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Author: Sarah Allison
Publisher: JHU Press
ISBN: 1421425629
Category : Computers
Languages : en
Pages : 185
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Book Description
Introduction the syntax of Victorian moralizing: on choosing a proxy for style -- In defense of reading reductively -- The shockingly subtle criticism of the London Quarterly Review, 1855-1861 -- Relative clauses and the narrative present tense in George Eliot -- generalization and declamation : Elizabeth Barrett Browning's present-tense poetics -- A moral technology: speech tags in Charles Dickens's dialogue -- Conclusion : a grammar of perception
Author: Sarah Allison
Publisher: JHU Press
ISBN: 1421425629
Category : Computers
Languages : en
Pages : 185
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Book Description
Introduction the syntax of Victorian moralizing: on choosing a proxy for style -- In defense of reading reductively -- The shockingly subtle criticism of the London Quarterly Review, 1855-1861 -- Relative clauses and the narrative present tense in George Eliot -- generalization and declamation : Elizabeth Barrett Browning's present-tense poetics -- A moral technology: speech tags in Charles Dickens's dialogue -- Conclusion : a grammar of perception
Author: Soultana K. Maglavera
Publisher: BRILL
ISBN: 9004489657
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
This study offers a series of readings of Dickens's later novels: Bleak House, Hard Times, Little Dorrit, A Tale of Two Cities, Great Expectations, and Our Mutual Friend. The discussions of the novels assume the basic distinction between the arrangement of events in their chronological order (story) and their arrangement in the narrative (plot), and are based on Genette's classifications of the various types of anachronies as well as on the more functionally oriented categories of anachronies I myself suggest. The temporal organization of the narratives, in upsetting the sequential order of events in specific ways, invites reflection on the very nature of the notion of causality, which, in turn, is related to two interconnected ideas: that truth is not always to be found by logical reasoning and that appearances do not necessarily convey the truth. Closely related to these ideas is a Christian attitude towards time: both linear and circular forms of time are subsumed and at the same time re-formulated within a Christian vision of time, informed by the basic human feelings of love and compassion.
Author: Juliet John
Publisher: DS Brewer
ISBN: 1843843269
Category : Literary Collections
Languages : en
Pages : 246
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Book Description
Essays exploring the ways in which Dickens' vision is both so much of its time, and yet has so much resonance for today. The scale of the 2012 bicentenary celebrations of Dickens's birth is testimony to his status as one of the most globally popular literary authors the world has ever seen. Yet Dickens has also become associated in the public imagination with a particular version of the Victorian past and with respectability. His continued cultural prominence and the "brand recognition" achieved by his image and images suggest that his vision reaches out beyond the Victorianperiod. Yet what is the relationship between Dickens and the modern world? Do his works offer a consoling version of the past or are they attuned to that state of uncertainty and instability we associate with the nebulous but resonant concept of modernity? This volume positions Dickens as both a literary and a cultural icon with a complex relationship to the cultural landscape in his own period and since. It seeks to demonstrate that oppositions which have pervaded approaches to Dickens - Victorian vs modern, artist vs entertainer, culture vs commerce - are false, by exploring the diversity and multiplicity of Dickens's textual and extra-textual lives. A specially commissioned Afterword by Florian Schweizer, Director of the Dickens 2012 celebrations, offers a fascinating insight into the shaping of this year-long public programme of commemoration of Dickens. Like the volume as a whole, it asks us toconsider the nature of our connection with "this quintessentially Victorian writer" and what it is about Dickens that still appeals to people around the world. Professor Juliet John holds the Hildred Carlile Chair of English Literature, Royal Holloway, University of London. Contributors: Jay Clayton, Holly Furneaux, John Drew, Michaela Mahlberg, Juliet John, Michael Hollington, Joss Marsh, Carrie Sickmann, Kim Edwardes Keates, DominicRainsford, Florian Schweizer
Author: Lisa Rodensky
Publisher: OUP Oxford
ISBN: 0191652520
Category : Literary Criticism
Languages : en
Pages : 2484
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Book Description
Much has been written about the Victorian novel, and for good reason. The cultural power it exerted (and, to some extent, still exerts) is beyond question. The Oxford Handbook of the Victorian Novel contributes substantially to this thriving scholarly field by offering new approaches to familiar topics (the novel and science, the Victorian Bildungroman) as well as essays on topics often overlooked (the novel and classics, the novel and the OED, the novel, and allusion). Manifesting the increasing interdisciplinarity of Victorian studies, its essays situate the novel within a complex network of relations (among, for instance, readers, editors, reviewers, and the novelists themselves; or among different cultural pressures - the religious, the commercial, the legal). The handbook's essays also build on recent bibliographic work of remarkable scope and detail, responding to the growing attention to print culture. With a detailed introduction and 36 newly commissioned chapters by leading and emerging scholars -- beginning with Peter Garside's examination of the early nineteenth-century novel and ending with two essays proposing the 'last Victorian novel' -- the handbook attends to the major themes in Victorian scholarship while at the same time creating new possibilities for further research. Balancing breadth and depth, the clearly-written, nonjargon -laden essays provide readers with overviews as well as original scholarship, an approach which will serve advanced undergraduates, graduate students, and established scholars. As the Victorians get further away from us, our versions of their culture and its novel inevitably change; this Handbook offers fresh explorations of the novel that teach us about this genre, its culture, and, by extension, our own.
