 042951607X
Category : Art
Languages : en
Pages : 221
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In The Legend of Veronica in Early Modern Art, Katherine T. Brown explores the lore of the apocryphal character of Veronica and the history of the “true image” relic as factors in the Franciscans’ placement of her character into the Via Crucis (Way of the Cross) as the Sixth Station, in both Jerusalem and Western Europe, around the turn of the fifteenth century. Katherine T. Brown examines how the Franciscans adopted and adapted the legend of Veronica to meet their own evangelical goals by intervening in the fabric of Jerusalem to incorporate her narrative − which is not found in the Gospels − into an urban path constructed for pilgrims, as well as in similar participatory installations in churchyards and naves across Western Europe. This book proposes plausible reasons for the subsequent proliferation of works of art depicting Veronica, both within and independent of the Stations of the Cross, from the early fifteenth through the mid-seventeenth centuries. This book will be of interest to scholars in art history, theology, and medieval and Renaissance studies.
Author: David A. Wells
Publisher: BRILL
ISBN: 9004454705
Category : Language Arts & Disciplines
Languages : en
Pages : 375
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The so-called Central Franconian Rhyming Bible (“Mittelfränkische Reimbibel”), although surviving in only a fragmentary condition, is one of the most thematically wide-ranging works of the neglected corpus of Early Middle High German religious poems of the eleventh and twelfth centuries. In its original form the work may have incorporated Christian world-history from the Creation to the Last Judgement. The surviving fragments point to a substantial engagement by a poet from a northwestern dialectal region on the border of High German, Low German, and Middle Dutch with material from the early Old Testament, the Gospels, and the apocryphal and hagiographical legends relating to early Church history. The commentary is the first comprehensive treatment of the theological and literary subject-matter of the work since that of Hugo Busch in 1879/80, and complements the recent linguistic studies of Thomas Klein. The study of sources and analogues conclusively demonstrates that the text – probably of early-twelfth-century date – is a series of homilies, often closely related to German pre-mendicant sermons, and an important witness to the possible existence of a vernacular sermon tradition at an earlier date than existing manuscript evidence suggests. It also includes features of central importance for knowledge of the text tradition of seminal Christian apocrypha. The substantial introduction and conclusion include a comparison with the Old English homiletic corpus of Ælfric of Eynsham. The commentary is also accompanied by the Middle High German text from Friedrich Maurer’s standard edition, and a straightforward prose translation into English intended to make the neglected work accessible to medievalists of different disciplines.
Author: Herbert L. Kessler
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 422
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Category : History, Ancient
Languages : en
Pages : 546
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Category : Germanic philology
Languages : nl
Pages : 744
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Category : German literature
Languages : de
Pages : 460
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Category : Electronic journals
Languages : en
Pages : 598
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Author: Daniel Meyer-Dinkgräfe
Publisher: Rodopi
ISBN: 9401210292
Category : Law
Languages : en
Pages : 229
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Book Description
Daniel Meyer-Dinkgräfe and co-authors take the exploration of the subjective dimension of theatre, its spiritual context, its relation to consciousness and natural law, further than ever before, thanks to the context provided by the thinking of German geobiologist Hans Binder. We present relevant aspects of Binder’s approach as precisely as possible, then take Binder’s approach for granted to tease out the implications of that approach to the issues of theatre, including nostalgia, intercultural theatre, theatre criticism, dealing with demanding roles, the canon, theatre and philosophy, digital performance, practice as research, and applied theatre. Overall, the book proposes an overarching emphasis on the importance of living in the present and the concomitant need to abandon obsolete but still powerful patterns of the past. In this context, theatre, according to Binder, has a global responsibility for the new world in which humans are liberated from the scourge of the past. Theatre has the power and thus the responsibility to be path-breaking for a new “fiction”, to show to people, in a playful and creative manner, the direction in which the new consciousness can move. Daniel Meyer-Dinkgräfe is Professor of Drama at the Lincoln School of Performing Arts, University of Lincoln. He has numerous publications on the topic of ‘Theatre and Consciousness’ to his credit, and is founding editor of the peer-reviewed web-journal Consciousness, Literature and the Arts and the book series of the same title with Rodopi.
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Category : Catalogs, Publishers'
Languages : de
Pages : 2016
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