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Author: Ghulam Sarwar Yousof
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 344
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Book Description
A comprehensive guide to traditional theatre terminology used in the countries of South-East Asia, including descriptions of characters, physical stages, performance techniques, rituals, costumes, masks and puppetry
Author: Ghulam Sarwar Yousof
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 344
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Book Description
A comprehensive guide to traditional theatre terminology used in the countries of South-East Asia, including descriptions of characters, physical stages, performance techniques, rituals, costumes, masks and puppetry
Author: James R. Brandon
Publisher: Cambridge University Press
ISBN: 9780521588225
Category : Drama
Languages : en
Pages : 266
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Book Description
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Author: Soo Pong Chua
Publisher:
ISBN: 9789149192982
Category :
Languages : en
Pages : 156
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Book Description
Author: Ghulam Sarwar Yousof
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
A comprehensive guide to traditional theatre terminology used in the countries of South-East Asia, including descriptions of characters, physical stages, performance techniques, rituals, costumes, masks and puppetry
Author: Marcus Cheng Chye Tan
Publisher: Springer Nature
ISBN: 3030346862
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
Performing Southeast Asia: Performance, Politics and the Contemporary is an important reconsideration of the histories and practices of theatre and performance in a fluid and dynamic region that is also experiencing an overarching politics of complexity, precarity and populist authoritarian tendencies. In a substantial introductory essay and essays by leading scholars, activists and practitioners working inside the region, the book explores fundamental questions for the arts. The book asks how theatre contributes to and/or addresses the political condition in the contemporary moment, how does it represent the complexity of experiences in peoples’ daily lives and how does theatre engage in forms of political activism and enable a diversity of voices to flourish. The book shows how, in an age of increasingly violent politics, political institutions become sites for bad actors and propaganda. Forces of biopolitics, neo-liberalism and religious and ethnic nationalism intersect in unpredictable ways with decolonial practices – all of which the book argues are forces that define the contemporary moment. Indeed, by putting the focus on contemporary politics in the region alongside the diversity of practices in contemporary theatre, we see a substantial reformation of the idea of the contemporary moment, not as a cosmopolitan and elite artistic practice but as a multivalent agent of change in both aesthetic and political terms. With its focus on community activism and the creative possibilities of the performing arts the region, Performing Southeast Asia, is a timely intervention that brings us to a new understanding of how contemporary Southeast Asia has become a site of contest, struggle and reinvention of the relations between the arts and society. Peter Eckersall The Graduate Center City University of New York Performing Southeast Asia – with chapters concerned with how regional theatres seek contextually-grounded, yet post-national(istic) forms; how history and tradition shape but do not hold down contemporary theatre; and how, in the editors’ words, such artistic encounters could result in theatres ‘that do not merely attend to matters of cultural heritage, tradition or history, but instead engage overtly with theatre and performance in the contemporary’ – contributes to the possibility of understanding what options for an artistically transubstantiated now-ness may be: to the possibility, that is, of what might be called a ‘Present-Tense Theatre’. C. J. W.-L. Wee Professor of English Nanyang Technological University Performing Southeast Asia examines contemporary performance practices and their relationship with politics and governance in Southeast Asia in the twenty-first century. In a region haunted historically by strongman politics, authoritarianism and militarism, religious tension and ethnic strife, the chapters reveal how contemporary theatre and performances in the present reflect yet challenge dominant socio-political discourses. The authors analyse works of political commitment and conviction, created and performed by Southeast Asian artists, as modes and platforms of reaction and resistance to the shifting political climates that inform contemporary life in urban Southeast Asia. The discussions center on issues of state hegemonies and biopolitics, finance and sponsorship, social liberalism and conservatism, the relevance of history and tradition, and globalisation and cultural practice. These diverse yet related concerns converge on an examination of the efficacies of theatre and performance as means of political intervention and transformation that point to alternative embodiments of political consciousness through which artists propose critical options for rethinking the state, citizenship, identity and belonging in a time of seismic socio-political change. The editors also reframe an understanding of ‘the contemporary’ not simply as a temporal adjective but, in the context of present Southeast Asia, as a geopolitical condition that shapes artistic and performance practices.
Author: GHULAM-SARWAR YOUSOF
Publisher: Partridge Singapore
ISBN: 1482895404
Category : Biography & Autobiography
Languages : en
Pages : 239
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Book Description
This book contains a selection of non-academic materials on a wide range of topics related to Malaysian culture. Several of them deal with traditional Malay theatre genres, particularly mak yong, recognised by UNESCO as an item of the Oral and Intangible Heritage of Humanity in 2005, the shadow play and bangsawan. Others record the contributions of prominent personalities as practitioners, preservers, teachers and transmitters of oral traditions. The author touches upon issues related to the precarious situation in the arts in a rapidly changing Malay society which has in general neglected traditional performing arts forms under pressures exerted by modenisation and the simultaneous wave of Islamicisation. His own involvement in teaching, research, documentation as well as preservation of many of these arts provides unique personal insights into some of the problems and pertinent issues. Other essays of a more general nature, touch upon the continuing and at times controversial relationships between Malay cultural manifestations and those in neighbouring countries, contributions of the minority Indian-Muslim community in Malaysia, and upon the role of the administration in the preservation of heritage. The brief accounts contained in this volume are presented in a direct and readable manner for the non-expert enthusiast of culture and the arts from the perspective of someone deeply and passionately involved.
Author: Katherine Brisbane
Publisher: Routledge
ISBN: 1134929781
Category : Performing Arts
Languages : en
Pages : 544
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Book Description
This volume featrues over 250,000 words and more than 125 photographs identifying and defining theatre in more than 30 countries from India to Uzbekistan, from Thailand to New Zealand and featuring extensive documentation on contemporary Chinese, Japanese, Indian and Australian theatre.
Author: Dennis Kennedy
Publisher: Oxford University Press, USA
ISBN: 0199574197
Category : Performing Arts
Languages : en
Pages : 705
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Book Description
An authoritative reference covering primarily actors, playwrights, directors, styles and movements, companies and organizations.
Author:
Publisher: BRILL
ISBN: 9004686533
Category : Performing Arts
Languages : en
Pages : 382
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Book Description
This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. Royal courts have long been sites for the creation, exchange, maintenance, and development of myriad forms of performing arts and other distinctive cultural expressions. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries.
Author: Arvind Sharma
Publisher: Bloomsbury Publishing USA
ISBN: 0313378975
Category : Religion
Languages : en
Pages : 273
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Book Description
This book offers a unique perspective on September 11 and our world after this tragic event, sharing lessons from an Asian religious experience that can help heal a world troubled by religious conflicts and deepening divisions, and promote a positive global transformation. Existing literature regarding the events of September 11 and our world afterward has focused mostly on the West and the Middle East. Asian Perspectives on the World's Religions after September 11 extends this discussion to include Asia—a continent and culture far too important to be ignored in any assessment of the global impact of this event. The book is organized along the following themes, as they emerged post-September 11th: religion and civilizational dialogue; religion, conflict, and peace; religion and human rights; religion and ethics; religion and the arts; religion, hermeneutics, and literature; religion and gender; religion and ecology; and religion and globalization. Individuals who are studying or teaching political science, international relations, philosophy, ethics, Asian studies, or religious studies will find the text invaluable, while general readers will appreciate the largely unvoiced Asian perspective on this topic.