Author: Sebastian Hoffmann
Publisher: John Benjamins Publishing Company
ISBN: 9027268355
Category : Language Arts & Disciplines
Languages : en
Pages : 176
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Book Description
In this stimulating collection of papers, leading researchers from Europe and North America demonstrate the theoretical and methodological importance of corpus studies of phraseology and show how data-intensive case studies provide new perspectives on language use. One of the main theoretical findings of recent linguistics is that phraseology is central to language organization. The authors show how software and statistical techniques can reveal phraseological patterns in different text types – literary, academic and commercial – and also typical paths of language change across the last 200 years. These patterns are revealed only when computational methods are applied to corpora consisting of hundreds of millions of running words, collected from thousands of authentic texts. A major feature of the book is its critical comparison and evaluation of different quantitative and statistical tools, which readers can use for their own empirical work. Originally published in International Journal of Corpus Linguistics, Vol. 18:1 (2013).
Author: Daniel Tyler
Publisher: Cambridge University Press
ISBN: 1107028434
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Written by leading scholars, this collection of essays offers the first comprehensive and accessible book on Dickens's style.
Author: Michaela Mahlberg
Publisher: Routledge
ISBN: 1135123586
Category : Language Arts & Disciplines
Languages : en
Pages : 238
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Book Description
This book presents an innovative approach to the language of one of the most popular English authors. It illustrates how corpus linguistic methods can be employed to study electronic versions of texts by Charles Dickens. With particular focus on Dickens’s novels, the book proposes a way into the Dickensian world that starts from linguistic patterns. The analysis begins with clusters, i.e. repeated sequences of words, as pointers to local textual functions. Combining quantitative findings with qualitative analyses, the book takes a fresh view on Dickens’s techniques of characterisation, the literary presentation of body language and speech in fiction. The approach brings together corpus linguistics, literary stylistics and Dickens criticism. It thus contributes to bridging the gap between linguistic and literary studies and will be a useful resource for both researchers and students of English language and literature.
Author: Adrian T. Smith
Publisher: BRILL
ISBN: 9004274898
Category : Religion
Languages : en
Pages : 620
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Book Description
In The Representation of Speech Events in Chariton's Callirhoe and the Acts of the Apostles, Adrian T. Smith summarizes cross-linguistic research on how and why narrators vary the formulae that introduce direct speech. This research is applied to Chariton and to Acts. The findings demonstrate that narrators vary quotation formulae for numerous pragmatic purposes, including the tracking of conversational dynamics via a set of 'marked' and 'unmarked' quotation devices.
Author: Peter J. Capuano
Publisher: Cornell University Press
ISBN: 1501772880
Category : History
Languages : en
Pages : 289
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Book Description
Dickens's Idiomatic Imagination offers an original analysis of how Charles Dickens's use of "low" and "slangular" (his neologism) language allowed him to express and develop his most sophisticated ideas. Using a hybrid of digital (distant) and analogue (close) reading methodologies, Peter J. Capuano considers Dickens's use of bodily idioms—"right-hand man," "shoulder to the wheel," "nose to the grindstone"—against the broader lexical backdrop of the nineteenth century. Dickens was famously drawn to the vernacular language of London's streets, but this book is the first to call attention to how he employed phrases that embody actions, ideas, and social relations for specific narrative and thematic purposes. Focusing on the mid- to late career novels Dombey and Son, David Copperfield, Bleak House, Great Expectations, and Our Mutual Friend, Capuano demonstrates how Dickens came to relish using common idioms in uncommon ways and the possibilities they opened up for artistic expression. Dickens's Idiomatic Imagination establishes a unique framework within the social history of language alteration in nineteenth-century Britain for rethinking Dickens's literary trajectory and its impact on the vocabularies of generations of novelists, critics, and speakers of English.
Author: Matthew Bevis
Publisher: OUP Oxford
ISBN: 0191615617
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
'In the course of these fifty years we have become a nation of public speakers. Everyone speaks now. We are now more than ever a debating, that is, a Parliamentary people' (The Times, 1873). The Art of Eloquence considers how Byron, Dickens, Tennyson, and Joyce responded to this 'Parliamentary people', and examines the ways in which they and their publics conceived the relations between political speech and literary endeavour. Drawing on a wide range of sources - classical rhetoric, Hansard, newspaper reports, elocutionary manuals, treatises on crowd theory - this book argues that oratorical procedures and languages were formative influences on literary culture from Romanticism to Modernism. Matthew Bevis focuses attention on how the four writers negotiated contending political demands in and through their work, and on how they sought to cultivate forms of literary detachment that could gain critical purchase on political arguments. Providing a close reading of the relations between printed words and public voices as well as a broader engagement with debates about the socio-political inflections of the aesthetic realm, this is a major study of how styles of writing can explore and embody forms of responsible political conduct.
